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Antlers (2021 film)
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Wikipedia article
{{Infobox film
| name = Antlers
| image = AntlersOctober2021poster.png
| caption = Theatrical release poster
| director = Scott Cooper
| producer =
| screenplay =
| based_on =
| starring =
| music = Javier Navarrete
| cinematography = Florian Hoffmeister
| editing = Dylan Tichenor
| studio =
| distributor = Searchlight Pictures
| released =
| runtime = 99 minutes
| country =
| language = English
| budget =
| gross = $35.7million
}}
'Antlers' is a 2021 supernatural horror film directed by Scott Cooper, and stars Keri Russell, Jesse Plemons, Jeremy T. Thomas, Graham Greene, Scott Haze, Rory Cochrane, and Amy Madigan. The screenplay, written by C. Henry Chaisson, Nick Antosca, and Cooper, was adapted from Antosca's short story "The Quiet Boy," originally published in 'Guernica' magazine in January 2019. The film follows a school teacher as she suspects one of her students is suffering from personal problems in his home life, not knowing that the student is harboring an evil demon in his house.
The project was announced in July 2018 with Cooper attached to direct, and the cast joining the next month. Filming took place in British Columbia in October and November 2018.
'Antlers' premiered at Beyond Fest on October 11, 2021, and was theatrically released in the United States on October 29, 2021, by Searchlight Pictures, after being delayed twice from an April 2020 release date due to the COVID-19 pandemic. The film received mixed reviews from critics, who praised the cinematography, acting and the horror elements, but criticized the screenplay.
Plot
In the small town of Cispus Falls in central Oregon, Frank Weaver runs a meth lab out of an inactive mine. While his 7-year-old son Aiden waits outside in his truck, Frank and an accomplice are attacked by an unseen creature.
Three weeks later, 12-year-old Lucas Weaver, Frank's eldest son and Aiden's older brother, spends his time roaming the town, collecting roadkill and killing small animals before taking them home. Lucas's teacher, Julia Meadows, is alarmed by his strange behavior and frightening drawings, and attempts to bond with the troubled boy. She begins to suspect that Lucas is being abused and becomes determined to help him, spurred by her own experience of childhood abuse at the hands of her mentally ill alcoholic father. Since her father's recent suicide, she returned to Cispus Falls to be with her brother Paul, who is the local sheriff, and whom she feels guilty about abandoning when she was younger. Julia visits Lucas' rundown home and hears strange sounds.
A flashback shows Frank survived the attack, and set up a locked room in the attic after returning home with Aiden, who was also attacked, demanding that Lucas should keep them locked inside no matter what. Lucas is feeding his sickly, and now-ravenously feral father and brother with the animal carcasses he retrieves.
Half of the remains of Frank's accomplice are found in the woods by former sheriff Warren Stokes. Paul and Warren later discover the other part of Frank's accomplice in the mine along with a part of an antler. Meanwhile, Julia pressures the school principal Ellen into paying Frank a visit. Ellen discovers the room where Frank and Aiden are locked up, which she unlocks and enters. Frank kills Ellen before antlers burst out of his body. Frank, now transformed into a savage antlered creature, kills Lucas' school bully Clint Owens when Lucas is harassed by the boy.
Ellen is reported missing and Julia visits the Weaver house, where she finds Ellen's car. The police arrive and discover Ellen's body along with Frank's, which is now a charred husk. Aiden is nowhere to be found. When Lucas returns home, he is taken to the hospital, where Julia and Paul are told he is severely malnourished, dehydrated, and shows physical signs of having been abused for years. Julia decides to let Lucas stay with her.
The next day, while Lucas recovers in the hospital, Julia and Paul pay Warren a visit and show him Lucas' drawings. Warren identifies the figure as a wendigo, a legendary Algonquin creature that appears as a ravenous, cannibalistic demon and passes from person to person. It can only be killed when it is weakest: as it is feeding and to extinguish its beating heart. Clint's body is discovered that night. Lucas is discharged and learns that Frank is dead. He tells Julia that Frank is coming for him, to take him down to the mine to be with Aiden.
The transformed Frank uses Aiden to lure Paul's fellow sheriff Dan out and kill him. Julia and Lucas hide while Paul is badly wounded. Lucas escapes to the mine and Julia and Paul follow, armed with a pistol. Inside, Julia discovers Lucas and Aiden, and sees that Frank has indeed become a demon, currently feasting on a dead black bear. After a fight, she kills the wendigo-possessed Frank with Lucas' help. The wendigo spirit passes into Aiden and Julia stabs Aiden to death, seemingly ending the curse.
Sometime later, Paul and Julia discuss keeping Lucas with them for a while despite concerns he may become possessed as well. As Julia and Lucas leave, Paul begins to cough up a black bile, as Frank had when first possessed by the demon.
Cast
Production
In July 2018, it was announced that Guillermo del Toro would produce 'Antlers', a film to be directed by Scott Cooper with Keri Russell in negotiations to star. It was planned to begin filming in Vancouver, British Columbia, by the fourth quarter of 2018. In August 2018, Jesse Plemons joined the cast. In October 2018, Jeremy T. Thomas, Graham Greene, Amy Madigan, Scott Haze, and Rory Cochrane joined the cast.
Principal photography began on October 1, 2018, and finished on November 30, 2018. The film was primarily shot in and around Hope, British Columbia.
Release
'Antlers' premiered at Beyond Fest in Los Angeles on October 11, 2021. It was theatrically released in the United States on October 29, 2021.
The film originally previously scheduled to be released on April 17, 2020, but was removed from the release calendar due to the COVID-19 pandemic. It was rescheduled to February 19, 2021, before being removed from the release calendar again.
'Antlers' was released on digital download on December 21, 2021. This was followed by a Blu-ray and DVD release on January 4, 2022, by Walt Disney Home Entertainment.
Reception
Box office
'Antlers ' grossed $10.6million in the United States and Canada, and $25.1million in other territories, for a worldwide total of $35.7million.
In the United States and Canada, 'Antlers' was released alongside 'Last Night in Soho' and the expansion of 'The French Dispatch' and was projected to gross around $5million from 2,800 theaters in its opening weekend. The film made $1.7million on its first day and went on to debut to $4.2million, finishing seventh at the box office. In its second weekend the film dropped 53% to $2million.
Critical response
The website's critics consensus reads: "It struggles to find a successful balance between its genre and allegorical elements, but 'Antlers' is sharp enough to recommend as a richly atmospheric creature feature." On Metacritic, the film has a weighted average score of 57 out of 100 based on 33 critical reviews, indicating "mixed or average reviews". Audiences polled by CinemaScore gave the film an average grade of "C+" on an A+ to F scale, while those at PostTrak gave it a 59% positive score, with 42% saying they would definitely recommend it.Todd Gilchrist of 'TheWrap' gave the film a mostly positive review, calling it "a handsome, meticulous, yet overly serious entry in a horror sub-genre explored too infrequently; Guillermo del Toro was right to choose Cooper, but what the film needs is more of del Toro's own exuberance to truly bring it to life." Linda Marric of 'The Jewish Chronicle' gave the film a score of 3/5 stars, writing: "'Antlers' is both dark in tone and aesthetically stunning to look at. Cooper does a fantastic job in creating a suitably dark and disturbing atmosphere to go with the film's decidedly dark body horror narrative", but added that it "eventually leans a little too heavily on jarringly obvious allegories about drug addiction and child abuse, losing all the things it had built on in the process". Jake Wilson of 'The Age' gave the film 3/5 stars, describing it as "murky but interesting" and writing that it "is a lot less goofy than you'd expect from a horror movie called 'Antlers', certainly less goofy than it would have been if its producer Guillermo del Toro had directed it himself". John DeFore of 'The Hollywood Reporter' wrote that the film was "thoroughly successful both as icky art house horror and as an allegory of generational trauma" and praised Jeremy T. Thomas' performance. Brian Lowry of CNN wrote: "The net effect isn't necessarily bad assuming that expectations are modest, and there's something to be said for a more understated, small-scale approach to horror that doesn't confuse body count with scares."
Eric Eisenberg of 'CinemaBlend' gave the film a 2.5/5 star rating, saying in a mixed review, "Given its promise and everything it does right, 'Antlers' winds up being a frustrating experience." Meagan Navarro, writing for 'Bloody Disgusting', also gave the film 2.5/5 stars and said that Cooper takes it too seriously, putting the emotional trauma at the forefront and saving the horror for the finale. She labelled the film a "monologue". Kevin Maher of 'The Times' gave the film 2/5 stars, writing: "A sterling performance from Keri Russell is wasted on this po-faced yet inherently silly horror film about a mutant killer humanoid stag monster." Benjamin Lee of 'The Guardian' also gave the film 2/5 stars, writing: "There's probably a semi-decent creature feature here and maybe, with a hefty amount of redrafting, a semi-decent human drama but as it stands it fails at both, a satisfying, coherent film buried underneath copious amounts of animal guts." Clarisse Loughrey of 'The Independent' gave the film 2/5 stars, writing: "There are measured performances here by both Russell and Plemons, two unfailingly talented actors, and a host of well-crafted practical effects... But all the trickery in the world can't conceal how inauthentic 'Antlers' feels at heart." Barry Hertz of 'The Globe and Mail' wrote: "'Antlers' is a gross film... But the film's 'eeeeeghghgh' quality isn't limited to its on-screen viscera Antler's gross-ness extends to its screenplay's slop-bucket collection of overused but underdeveloped themes, and a visual style that cough-gurgles poverty-porn fetishism." Anna Bogutskaya said on BBC Radio 5 Live: "It's really egregious, I think, how it just pulls out First Nations mythologies, like the mythology of the Wendigo, and the only First Nations actor that they cast in the film, Graham Greene, basically just delivers a bunch of spooky exposition and then disappears."
References
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