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The Monster (2016 film)
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Wikipedia article
'The Monster' (originally titled 'There Are Monsters') is a 2016 American-Canadian monster horror film written and directed by Bryan Bertino, and starring Zoe Kazan and Ella Ballentine. Its plot follows a troubled mother and her adolescent daughter who find themselves stranded at night on a country road with a malicious creature hunting them.
The film was released through DirecTV Cinema on October 6, 2016, before opening in a limited release on November 11, 2016, via A24.
Plot
Kathy (Zoe Kazan) is driving her teenage daughter Lizzy (Ella Ballentine) to her father's house as it's his turn for custody. Tired of taking care of her abusive, alcoholic mother, Lizzy makes it clear she wants to live with her father permanently. As night falls, Kathy hits a wolf with her car. But its injuries look like they were sustained by an animal attack rather than their car. Kathy is injured in the collision, forcing Lizzy to call a tow truck and ambulance.
The tow truck arrives and its driver, Jesse, begins working underneath the car. Lizzy notices the wolf's body is gone and now becomes frightened. Tired with bickering, Kathy gets out of the car to talk to Jesse but cannot find him. Jesse's severed arm abruptly lands on the hood of the car. A severely mauled Jesse crawls out of the woods, only for a monstrous creature to drag him under the tow truck and eat him before Kathy can help.
Attracted by the sound of music emanating from Lizzy's teddy bear, the monster drags Kathy out from the car. Luckily, it is scared away by the approaching ambulance before it is able to kill Kathy. As Kathy and Lizzy cower in the ambulance, the monster slaughters the EMT team. It smashes into the ambulance when Kathy tries to drive off, causing her to swerve into the woods.
Kathy begins vomiting up blood and realizes she has internal bleeding. Now aware that the monster is scared away by bright light (and her inevitable death is coming), Kathy uses her lighter to make a torch and tells her daughter her plan. She's going to run into the woods so the monster will chase her while Lizzy escapes into the road to get help. Kathy finally admits to Lizzy she does truly love her; even more than life itself.
Under the impression Lizzy has gotten away, Kathy allows the monster to attack (and kill) her. But Lizzy, who was unwilling to leave her mother behind, chases it away with the flashlight. Upon realizing her mother is dead, a distraught and enraged Lizzy (now determined to avenge Kathy's death) uses a spray can from the ambulance combined with her mother's lighter to set the monster ablaze. It attempts to lunge at her with its last bits of strength while near-fatally wounded, but Lizzy beats it to death with a large stick finally killing it.
Lizzy remembers after a particularly hateful, alcohol-fueled encounter, Kathy apologized and correctly predicted Lizzy would grow up to be a better person than she was. As the sun rises, Lizzy emerges from the woods.
Cast
* Zoe Kazan as Kathy
* Ella Ballentine as Lizzy
* Aaron Douglas as Jesse
* Christine Ebadi as Leslie Williams
* Marc Hickox as John Brooks
* Scott Speedman as Roy
* Chris Webb as Monster
* Meeko as Wolf
Production
Concept
In 2014, Bryan Bertino announced that he would direct the film from a screenplay he also wrote. William Green and Aaron Ginsburg of Atlas Entertainment and Adrienne Biddle of Unbroken Pictures would serve as producers, while Richard Suckle and Sonny Mallhi would serve as executive producers.Commenting on his aspirations writing the screenplay, Bertino stated:
Casting
Elisabeth Moss was originally announced to star in the film in May 2014. The following year, after Moss dropped out of the production, Zoe Kazan joined the cast, replacing Moss. Commenting on committing to the project, Kazan stated that she was "really captured by the story of these two people, especially of the mother really struggling against her worst behaviors to protect her child. Shes not in the habit of taking very good care of her daughter and I dont think shes well equipped for motherhood. I was moved by that storyline." To prepare for the role as a mother, Kazan requested Ballentine's mother for baby photos of her to help Kazan get into the mindset of being a mother.
In August 2015, it was announced that Scott Speedman, Aaron Douglas and Ella Ballentine all joined the cast of the film. Speedman, who had previously starred in Bertino's directorial debut 'The Strangers' (2008), was cast as Roy, Kathy's boyfriend.
Filming
Filming began in Ottawa, Ontario in the summer of 2015. Principal photography concluded on August 21, 2015. Reflecting on the shoot, Kazan stated: "We were in a very isolated situation shooting in rural Ontario, and there wasnt a lot around. [Ella Ballentine and I] were basically the only actors in the film, so we spent a tremendous amount of time together and with her mom. It wasnt all because we were just trying to bond for the movie, it was also because we enjoyed each others company. It definitely helped that bond as did the three days of rehearsal."Release
Theatrical distribution
In May 2015, A24 acquired U.S distribution rights to the film. In April 2016, the first image of Kazan's character was revealed. The films original title, 'There Are Monsters', was changed to 'The Monster' in August 2016.The film was released on the DirecTV Cinema platform on October 6, 2016. On November 11, 2016, the film was given a limited theatrical release simultaneously with its debut on other video on demand platforms.
The film screened at the Beyond Fest on October 6, 2016, the Tacoma Film Festival on October 7, 2016, and the Sitges Film Festival on October 15, 2016.
Critical response
'The Monster' received positive reviews from film critics while receiving negative marks from moviegoers. It holds an 80% approval rating on review aggregator website Rotten Tomatoes, based on 50 reviews, with an average rating of 6.8/10. The site's critical consensus reads, "'The Monster' uses its effectively simple setup and a powerful lead performance from Zoe Kazan to deliver a traditional yet subtly subversiveand thoroughly entertaininghorror story. However, the audience approval rating is only 40%. " On Metacritic, the film holds a rating of 69 out of 100, based on 13 critics, indicating "generally favorable reviews".Manohla Dargis, in her review for 'The New York Times', compared the film to other horror stories about "monstrous motherhood" released for art house and multiplex crowds, saying 'The Monster' was "cleverly pitched somewhere in between." Of the two main actresses and their roles, Dargis noted "Ms. Kazan gives her lungs a workout, and while shes more persuasive as a scream queen than as a mother, she and Ms. Ballentine get the job done." Justin Chang of the 'Los Angeles Times' praised Bertino's establishment of suspense, writing that he "doles out the jolts with a judicious hand. For a while, 'The Monster' smartly keeps its teeth-snapping main attraction either on the edges of the frame or draped in shadow, distracting us instead with the sinister patter of raindrops on the windshield, or the glow of a flashlight beam... Not least of the surprises here is that even when 'The Monster' is trying to scare you witless, its every scene insistently reaffirms its characters humanity."
Brian Tallerico of RogerEbert.com praised the creature effects, likening to those in 'Alien', as well as Kazan's performance, which he wrote "captures the truth of the moment in which Kathy struggles. Kazan doesnt play the symbolism of the piece. She plays a mother fighting for the life of her child and herself. Its a committed, fearless performance in how it never betrays the reality of her dilemma. Its not a typical performance from Kazan, but its a great one." 'The Hollywood Reporter's Justin Lowe wrote that the film "reduces primal fear to its fundamental elements," praising cinematographer Julie Kirkwoods "ominously prowling camera and sometimes deliberately murky lighting consistently amplify tension by obscuring the threat lurking just beyond the frame." Dennis Harvey of 'Variety' commended the film's establishment of characters and its "conceptual simplicity... sharply assembled in all departments, wringing the maximum suspense and variety out of what might have easily become a claustrophobically monotonous handful of outdoor and car-interior locations."
Home media
The film was released on Blu-ray and DVD on January 24, 2017.References
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