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Ai Weiwei: The Fake Case
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Wikipedia article
'Ai Weiwei: The Fake Case' is a 2013 documentary film about Chinese artist and activist Ai Weiwei, directed by Danish filmmaker Andreas Johnsen. The film won Best 2014 Documentary in Danish Film Critics Association's 67th Bodil Awards, played in the official selection of 2014 Hot Docs Canadian International Documentary Festival in Toronto and International Documentary Film Festival Amsterdam.[http://www.bodilprisen.dk/2014 Danish Film Critics' Association's Bodil Awards 2014 Winners][http://www.hotdocs.ca/media/press_releases/hot_docs_announces_complete_made_in_denmark_selections Hot Docs Announces Complete Made In Denmark Selections][http://realscreen.com/2013/10/11/return-to-homs-ai-weiwei-the-fake-case-set-for-idfa/ Return to Homs, Ai Weiwei: The Fake Case set for IDFA]
The documentary explores Ai Weiwei's battle against the fake tax case thrust on him by the Chinese government in effort of political suppression and the consequences that the 81-day detention had on his art, politics and personal life. It was pitched at the 2012 MeetMarket as part of the Sheffield Doc/Fest.
Description
'Ai Weiwei The Fake Case' opens with scenes of Ai Weiwei being released from his 81-day detention spent in solitary confinement, and he is subsequently put on house arrest following gigantic and inexplicable charges of tax evasion, a case film's title references. He suffers from a sleeping disorder and memory loss, 18 cameras are monitoring his studio and home, police agents follow his every move, and heavy restrictions from the Kafkaesque Chinese authorities weigh him down. Ai Weiwei is visibly shaken, but during his year on probation he steadily finds new ways to provoke and challenge the mighty authoritarian regime in his fight for human rights and free expression.
The film picks up where Alison Klayman's 'Ai Weiwei: Never Sorry' left off, but 'Ai Weiwei The Fake Case' is more explicitly political.Makinen, Julie (10 June 2014) [http://www.latimes.com/entertainment/movies/la-et-mn-ai-weiwei-interview-fake-case-20140610-story.html "For Chinese artist Ai Weiwei, 'free' is a relative term"] 'Los Angeles Times' The documentary also features creation of S.A.C.R.E.D., an artwork featuring sculpture dioramas of Ai's time in prison, which premiered during the 2013 Venice Biennale.Higgins, Charlotte (30 May 2013) [https://www.theguardian.com/artanddesign/2013/may/30/ai-weiwei-venice-biennale "Ai Weiwei shows Venice Biennale his many sides"] 'The Guardian'
Critical reception
On review aggregator Rotten Tomatoes, the film holds an approval rating of 93% based on 27 reviews, with an average rating of 7.14/10. On Metacritic, the film has a weighted average score of 73 out of 100, based on 13 critics, indicating "generally favorable reviews".
References
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