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The Optimists (film)

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Wikipedia article




'The Optimists' is a 2006 Serbian black comedy film directed by Goran Paskaljevi. The film, presented as five unrelated narrative sequences, was inspired by Voltaire's 1759 satirical novel, 'Candide'. 'The Optimists' features an ensamble cast of Serbian actors with Lazar Ristovski appearing in all five storylines.

The film premiered at the 2006 Toronto International Film Festival (TIFF)Hernandez, Eugene. [https://www.indiewire.com/article/toronto_06_daily_dispatch_oh_canada_toronto_fest_looks_north_to_launch_31st/ Toronto 06 Daily Dispatch: Oh, Canada! Toronto Fest Looks North to Launch 31st Fest], indieWire, September 7, 2006. Accessed April 27, 2010. and was subsequently screened at several other film festivals, earning multiple awards. The 51st Valladolid International Film Festival named Ristovski Best Actor, and the film won the Youth Jury Award and the Golden Spike award as the best film of the festival. 'The Optimists' was included as part of a retrospective exhibition on director Paskaljevi at the Museum of Modern Art in 2008.Anderson, John. [https://www.nytimes.com/2008/01/09/movies/09film.html A Serbian Director's Eye Remains Fixed on Uncomfortable Truths], 'The New York Times', January 9, 2008. Accessed April 27, 2010.[http://www.moma.org/calendar/film/1180 MoMA Presents: Goran Paskaljevic's 'The Optimists'], 'Museum of Modern Art', Summer 2011. Accessed October 30, 2015.

Plot



A large flood has almost destroyed a village. A hypnotist (Ristovski) comes to the village and speaks to the destitute inhabitants. Free of charge, the hypnotist offers to lift the villagers' spirits through hypnosis. The villagers doubt the hypnotist's noble motive and accuse him of an apparent theft. The police arrest, beat, and interrogate him.

A sleazy businessman (Tihomir Arsi) takes a young female employee (Bojana Novakovi) to a rural area and rapes her. The girl's father (Ristovski) is upset and wants to kill the man. Fearing that the powerful businessman will fire him, the father apologizes to the businessman instead, implying the daughter was responsible for the assault and inconvenienced the businessman.

Ilija's (Viktor Savi) father Ratomir (Ristovski) recently died. Ilija gambles away the money saved for his father's funeral. He meets an old lady (Mira Banjac) recently diagnosed with a terminal illness. She has had a lucky streak on the slot machines ever since her diagnosis. Ilija joins her in hopes of rejoicing with her success.

Pera (Ristovski), the owner of a large slaughterhouse, calls a doctor (Neboja Glogovac) to his home complaining that his 12-year-old son (Neboja Milovanovi) is giving him a heart attack. Pera locks up his son because the 12-year-old feels overly dedicated to the family business, so much so that he slaughters every animal he sees. The doctor realizes that Pera wants him to treat the son, not the slaughterhouse owner.

A con man posing as a faith healer (Ristovski) approaches a group of people with various disabilities and illnesses. He offers, for a fee, to take them by the busload to a spring that has magical healing powers where they will be cured. The group boards the bus and arrives at the destination. Once there, the con man abandons the group and leaves the site. The group, having realized the con man has abandoned them, does not prevent the bus from leaving because they are still determined to get the full benefit of the spring's healing waters.

Reception



Critical response

Dan Fainaru of 'Screen International' wrote a positive review for 'The Optimists' in which he stated that, besides the film's "seemingly gloomy viewpoint", the director's "compassion is as pronounced as his sarcasm, and his sympathy for his characters no less evident than his derision." Fainaru tied the 'Candide' inspiration to Paskaljevi's "attempts to pinpoint some of the reasons that have held his part of the world back in the past and still do to this day", he commented that the director "plays his cast like a virtuoso", that he "displays superb confidence in his choice of camera set-ups" and commended the cinematography, music and art direction. On Lazar Ristovski's performance, Fainaru commented that Ristovski's "powerful personality often tends to sweep everybody else off the screen."Fainaru, Dan. [http://www.screendaily.com/the-optimists-optimisti/4028711.article The Optimists (Optimisti)], 'Screen International', September 15, 2006. Accessed April 27, 2010. Stephen Holden, reviewing for 'The New York Times', described the screenplay as "blunt and to the point". Praising the performances as "subtly tinged with a surreal comic edge", he singled out Ritovski for his "formidable presence" whose performance paints "a grotesque composite Serbian everyman". He stated that the film's stories "illustrate the universal impulse to believe in a better future, no matter what" and thus was not as "starkly Hobbesian" as Paskaljevi's 1998 film 'Cabaret Balkan'.Holden, Stephen. [https://www.nytimes.com/2011/07/28/movies/the-optimists-by-goran-paskaljevic-review.html Best of All Possible Worlds: When Life Gives You Mud, Take a Mud Bath], 'The New York Times', July 28, 2011. Accessed October 30, 2015. Bill Weber for Slant Magazine agreed: "This autumnal statement compensates for its fixed despair with bracing wit and a willingness to see acceptance of misery as the best of all possible options".Weber, Bill. [https://www.slantmagazine.com/film/review/the-optimists The Optimists], 'Slant Magazine', July 26, 2011. Accessed October 30, 2015.

Reviewing the film for 'Variety' magazine at its screening at the 2006 TIFF, Dennis Harvey gave the film a mixed review. Harvey stated that although the "stories' conceits have promise", "there's a certain flatness of execution that reduces everything to the same watchable but dispiritingly minor plane." He also opined that the film expresses a futility that "might well have become a powerful statement in itself" but that it is, ultimately, "is blunted by a sense of artistic inertia." Commenting on the separated narrative structure, similar to 'Cabaret Balkan', he stated that "Rather than parting on a note of irony or resolution, most of these tales simply deadend when situations have achieved their equilibrium of hopelessness and defeat." He reservedly commended the acting, appreciating Ristovski's work for "nimbly vanishing into five separate roles" and commenting on the other performances as being "solid if seldom inspired". On the film being inspired by 'Candide', Harvey commented that certain elements were notably missing. He claimed that "Voltaire's satirical savagery is missing here - not his cynicism, but the wit and fury that punched it across."Harvey, Dennis. [https://www.variety.com/review/VE1117931609.html?categoryid=31&cs=1&p=0 The Optimists], 'Variety', September 15, 2006. Accessed April 27, 2010.

Awards

* Cinma Tout Ecran (2006)[http://www.cinema-tout-ecran.ch/2006/f/home/documents/COMMUNIQUEPALMARES_ANG.pdf 12th International Film and Television Festival], Cinma Tout Ecran, November 2006. Accessed April 27, 2010.

** The FIPRESCI International Critics Award

** Best Production - Goran Paskaljevi

** Young Jury Mention

* 51st Valladolid International Film FestivalGreen, Jennifer. [http://www.screendaily.com/the-optimists-triumphs-at-valladolid/4029332.article The Optimists triumphs at Valladolid], 'Screen International', October 30, 2006. Accessed April 27, 2010.

** Golden Spike

** Best Actor - Lazar Ristovski

** Youth Jury Award

* 23rd Festroia International Film Festival[http://www.mostra.org/32/exib_filme_arquivo.php?ano=31&filme=6714&language=en The Optimists (2006) Serbia], Associao Brasileira Mostra Internacional de Cinema, 2009. Accessed April 27, 2010.

** Audience Award

See also



* Cinema of Serbia

* 2006 in film

* List of Serbian films

References




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