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Kamikaze Girls
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Wikipedia article
{{Infobox animanga/Print
| type = light novel
| author = Novala Takemoto
| illustrator =
| publisher = Shogakukan
| publisher_en = Viz Media
| demographic =
| imprint =
| published =
}}
{{Infobox animanga/Print
| type = manga
| author =
| publisher = Shogakukan
| publisher_en = Viz Media
| demographic =
| imprint = Flower Comics
| magazine = Betsucomi
| published = 2004
| first =
| last =
| volumes = 1
| volume_list =
}}
'Kamikaze Girls', originally released in Japan as , is a 2002 Japanese light novel written by Novala Takemoto. The story centers on the friendship between two students named Momoko Ryugasaki and Ichigo "Ichiko" Shirayuri. These two are from completely different backgrounds: one is a Lolita-fashioned girl and the other, her antithesis, is a (juvenile delinquent). Viz Media licensed the novel for an English-language release in North America in 2006.
A live-action film adaptation of the novel directed by Tetsuya Nakashima premiered in Japan in May 2004. It starred Kyoko Fukada as Momoko and Anna Tsuchiya as Ichigo. It was filmed in the town of Shimotsuma in Ibaraki Prefecture in eastern Japan. Viz Media screened the film in select theaters in the United States in late 2005 under the title 'Kamikaze Girls'. They released it on DVD with hardcoded English subtitles in January 2006. The DVD extras include the original Japanese movie trailers, an interview with the lead actors, and a music video featuring Anna Tsuchiya. Third Window Films released 'Kamikaze Girls' on Blu-ray in the United Kingdom in February 2010. The Blu-ray contains optional English subtitles, the same extras as the DVD, and the short film 'Birth of Unicorn Ryuji'.
A manga series based on the novel was illustrated by Yukio Kanesada and serialized in Shogakukan's 'Betsucomi' magazine in 2004. The chapters were later collected into a single (bound volume) published under Shogakukan's Flower Comics imprint. Viz Media licensed the manga for an English-language release in North America in 2006.
Plot
The book begins with Momoko talking about her life as a lolita living in a small town in the Japanese countryside. She is the only lolita in her town and has no friends, but she doesn't care and believes that her lolita clothes are all she needs to make her happy. She is obsessed with getting clothes from 'Baby, The Stars Shine Bright', her favorite clothing boutique. When she runs out of money, she decides to sell some of her father's old bootleg clothes. When Ichigo, a member of an all-girl biker gang finds out about the bootleg apparel, she decides to take a look and is easily impressed with them. She soon shows up at Momoko's house almost daily to buy things for the members of her gang. They become closer friends and embark on a journey to 'Baby, The Stars Shine Bright', where Momoko meets the brand's designer. Because of her skill with embroidery, Momoko is recruited to embroider a dress. At a pachinko parlour, Ichigo meets a gangster with a pompadour and falls in love. However, she soon discovers that he is the fiance of her gang leader.
Heartbroken by the loss of her first love and inspired by Momoko's independence, Ichigo plans to leave her gang. To do this, she accepts their "challenge," which involves a ritualistic beating. Momoko finds out about the challenge and goes to Ichigo's aid. After scaring the gang by pretending to be the daughter of a famous gangster, Momoko is considered the winner, and the two girls ride off laughing.
When it comes time for Momoko to show the designer her embroidery, she arrives on time and everyone loves her work. Ultimately, she decides she is happier wearing the clothing than making it. As for Ichigo, she is offered to work as a model for 'Baby, The Stars Shine Bright' after she impresses a cameraman. On her first day of work, she leaves bruises on five of the crew members but nonetheless becomes sought after by other brands. The movie ends with an image of Momoko and Ichigo riding along the road and laughing.
Interpretation
Like most films, much film interpretation focuses on editing, sound, and 'mise-en'-scene elements characteristic of Nakashima's Japanese film style, with special focus on the clothing.
Framing
During the entire movie, the two main characters are framed on opposite sides of the shot, with the majority having Momo on the right side and Ichigo on the leftthere is usually some visual barrier between them. When Momo offers to embroider Ichigo's jacket, it is the first such scene where Momo is the one to go through the barrier separating these two (in this scene: the doorframe). In the final battle scene, Momo for the first time crosses over the boundary separating the two, symbolizing their evolved relationship and having picked up part of Ichigo's aggressive personality for the first time.Sound
Throughout Kamikaze Girls, Nakishima uses different sonic techniques to foreshadow and mirror how Ichigo and Momoko's personalities develop due to one another's influences. Timbre and energy in voice highlight how their personalities morph over the movie, discordance in sound highlights different personal catalysts for change in the girls lives, and the emotional effect of specifically silenced acoustic elements like sound or music add to the emotional impact of the girls respective transformations. There are three scenes in the movie that are good examples of this: the restaurant scene and Ichigo's backstories, the first pachinko visit's conclusion, and the final contrastive moment when Momo saves Ichigo.The restaurant scene establishes sonic dissonance as a motif symbolizing change of personality (33:30). When Ichigo realizes she has had enough of the domestic piano and bullied independence as a child, she smashes the piano keys in a discordant waycontinuing grating sobbing till Akimi picks her up, and establishes Ichigo's sense of identity. When Momo says how she really feels about the embroiderer's existence, Ichigo headbutts her into a disconcerting crash of silverware, creating a sense of discontinuity that hints to the non-existence of Himiko and inconsistency in Ichigo's stories. Jarring and disconcerting tones thus come to be associated with change and recur later with the gong.
The scene after Pachinko (43:23) continues to demonstrate Momoko's independent-mindedness and Ichigo's usual sense of justice through sound. From the start of the movie, Momoko's feminine squeals are overlaid with playful piano sounds, and Ichigo's gruff yelling is punctuated by motorcycle roaring and rock music blasting, setting the stage for sound driven contrasts throughout the movie. In front of the pachinko parlor the first time, these qualities are exaggerated: Momo makes her voice even shriller and more mocking as she calls Ichigo-san! and Ichigo takes a gruffer tone and becomes more violent with her, eventually leading to a comedic Foley kick and thud on the concrete.
Having defined these as the extremes of their personalities, it is a jarring shift when it swaps (1:28:01). In the late scene where Momo saves Ichigo, Momoko screams across three cuts when Ichigo's blood splatters on her, each time changing pitch as the camera cuts to a different distance, to emphasize the jarringness. Soon, her style and inner feelings are confirmed through the constant Roccoco-style piano in the background, while her exterior persona morphs to swing and scream at the gang. Loud gongs emphasize shocks in both the audience and the gang and create dissonance to doubly underscore the massive strength and selflessness that Momoko has finally picked up from Ichigo.
Through the film, sonic tools underpin audience realization of personality changes of Momo and Ichigo. Dissonance is used as a tool to symbolize personality change, especially Ichigo becoming more independent during the restaurant scene. Voice timbres and pitches emphasize certain personality traits of the two girls, and both dissonance and timbres combine in the final battle to herald Momo's first major change in her act of support for Ichigo.
Media
Novel
Live-action film
Cast* Kyoko Fukada as Momoko Ryugasaki
* Anna Tsuchiya as Ichigo "Ichiko" Shirayuri
* Hiroyuki Miyasako as Dame Oyaji, Momoko's father
* Ryoko Shinohara as Saionji Midori, Momoko's mother
* Kirin Kiki as Momoko's grandmother
* Sadawo Abe as "Unicorn" Ryuji
* Yoshinori Okada as Akinori Isobe
* Eiko Koike as Akimi, a gang member
* Shin Yazawa as Miko, a gang member
* Yoshiyoshi Arakawa as the grocery store manager
* Katsuhisa Namase as the pachinko parlor manager
* Hirotaro Honda as a yakuza boss
Staff
* Director Tetsuya Nakashima
* Director of Photography Shoichi Ato
* Production Designer Towako Kuwashima
* Animation Yojiro Nishimura (Studio 4C)
* Music Yoko Kanno
Manga
The manga adaptation of 'Kamikaze Girls' was illustrated by Yukio Kanesada and serialized in Shogakukan's 'Betsucomi' magazine in 2004. Shogakukan collected the chapters into a single (bound volume) and published it in June 2004. The manga's storyline is a condensed version of the original novel and only takes up about half of the volume; the latter half contains a bonus story in which Ichigo falls in love with the twin brother of the boy she loved in the novel. Viz Media licensed the manga for an English-language release in North America. A preview first appeared in the November 2005 issue of their 'Shojo Beat' magazine. Viz published the full volume on February 7, 2006.Reception
Critical response
'Kamikaze Girls' was awarded Best Film, Best Director, Best Actress, and two other awards at the 26th Yokohama Film Festival. It also won Best Film and Best Director at the 14th Japan Film Professional Awards. For her performance in the film, Anna Tsuchiya was named Best New Actress at the Awards of the Japanese Academy, the Blue Ribbon Awards, and the Hochi Film Awards.Review aggregation website Rotten Tomatoes gives 'Kamikaze Girls' an approval rating of 62%, based on 29 reviews, with an average rating of 6.1/10. The film also has a 56/100 average ("mixed or average reviews") on the review aggregator Metacritic.
Box office
Released on May 29, 2004, 'Kamikaze Girls' debuted at No. 4 on its opening weekend (behind 'Crimson Rivers II', 'Troy', and 'Crying Out Love in the Center of the World').References
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