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Erin Brockovich (film)
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Wikipedia article
{{Infobox film
| name = Erin Brockovich
| image = Erin Brockovich (film poster).jpg
| caption =Theatrical release poster
| director = Steven Soderbergh
| producer =
| writer = Susannah Grant
| starring =
| music = Thomas Newman
| cinematography = Ed Lachman
| editing = Anne V. Coates
| studio = Universal Pictures
Columbia Pictures
Jersey Films
| distributor =
| released =
| runtime = 130 minutes
| country = United States
| language = English
| budget = $52 million
| gross = $256.3 million
}}
'Erin Brockovich' is a 2000 American biographical legal drama film directed by Steven Soderbergh and written by Susannah Grant. The film is a dramatization of the true story of Erin Brockovich, portrayed by Julia Roberts, who fought against the energy corporation Pacific Gas and Electric Company (PG&E) regarding its culpability for the Hinkley groundwater contamination incident. The film was a box-office success, and gained a positive critical reaction.
The film received five nominations at the 73rd Academy Awards, including Best Picture, Best Director for Soderbergh, Best Original Screenplay for Grant, Best Actress for Roberts (which she won), and Best Supporting Actor for Finney. Roberts also won a BAFTA award, a Golden Globe, a Screen Actors Guild Award, and multiple critics awards. Soderbergh received a separate Best Director nomination for 'Traffic', another film released that same year, which he won. Early in the film, the real Erin Brockovich has a cameo appearance as a waitress named Julia; the real Ed Masry also appears in the same scene.
Plot
In 1993, Erin Brockovich is an unemployed single mother of three children who has recently been injured in a traffic accident with a doctor and is suing him. Her lawyer, Ed Masry, expects to win, but Erin's confrontational courtroom behavior under cross-examination loses her the case, and Ed will not return her phone calls afterwards. One day, he arrives at work to find her in the office, apparently working. She says that he told her things would work out and they did not, and that she needed a job. She asks Ed for a job, which he reluctantly gives her.
Erin is given files for a real estate case where the Pacific Gas and Electric Company (PG&E) is offering to purchase the home of Donna Jensen, a resident of Hinkley, California. Erin is surprised to see medical records in a real estate file and visits Donna, who explains that she had simply kept all her PG&E correspondence together. Donna appreciates PG&E's help: she has had several tumors and her husband has Hodgkin's lymphoma, but PG&E has always provided a doctor at their own expense. Erin asks why they would do that, and Donna replies, "because of the chromium". Erin begins digging into the case and finds evidence that the groundwater in Hinkley is seriously contaminated with carcinogenic hexavalent chromium, while PG&E has been telling Hinkley residents that they use a safer form of chromium. After several days away from the office investigating, she finds her possessions missing from her desk. She is then informed by Brenda, Mr. Masry's secretary, that she has been fired for missing a week of work. Despite protesting that she has been out conducting research, Erin nevertheless leaves defeated.
Later, Ed visits Erin because he needs the documents she found while investigating, and she takes the chance to request her job back in return. Rehired, she continues her research, and over time, visits many Hinkley residents and gains their trust. Ed and Erin hold a barbecue in order to speak to many of the residents and explain to them what PG&E has been trying to get away with, at which point Erin is awkwardly flirted with by one of the men. Erin and Ed find numerous medical problems in Hinkley, and that virtually everyone has been treated by PG&E's doctors who have led them to believe their issues are unrelated to the "safe" chromium. The Jensens' claim for compensation ultimately becomes a major class action lawsuit. Unfortunately, Ed explains that all direct evidence is linked solely to PG&E Hinkley, rather than PG&E corporate. Until headquarters can be implicated, PG&E corporate can deny any knowledge of what's happening in Hinkley.
Knowing that PG&E could slow any settlement for years through delays and appeals, Ed decides to pursue binding arbitration rather than a trial by jury, but PG&E will only agree to arbitration if 90% of the plaintiffs agree. During a town hall meeting with the Hinkley residents, Ed goes over the plan with everyone feeling unsure. At one point, Erin spots the man who flirted with her at the barbecue. She brushes off the man's looks, as Ed struggles to explain the virtue of arbitration versus a 1015 year battle in court. Eventually everyone in attendance agrees, and over the next several days Ed and Erin persuade all 634 plaintiffs to go along.
One night Erin stops at a bar to see one of the residents, when she unexpectedly bumps into the man she's seen at the last two Hinkley events. After some uncomfortable conversation the man reveals himself to be named Charles Embry; a former PG&E employee who in his job was ordered to "destroyed documents." Erin realizes Charles has been trying to confide in her, and finally hears his story. Charles tells Erin he and his cousin were both employees with PG&E Hinkley. Heartbroken, he tells her his cousin has just died, dying painfully from the poison he interacted with at PG&E. He goes on to explain that PG&E tasked him with destroying documents, but, "as it turns out, [he] wasn't a very good employee".
Embry gives Erin the documents, including a 1966 memo proving corporate headquarters knew the water was contaminated with hexavalent chromium, and advised PG&E Hinkley to keep this secret. The judge orders PG&E to pay a settlement amount of $333 million to be distributed among the plaintiffs, $5 million of which goes to the Jensens. Erin brings her boyfriend with her when she tells them about it, and he is happy when he understands what it was all for.
In the aftermath, Ed hands Erin her bonus payment for the case, but warns her he has changed the amount. She begins complaining loudly that she deserves more respect, but is astonished to find that he has paid her 2 million dollars.
Cast
* Julia Roberts as Erin Brockovich
* Albert Finney as Edward L. Masry
* Aaron Eckhart as George, Erin's biker boyfriend
* Marg Helgenberger as Donna Jensen
* Tracey Walter as Charles Embry
* Peter Coyote as Kurt Potter
* Cherry Jones as Pamela Duncan
* Scarlett Pomers as Shanna Jensen
* Conchata Ferrell as Brenda, Mr. Masry's secretary
* Erin Brockovich as Waitress Julia
* Michael Harney as Pete Jensen
* Veanne Cox as Theresa Dallavale
* Scotty Leavenworth as Matthew Brown
* Gemmenne de la Pea as Katie Brown
* Gina Gallego as Ms. Sanchez, a PG & E attorney
* T. J. Thyne as David Foil
* Valente Rodriguez as Donald
* Jamie Harrold as Scott
* Edward L. Masry as Diner Patron (uncredited)
* Manning Bailey as Party Extra (uncredited)
Production
The film was shot over eleven weeks, five weeks of that taking place in Ventura, California.
'Erin Brockovich' performed well with test audiences but executives at Universal Studios were worried that audiences would be turned off by the title character's use of profane language.
Reception
Box office
'Erin Brockovich' was released on March 17, 2000, in 2,848 theaters and grossed $28.1 million on its opening weekend. It went on to make $126.6 million in North America and $130.7 million in the rest of the world for a worldwide total of $257.3 million.Critical response
On review website Rotten Tomatoes 'Erin Brockovich' holds an approval rating of 85% based on 150 reviews, with an average rating of 7.50/10. The critics consensus reads, "Taking full advantage of Julia Roberts's considerable talent and appeal, 'Erin Brockovich' overcomes a few character and plot issues to deliver a smart, thoughtful, and funny legal drama." On Metacritic, the film has a weighted score of 73 out of 100 based on 36 critics, indicating "generally favorable reviews." Audiences polled by CinemaScore gave the film an average grade of "A" on an A+ to F scale.In his review for 'The New York Observer', Andrew Sarris wrote, "We get the best of independent cinema and the best of mainstream cinema all in one package. 'Erin Brockovich', like 'Wonder Boys' right before it, makes the year 2000 seem increasingly promising for movies". 'Newsweek' magazine's David Ansen began his review with, "Julia Roberts is flat-out terrific in 'Erin Brockovich'." Furthermore, he wrote, "Roberts has wasted her effervescence on many paltry projects, but she hits the jackpot this time. Erin, single mother of three, a former Miss Wichita who improbably rallies a community to take on a multi-billion-dollar corporation, is the richest role of her career, simultaneously showing off her comic, dramatic and romantic chops". 'Rolling Stone' magazine's Peter Travers wrote, "Roberts shows the emotional toll on Erin as she tries to stay responsible to her children and to a job that has provided her with a first taste of self-esteem". In his review for 'Entertainment Weekly', Owen Gleiberman gave the film a "B+" rating and wrote, "It's a delight to watch Roberts, with her flirtatious sparkle and undertow of melancholy, ricochet off Finney's wonderfully jaded, dry-as-beef-jerky performance as the beleaguered career attorney who knows too much about the loopholes of his profession to have much faith left in it". 'Sight & Sound' magazine's Andrew O'Hehir wrote, "Perhaps the best thing about this relaxed and supremely engaging film (for my money the best work either the director or his star has ever done) is that even its near-fairytale resolution doesn't offer a magical transformation". In her review for 'The Village Voice', Amy Taubin wrote, "What's pretty original about the picture is that it focuses an investigative drama based on a true story around a comic performance".
However, film critic Roger Ebert gave the film a two-star review, writing, "There is obviously a story here, but 'Erin Brockovich' doesn't make it compelling. The film lacks focus and energy, the character development is facile and thin". In his review for 'The New York Times', A.O. Scott wrote, "After proving, for about 40 minutes, what a marvelous actress she can be, Ms. Roberts spends the next 90 content to be a movie star. As the movie drags on, her performance swells to bursting with moral vanity and phony populism". 'Time' magazine's Richard Corliss found the film to be "slick, grating and false. We bet it makes a bundle".
Accolades
Julia Roberts became the first actress to win an Academy Award, BAFTA Award, Critics' Choice Movie Award, Golden Globe Award, National Board of Review Award, and Screen Actors Guild Award for a single performance.Steven Soderbergh (who was nominated for Best Director) lost to himself for his work on the film 'Traffic'.
{|class="wikitable"
|-
! Award
! Category
! Recipient(s)
! Result
|-
| rowspan="5"| Academy Awards
| Best Picture
| Danny DeVito, Michael Shamberg and Stacey Sher
|
|-
| Best Director
| Steven Soderbergh
|
|-
| Best Actress
| Julia Roberts
|
|-
| Best Supporting Actor
| Albert Finney
|
|-
| Best Screenplay Written Directly for the Screen
| Susannah Grant
|
|-
| Amanda Awards
| Best Foreign Feature Film
| Steven Soderbergh
|
|-
| American Film Institute Awards
| colspan="2"| Top 10 Movies of the Year
|
|-
| Artios Awards
| Outstanding Achievement in Feature Film Casting Drama
| Margery Simkin
|
|-
| rowspan="2"| Awards Circuit Community Awards
| Best Actress in a Leading Role
| Julia Roberts
|
|-
| Best Actor in a Supporting Role
| Albert Finney
|
|-
| rowspan="3"| Blockbuster Entertainment Awards
| Favorite Actress Drama
| Julia Roberts
|
|-
| Favorite Supporting Actor Drama
| Albert Finney
|
|-
| Favorite Supporting Actress Drama
| Marg Helgenberger
|
|-
| BMI Film & TV Awards
| Film Music Award
| Thomas Newman
|
|-
| colspan="3"| Bogey Awards
|
|-
| rowspan="4"| Boston Society of Film Critics Awards
| colspan="2"| Best Film
|
|-
| Best Director
| Steven Soderbergh
|
|-
| Best Actress
| Julia Roberts
|
|-
| Best Supporting Actor
| Albert Finney
|
|-
| rowspan="6"| British Academy Film Awards
| Best Film
| Danny DeVito, Michael Shamberg and Stacey Sher
|
|-
| Best Direction
| Steven Soderbergh
|
|-
| Best Actress in a Leading Role
| Julia Roberts
|
|-
| Best Actor in a Supporting Role
| Albert Finney
|
|-
| Best Original Screenplay
| Susannah Grant
|
|-
| Best Editing
| Anne V. Coates
|
|-
| rowspan="2"| Chicago Film Critics Association Awards
| Best Actress
| Julia Roberts
|
|-
| Best Supporting Actor
| rowspan="2"| Albert Finney
|
|-
| Chlotrudis Awards
| Best Supporting Actor
|
|-
| Costume Designers Guild Awards
| Excellence in Contemporary Film
| Jeffrey Kurland
|
|-
| rowspan="4"| Critics' Choice Movie Awards
| colspan="2"| Top 10 Films
|
|-
| colspan="2"| Best Picture
|
|-
| Best Director
| Steven Soderbergh
|
|-
| Best Actress
| Julia Roberts
|
|-
| rowspan="4"| Dallas-Fort Worth Film Critics Association Awards
| colspan="2"| Top 10 Films
|
|-
| colspan="2"| Best Film
|
|-
| Best Actress
| Julia Roberts
|
|-
| Best Supporting Actor
| Albert Finney
|
|-
| Directors Guild of America Awards
| Outstanding Directorial Achievement in Motion Pictures
| Steven Soderbergh
|
|-
| Edgar Allan Poe Awards
| Best Motion Picture
| Susannah Grant
|
|-
| Empire Awards
| Best Actress
| Julia Roberts
|
|-
| Environmental Media Awards
| colspan="2"| Feature Film
|
|-
| European Film Awards
| colspan="2"| Screen International Award
|
|-
| Florida Film Critics Circle Awards
| Best Director
| Steven Soderbergh
|
|-
| rowspan="4"| Golden Globe Awards
| colspan="2"| Best Motion Picture Drama
|
|-
| Best Actress in a Motion Picture Drama
| Julia Roberts
|
|-
| Best Supporting Actor Motion Picture
| Albert Finney
|
|-
| Best Director Motion Picture
| Steven Soderbergh
|
|-
| rowspan="2"| Golden Reel Awards
| Best Sound Editing Dialogue & ADR, Domestic Feature Film
| Larry Blake and Aaron Glascock
|
|-
| Best Sound Editing Sound Effects & Foley, Domestic Feature Film
| Michael Keller
|
|-
| Jupiter Awards
| Best International Actress
| Julia Roberts
|
|-
| rowspan="5"| Las Vegas Film Critics Society Awards
| colspan="2"| Best Picture
|
|-
| Best Director
| Steven Soderbergh
|
|-
| Best Actress
| Julia Roberts
|
|-
| Best Supporting Actor
| Albert Finney
|
|-
| Best Original Screenplay
| Susannah Grant and Richard LaGravenese
|
|-
| rowspan="3"| London Film Critics Circle Awards
| Director of the Year
| Steven Soderbergh
|
|-
| Actress of the Year
| Julia Roberts
|
|-
| British Supporting Actor of the Year
| Albert Finney
|
|-
| rowspan="2"| Los Angeles Film Critics Association Awards
| Best Director
| Steven Soderbergh
|
|-
| Best Actress
| Julia Roberts
|
|-
| Make-Up Artists and Hair Stylists Guild Awards
| colspan="2"| Best Contemporary Hair Styling in a Feature-Length Motion Picture
|
|-
| rowspan="3"| MTV Movie Awards
| colspan="2"| Best Movie
|
|-
| Best Female Performance
| Julia Roberts
|
|-
| Best Line
| "Bite My Ass, Krispy Kreme"
|
|-
| rowspan="2"| National Board of Review Awards
| Best Director
| Steven Soderbergh
|
|-
| Best Actress
| Julia Roberts
|
|-
| rowspan="2"| National Festival of Dubbing Voices in the Shadow
| Best Female Voice (Film Award)
| rowspan="2"| Cristina Boraschi
|
|-
| Best Female Voice (Audience Award)
|
|-
| National Society of Film Critics Awards
| Best Director
| rowspan="2"| Steven Soderbergh
|
|-
| New York Film Critics Circle Awards
| Best Director
|
|-
| rowspan="6"| Online Film & Television Association Awards
| Best Picture
| Danny DeVito, Michael Shamberg and Stacey Sher
|
|-
| Best Director
| Steven Soderbergh
|
|-
| Best Actress
| Julia Roberts
|
|-
| Best Supporting Actor
| Albert Finney
|
|-
| Best Original Screenplay
| Susannah Grant
|
|-
| Best Film Editing
| Anne V. Coates
|
|-
| rowspan="3"| Online Film Critics Society Awards
| colspan="2"| Top 10 Films
|
|-
| Best Actress
| Julia Roberts
|
|-
| Best Supporting Actor
| Albert Finney
|
|-
| PEN Center USA West Literary Awards
| Best Screenplay
| Susannah Grant
|
|-
| Producers Guild of America Awards
| Outstanding Producer of Theatrical Motion Pictures
| Danny DeVito, Michael Shamberg and Stacey Sher
|
|-
| rowspan="2"| Political Film Society Awards
| colspan="2"| Expos
|
|-
| colspan="2"| Human Rights
|
|-
| San Diego Film Critics Society Awards
| Best Actress
| Julia Roberts
|
|-
| rowspan="5"| Satellite Awards
| colspan="2"| Best Motion Picture Drama
|
|-
| Best Director
| Steven Soderbergh
|
|-
| Best Actress in a Motion Picture Drama
| Julia Roberts
|
|-
| Best Supporting Actor in a Motion Picture Drama
| Albert Finney
|
|-
| Best Original Screenplay
| Susannah Grant
|
|-
| rowspan="2"| Screen Actors Guild Awards
| Outstanding Performance by a Female Actor in a Leading Role
| Julia Roberts
|
|-
| Outstanding Performance by a Male Actor in a Supporting Role
| Albert Finney
|
|-
| Southeastern Film Critics Association Awards
| colspan="2"| Best Picture
|
|-
| Teen Choice Awards
| Choice Movie Actress
| Julia Roberts
|
|-
| Writers Guild of America Awards
| Best Screenplay Written Directly for the Screen
| Susannah Grant
|
|}
'American Film Institute' recognition:
* AFI's 100 Years...100 Heroes & Villains:
** Erin Brockovich No. 31
* AFI's 100 Years...100 Cheers No. 73
Accuracy
On her website, Brockovich says the film is "probably 98% accurate". While the general facts of the story are accurate, there are some minor discrepancies between actual events and the movie, as well as a number of controversial and disputed issues more fundamental to the case. In the film, Erin Brockovich appears to deliberately use her cleavage to seduce the water board attendant to allow her to access the documents. Brockovich has acknowledged that her cleavage may have had an influence, but denies consciously trying to influence individuals in this way. In the film, Ed Masry represents Erin Brockovich in the car crash case. In reality, it was his law partner, Jim Vititoe.[http://masryvititoe.com/erin_brockovich.shtml Masry & Vititoe Erin Brockovitch resum] Brockovich had never been Miss Wichita; she had been Miss Pacific Coast. According to Brockovich, this detail was deliberately changed by Soderbergh as he thought it was "cute" to have her be beauty queen of the region from which she came. The "not so good employee" that met Brockovich in the bar was Chuck Ebersohl. He told Erin about the documents that he and Lillian Melendez had been tasked by PG&E to destroy.Erin Brockovich 'Take It From Me Life's a Struggle But You Can Win' McGraw-Hill 2002
Jorge Halaby, played by Aaron Eckhart in the film, along with Brockovich's ex-husband Shawn Brown alleged that she had an affair with Masry. They also attempted to file a lawsuit against her for $310,000. Halaby was arrested and the lawyer John Jeffrey Reiner was suspended from practicing, convicted of extortion, and later disbarred.
The scientific accuracy of the film has been questioned. According to 'The New York Times', scientists have suggested that their profession would have more rationally and scientifically evaluated the medical evidence that inspired Brockovich.
Notes
References
Buy Erin Brockovich (film) now from Amazon
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