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Ring (film)
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Wikipedia article
{{Infobox film
| name = Ring
| image = File:Ringu (1998) Japanese theatrical poster.jpg
| alt =
| caption = Japanese theatrical release poster
| native_name =
| director = Hideo Nakata
| producers =
| screenplay = Hiroshi Takahashi
| based_on =
| starring =
| music = Kenji Kawai
| cinematography = Junichiro Hayashi
| editing = Nobuyuki Takahashi
| studio = Ringu/Rasen Production Committee
| distributor = Toho
| released =
| runtime = 95 minutes
| country = Japan
| language = Japanese
| budget =
| gross = $19.4 million
}}
is a 1998 Japanese supernatural horror film directed by Hideo Nakata, based on the 1991 novel by Koji Suzuki. The film stars Nanako Matsushima, Miki Nakatani and Hiroyuki Sanada, and follows a reporter who is racing to investigate the mystery behind a cursed video tape; whomever watches the tape dies seven days after doing so. The film is titled 'The Ring' (stylized as 'the Ring') in English in Japan and released as 'Ringu' in North America and 'Ring: Circle of Evil' in the Philippines.
Production took approximately nine months. 'Ring' and its sequel 'Spiral' were released in Japan at the same time. After its release, 'Ring' was a huge box office success in Japan and was acclaimed by critics. It inspired numerous follow-ups in the 'Ring' franchise, popularized Japanese horror (or "J-horror") internationally, and triggered a trend of Western remakes of J-horror films, including the 2002 American film 'The Ring'.
Plot
During a sleepover, high schoolers Tomoko and Masami discuss an urban legend about a video tape that curses its viewers to die in seven days after a foreboding phone call. Tomoko then confesses that last week she and her friends watched a strange video tape and received an inexplicable phone call afterwards. They receive a false alarm phone call, then Masami goes to the toilet. Tomoko witnesses the TV turn on by itself and is killed by an unseen presence.
Tomoko's aunt, journalist Reiko Asakawa, investigates this legend and learns during Tomoko's funeral that the three friends who watched the tape with Tomoko died at the same time as her. Reiko visits Izu Pacific Land Resort, where the four friends were staying, and discovers an unmarked video tape. It contains brief, seemingly unrelated scenes accompanied by screeching sounds, and ends with a shot of a well. After watching, Reiko sees an apparition and receives a phone call that emits the screeching sounds from the tape.
Convinced that she has been cursed, Reiko enlists the help of her psychic ex-husband Ryji Takayama. Ryji watches the tape despite Reiko's concerns and agrees to help her. Dissecting a copy of the tape Reiko made, the pair find a cryptic message spoken in an shima dialect. Before departing to shima, Reiko catches her and Ryjis seven-year-old son Yichi watching the tape after being told to do so by "Tomoko". In shima, Reiko and Ryji learn about Shizuko Yamamura, who, prior to her suicide, gained notoriety following a public demonstration of her psychic ability organised by ESP researcher Dr Heihachiro Ikuma, with whom she had an affair. When confronting Takashi, Shizuko's brother who extorted her, the pair learn through a vision that, during the demonstration, Shizuko's young daughter Sadako psychically killed a journalist who decried Shizuko's abilities. After failing to track down Sadako, Reiko realises that Ryji never received a phone call after watching the tape as she did at the cabin in Izu. The pair rush there to investigate.
Reiko and Ryji find a sealed well in the cabin's crawlspace and, through another vision, learn that Dr Ikuma bludgeoned Sadako, pushed her into this well, and trapped her inside. They conclude that Sadako remained alive and that the curse was born when a video tape "recorded" the rage she had projected. When draining the water, they find Sadako's remains, and, since Reiko does not die despite having passed her deadline, believe the curse is broken.
The next day, Ryji finds his TV turn on by itself, showing the well at the end of the video tape. Sadako's vengeful spirit staggers from the well and out of the TV, advancing toward him and frightening him to death. Reiko, who has been trying to call Ryji, hears his last moments over the phone. Guided by an apparition, she deduces the actual way to break the curse: copying the tape and showing it to someone else within seven days, effectively letting the curse spread. Reiko realises that while she did this, Ryji did not. Desperate to save Yichi, Reiko drives to her father's home to show him the tape.
Cast
* Nanako Matsushima as Reiko Asakawa, a journalist who investigates her niece's death and finds the cursed video tape.
* Hiroyuki Sanada as Ryji Takayama, Reiko's former husband, a former medical student turned university professor. He has a degree of sixth sense that detects supernatural auras.
* Rikiya taka as Yichi Asakawa, Reiko's young son who also has a sixth sense like his father.
* Miki Nakatani as Mai Takano, Ryuji's student.
* Yuko Takeuchi as Tomoko ishi, Reiko's niece who watches the cursed video tape and is amongst its first victims.
* Hitomi Sato as Masami Kurahashi, Tomoko's best friend.
* Daisuke Ban as Dr. Heihachiro Ikuma, Sadako's father who threw her down a well.
* Rie In as Sadako Yamamura, a young woman with psychic powers who was thrown down a well where she died; her spirit lived on within a video tape.
* Masako as Shizuko Yamamura, Sadako's mother. She too had psychic powers but a disastrous press demonstration led to her suicide.
* Yichi Numata as Takashi Yamamura, Sadako's uncle who runs an inn on Oshima Island.
* Yutaka Matsushige as Yoshino, a journalist associate of Reiko.
* Katsumi Muramatsu as Kichi Asakawa, Reiko's father.
Themes and interpretations
Critics have discussed 'Ring's preoccupations with Japanese tradition's collision with modernity. Colette Balmain identifies: "In the figure of Sadako, 'Ring' [utilises the] vengeful yrei archetype of conventional Japanese horror". She argues how this traditional Japanese figure is expressed via a video tape which "embodies contemporary anxieties, in that it is technology through which the repressed past reasserts itself".
Ruth Goldberg argues that 'Ring' expresses "ambivalence about motherhood". She reads Reiko as a mother who due to the new potential for women's independence neglects her "natural" role as martyred homemaker in pursuit of an independent identity, subsequently neglecting her child. Goldberg identifies a doubling effect whereby the unconscious conflicts of Reiko's family are expressed via the supernatural in the other family under Reiko's investigation.
Jay McRoy reads the ending hopefully: if the characters therapeutically understand their conflicts, they can live on. Balmain, however, is not optimistic; she reads the replication of the video as technology spreading, virus-like, throughout Japan.
Title
The film's title, 'Ring', can be interpreted in several ways, such as alluding to the never ending cyclical nature of the ring curse/virus. Another interpretation is that ring relates to the phone call which warns those that view the video tape that they will die in seven days, as well as to the view of the ring of light seen from the bottom of the well where Sadako's body was left to decompose.Production
After the moderate success of the 1991 novel 'Ring' by Koji Suzuki, Kadokawa Shoten decided to adapt it into a motion picture.
Screenwriter Hiroshi Takahashi and director Hideo Nakata collaborated to work on the script after reading Suzuki's novel and watching Fuji Television's 1995 made-for-TV film, directed by Chisui Takigawa.Meikle, Dennis (2005), 'The Ring Companion' (London: Titan Books). The broadcast version of the 1995 film was re-edited and released on home video under a new title, 'Ring: Kanzenban' ( "Ring: The Complete Edition"; Nakata did not state which version of it he and Takahashi watched.
In their film script, Takashi and Nakata changed the protagonist's gender (from male to female), name (from Kazuyuki Asakawa to Reiko Asakawa), marital status (from married to divorced) and child's gender and name (from daughter Yoko to son Yoichi).
With the budget of US$1.2 million, the entire production took nine months and one week. According to director Nakata, the script and pre-production process took three or four months, shooting five weeks and post-production four months.
The special effects on the cursed video tape and some parts in the film were shot on a 35 mm film which was passed on to a laboratory in which a computer added a "grainy" effect. Extended visual effects were used in the scene in which the ghost of Sadako Yamamura climbs out of the television. First, they shot the kabuki actress Rie Inoo walking backwards in a jerky, exaggerated motion. They then played the film in reverse to portray an unnatural-looking walk for Sadako.
Release
'Ring' was released in Japan on January 31, 1998 where it was distributed by Toho. Upon release in Japan, 'Ring' became the highest-grossing horror film in the country.Kermode, Mark (2011), [https://web.archive.org/web/20120803005254/http://old.bfi.org.uk/sightandsound/review/481 'Review of Ring'], 'BFI | Sight and Sound'. The film was shown at the 1999 Fantasia Film Festival where it won the first place award for Best Feature in the Asian films section.
In the Philippines, the film was given limited releases as 'Ring: Circle of Evil' on both December 4, 2002, and January 11, 2003, to coincide with the North American remake's release on January 17.
Box office
In Japan, the film earned a distribution income (rentals) of in 1998, making it one of the top ten highest-grossing Japanese films of the year. The film grossed a total Japanese box office revenue of .'Variety' stated that 'Ring's "most notable success" has been in Hong Kong, where it became the biggest grosser during the first half of the year, beating popular American films such as 'The Matrix'. On its 1999 Hong Kong release, 'Ring' earned (US$4.03 million) during its two-month theatrical run making it Hong Kong's highest-grossing Japanese-language film. This record was later beaten by 'Stand By Me Doraemon' in 2015. In Taiwan, where it released in 1999, the film grossed .
In France, the film sold 94,257 tickets, equivalent to an estimated gross revenue of approximately . In South Korea, 56,983 tickets were sold in the capital city of Seoul, equivalent to an estimated gross revenue of approximately . The film also grossed $59,001 in Chile and the United Kingdom, adding up to an estimated worldwide gross revenue of approximately .
Home media
'Ring' was released directly to home video in the United States and Canada by DreamWorks with English, Spanish, and French subtitles on March 4, 2003, under the transliterated title 'Ringu'.In the United Kingdom, it was watched by 390,000 viewers on television during the first half of 2005, making it the sixth most-watched foreign-language film on UK television during that period. 'Ring 2' also drew 360,000 viewers on UK television during the same period, adding up to a combined 750,000 UK television viewership for both 'Ring' films during the first half of 2005.
To coincide with its 20th anniversary, Arrow Films under their Arrow Video imprint issued a Blu-ray Disc of 'Ring' on March 18, 2019 in the UK and Ireland. Additionally, a Blu-ray box set featuring 'Ring', the sequels 'Spiral' and 'Ring 2', and prequel 'Ring 0', was also released. The transfer features a 4K resolution restoration that was scanned from the film's original camera negative. The picture grading and restoration, which took place at Imagica Labs in Tokyo, was supervised and approved by 'Ring' cinematographer Jun'ichir Hayashi. Both Arrow's single Blu-ray Disc and Blu-ray box set were later released in the United States and Canada on October 29, 2019, again under the transliterated title 'Ringu'.
Reception
The review aggregator website Rotten Tomatoes gives the film an approval rating of 97% based on 38 reviews, with a weighted average of 7.5 out of 10. The site's critical consensus reads: "'Ringu' combines supernatural elements with anxieties about modern technology in a truly frightening and unnerving way".
'Sight & Sound' critic Mark Kermode praised the film's "timeless terror", with its "combination of old folk devils and contemporary moral panics" which appeal to both teen and adult audiences alike. While Adam Smith of 'Empire' Online finds the film "throttled by its over complexity, duff plotting and a distinct lack of actual action",Smith, Adam (n.d.), [https://empireonline.com/reviews/reviewcomplete.asp?FID=6075 'Review of Ring'], 'Empire Online'. Kermode emphasizes that "one is inclined to conclude that it is the telling, rather than the content of the tale, that is all-important". 'Variety' agrees that the slow pace, with "its gradual evocation of evil lying await beneath the surface of normality", is one of the film's biggest strengths.(1999), [https://variety.com/1999/film/reviews/the-ring-3-1200458829/v 'Review: The Ring'], 'Variety Magazine'. 'Ring' was listed as the twelfth best horror film of all time by 'The Guardian' and also picked by Stuart Heritage in the same paper as the film that frightened him most.[https://www.theguardian.com/film/filmblog/2014/oct/21/ring-ringu-the-film-that-frightened-me-most-halloween Ring: the film that frightened me most], The Guardian, Tuesday 21 October 2014
'Ring' was ranked No. 69 in 'Empire' magazine's "The 100 Best Films of World Cinema" in 2010.[https://empireonline.com/features/100-greatest-world-cinema-films/default.asp?film=69 'The 100 Best Films of World Cinema - 69. Ringu'], 'Empire Magazine'. In the early 2010s, 'Time Out' conducted a poll with several authors, directors, actors and critics who have worked within the horror genre to vote for their top horror films. 'Ring' placed at number 61 on their top 100 list.
Influence
The international success of the Japanese films launched a revival of horror filmmaking in Japan that resulted in such pictures as Kiyoshi Kurosawa's 2001 film 'Pulse' (known as in Japan), Takashi Shimizu's (2000), Hideo Nakata's , also based on a short story by Suzuki), and Higuchinsky's 'Uzumaki' (2000, a.k.a. 'Vortex', based on the Junji Ito horror manga of the same name).
Influence on Western cinema
'Ring' had some influence on Western cinema and gained cult status in the West.Throughout the 1980s and 1990s, Hollywood horror had largely been dominated by the slasher sub-genre, which relied on on-screen violence, shock tactics, and gore.Martin, Daniel (2009), 'Japans Blair Witch: Restraint, Maturity, and Generic Canons in the British Critical Reception of Ring', 'Cinema Journal 48', Number 3, Spring: 35-51. 'Ring', whose release in Japan roughly coincided with 'The Blair Witch Project' in the United States, helped to revitalise the genre by taking a more restrained approach to horror, leaving much of the terror to the audience's imagination. The film initiated global interest in Japanese cinema in general and Japanese horror cinema in particular, a renaissance which led to the coining of the term 'J-Horror' in the West. This "New Asian Horror" resulted in further successful releases, such as 'Ju-on: The Grudge' and 'Dark Water'. In addition to Japanese productions this boom also managed to bring attention to similar films made in East Asia at the same time such as ('A Tale of Two Sisters') from South Korea and ('The Eye') from Hong Kong.
All of these films were later remade in English. Released in 2002, 'The Ring' reached number 1 at the box office and grossed slightly more in Japan than the original. The original 'Ring' grossed in 1998, while 'The Ring' remake grossed in 2002.
Sequels and remake
The original sequel was 'Spiral', released in 1998, but due to its poor reception, a new sequel, 'Ring 2', was released in 1999 which continued the storyline of this film. It was followed by a 2000 prequel, 'Ring 0: Birthday', followed by 'Sadako' in 2019. 'Spiral' in turn was followed by 'Sadako 3D' in 2012 and 'Sadako 3D 2' in 2013.
A television series, 'Ring: The Final Chapter', was made, with a similar storyline but many changes in characters and their backstories. An American remake, 'The Ring', was made in 2002.
See also
* List of ghost films
* 'Don't Look Up' (1996 film)
* 'Ju-On'
* 'Yotsuya Kaidan'
References
Works cited
*
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