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Batman: Mask of the Phantasm
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Wikipedia article
{{Infobox film
| name = Batman: Mask of the Phantasm
| image = Batman mask of the phantasm poster.jpg
| caption = Theatrical release poster
| director =
| producer =
| screenplay =
| story = Alan Burnett
| based_on =
| starring =
| music = Shirley Walker
| editing = Al Breitenbach
| studio =
| distributor = Warner Bros.
| released =
| runtime = 78 minutes
| country = United States
| language = English
| budget = $6 million
| gross = $5.6 million
}}
'Batman: Mask of the Phantasm' (also known as 'Batman: The Animated Movie: Mask of the Phantasm') is a 1993 American animated romantic superhero film directed by Eric Radomski and Bruce Timm and written by Alan Burnett, Paul Dini, Martin Pasko, and Michael Reaves. It features the DC Comics character Batman. The film is based on 'Batman: The Animated Series' and is the first original theatrical film produced by Warner Bros. Animation, the first film in the DC Animated Universe and the only one released theatrically. Kevin Conroy, Mark Hamill, Efrem Zimbalist Jr., Bob Hastings and Robert Costanzo reprise their roles from 'The Animated Series', joined by Dana Delany, Hart Bochner, Stacy Keach Jr., Abe Vigoda, Dick Miller and John P. Ryan. As the events of the film take place between the first and second seasons of 'Batman: The Animated Series', its story follows Batman as he reconciles with a former lover, Andrea Beaumont, and faces a mysterious vigilante who is murdering Gotham City's crime bosses. The plot was inspired by Mike W. Barr's 'Batman: Year Two' comic book story arc, but features an original antagonist, the Phantasm, in place of the Reaper, while also borrowing elements from the 'Batman: Year One' graphic novel, recounting how Bruce Wayne became Batman and his first attempts to fight crime.
Originally planned for a direct-to-video release, Warner Bros. gave 'Mask of the Phantasm' a theatrical release, condensing its production into a strenuous eight-month schedule. The film was the first theatrical feature film produced by Warner Bros. Animation, and was released through the studio's Family Entertainment division on December 25, 1993, to positive reviews from critics, who praised the stylized animation, voice performances, story, and music. In the years since its release, 'Mask of the Phantasm' has continued to receive acclaim. In 2011, 'Time' ranked it as one of the 10 best superhero films ever. In 2017, Screen Rant named the film the best Batman movie of all time. In 2018, 'Paste' magazine called the film "the greatest Batman movie". In 2022, 'Empire' magazine named it the best Batman movie. Also in 2022, nearly 30 years after its release, 'Rolling Stone' placed 'Mask of the Phantasm' at number 19 on its list of the 50 Greatest Superhero Movies of All Time, being the only traditionally-animated film included, the third-best animated superhero movie and the second-best Batman movie of all time, behind only 'The Dark Knight' (number 8).
Due to the decision to release it in theaters on short notice, 'Mask of the Phantasm' failed at the box office. After its release on home media, it became financially successful. Its success led to direct-to-video movies, like 'Batman & Mr. Freeze: SubZero' in 1998. Until the limited release of 'Batman: The Killing Joke' in 2016, 'Mask of the Phantasm' was the only animated 'Batman' film to be given a theatrical release, as well as the only one to receive a full theatrical release until 'The Lego Batman Movie' in 2017.
Plot
After meeting while visiting their parents' graves at Gotham Cemetery, a young Bruce Wayne and Andrea Beaumont begin a relationship. At the same time Bruce makes his first attempts at crime-fighting, but while he succeeds in foiling robberies he is discouraged that the criminals do not fear him. Bruce becomes conflicted about whether to commit to his relationship with Andrea or defend Gotham City to avenge his parents, but eventually proposes marriage. Andrea accepts, only to mysteriously leave Gotham with her father, businessman Carl Beaumont, ending the engagement in a Dear John letter. Heartbroken, Bruce assumes the mantle of Batman.
Ten years later, Batman breaks up a meeting of Gotham crime bosses led by Chuckie Sol. When Sol tries to escape in his car, he is killed by a cloaked figure, the "Phantasm", who causes him to speed out of control and fatally crash into a building. Batman is witnessed at the scene and it is believed he killed Sol, with city councilman Arthur Reeves, who is corrupt and on the mob's payroll, vowing to have him arrested.
The Phantasm murders another gangster, Buzz Bronski, in the Gotham Cemetery, where Bronski's bodyguards see Phantasm and mistake him for Batman. Batman investigates the scene of Bronski's death and encounters Andrea, inadvertently revealing his identity to her. Batman finds evidence linking Carl Beaumont with Sol, Bronski and a third gangster, Salvatore Valestra, later finding a photograph of the four together in Valestra's home. Paranoid that Batman will come for him next, the now-elderly Valestra asks Reeves for help, but is refused. In desperation, he turns to the Joker.
The Phantasm goes to kill Valestra at his mansion, only to find him dead from exposure to Joker's venom. Seeing Phantasm through a camera, Joker realizes Batman is not the murderer and detonates a bomb he planted in the mansion. Phantasm escapes the blast and is pursued by Batman but disappears, leaving Batman ambushed by the police but saved from arrest by Andrea. She explains to Bruce her father embezzled money from Valestra and was forced to repay it; Valestra then demanded he pay more and put a hit on Carl, prompting him to go into hiding with Andrea. Together once again, the two consider resuming their relationship. Bruce believes Carl Beaumont to be the Phantasm until he takes another look at the photo with him and Valestra, recognizing one of Valestra's men as the Joker.
Believing him to be behind the Phantasm in order to erase his mob connections, Joker presses Reeves for information before poisoning him with venom. Driven insane, Reeves is taken to the hospital, where Batman interrogates him. Reeves, who worked as Carl's accountant before going into politics, confesses he helped the Beaumonts escape but told Valestra their location in exchange for the funding needed to launch his first campaign. Both Batman and Joker deduce that the Phantasm is Andrea, who intends to wipe out the Valestra mob for killing her father and ruining her chance to marry Bruce.
Andrea tracks down Joker, her father's killer, to his hideout in Gotham's abandoned World's Fair. They fight but are interrupted by Batman, who begs Andrea to stop, to no avail. Joker prepares to blow up the fair but is seized by Andrea, who bids Batman goodbye; having barely survived the blast, Batman finds no trace of either Andrea or the Joker. Bruce is later consoled by Alfred in the Batcave, who assures him Andrea could not have been helped, before finding Andrea's locket containing a picture of them together. A sorrowful Andrea departs Gotham and a saddened Batman, cleared of the accusations against him, resumes crimefighting.
Voice cast
* Kevin Conroy as Bruce Wayne / Batman
* Mark Hamill as The Joker
* Dana Delany as Andrea Beaumont / The Phantasm
Stacy Keach (who also voices Carl Beaumont) provided the voice for The Phantasm while masked.
* Hart Bochner as Arthur Reeves
* Stacy Keach as Carl Beaumont
* Abe Vigoda as Sal "The Wheezer" Valestra
* Dick Miller as Chuckie Sol
* John P. Ryan as Buzz Bronski
* Efrem Zimbalist Jr. as Alfred Pennyworth
* Bob Hastings as Commissioner James Gordon
* Robert Costanzo as Detective Harvey Bullock
* Jeff Bennett provides additional voices as First and Second Burglar, Biker, Cop in Helicopter, Cop on Radio, SWAT Team Member, and Passenger on Ship.
* Arleen Sorkin as Mrs. Bambi, one of Bruce's socialite flirts '(uncredited)'
Production
Impressed by the success of the first season of 'Batman: The Animated Series' on Fox, Warner Bros. assigned Alan Burnett to write a story for a full-length animated film. The original idea for the film was to have Batman being captured by his enemies at Arkham Asylum and face a kangaroo court in which the villains try him for making them what they are. The idea's concept, however, was considered "too brainy", as it required Batman to be immobile for a long time, so the idea was later used in the series' episode "Trial", which was aired after the film's release. Although the Joker does play a pivotal role in the film, it was Burnett's intention to tell a story far removed from the television series' regular rogues gallery. Burnett also cited he "wanted to do a love story with Bruce because no one had really done it on the TV show. I wanted a story that got into his head." Members of the creative team have claimed that they did not intend for the Joker to appear in the film; Paul Dini has contradicted this, stating that the Joker's role was always part of the story from the beginning of the film's production. The writers were highly cautious of placing the Joker in the film, as they did not want any connection to Tim Burton's 1989 film 'Batman', but writer Michael Reaves said, "We then realized that we could make his appearance serve the story in a way that we never could in live-action." In order to keep the Joker as a solo threat, Bruce Timm and Burnett convinced frequent 'Animated Series' writer Dini to not use Harley Quinn in the film for that reason. The same technique was previously used in the episodes "Joker's Wild" and "The Strange Secret of Bruce Wayne".
Aiding Burnett in writing the script were Martin Pasko, who handled most of the flashback segments; Reaves, who wrote the climax; and Dini, who claims he "filled in holes here and there". The film's plot was heavily influenced by the 1987 miniseries 'Batman: Year Two', written by Mike W. Barr and illustrated by Alan Davis, Paul Neary, Alfredo Alcala, Mark Farmer and Todd McFarlane. Orson Welles' 1941 classic 'Citizen Kane' served as an influence for the flashbacks, a story about loss and the passage of time. The character of Hazel, the cook robot of the World of the Future Fair, was named by Burnett after Hazel the Maid (portrayed by actress Shirley Booth), 'The Saturday Evening Post' protagonist of cartoonist Ted Key's TV series 'Hazel'. On the other hand, the design of the Phantasm went into 20 different versions until one was found which convinced the film's crew. According to Burnett, the Phantasm was like the Grim Reaper with a cape, although the idea was to make him resemble the Ghost of Christmas Yet to Come of Charles Dickens' novel 'A Christmas Carol', something that even the Joker mentions in the finished version of the film.
Early in production, Warner Bros. decided to release 'Phantasm' theatrically, rather than straight to video. That left less than a year for production time (most animated features take well over two years from finished story to final release). Due to this decision, the animators went over the scenes in order to accommodate the widescreen theatrical aspect ratio.Dini, Kidd, p.117 The studio cooperated well, granting the filmmakers a large amount of creative control.
Warner Bros. also increased the production budget to $6 million, which gave the filmmakers opportunities for more elaborate set pieces. The opening title sequence featured a flight through an entirely computer-generated Gotham City. As a visual joke, sequence director Kevin Altieri set the climax of the film inside a miniature automated model of Gotham City, where Batman and the Joker are giants. This was an homage to a mainstay of Batman comic books of the Dick Sprang era, often featuring the hero fighting against a backdrop of gigantic props (they would later do another homage to Sprang's works in 'The New Batman Adventures' episode "Legends of the Dark Knight"). From start to finish, the film was completed within eight months.
Themes
Paul Dini intended each of the flashbacks into Batman's love life to "have a tendency to get worse, when you hope things will get better." Bruce's relationship with Andrea, which at first shows promise, eventually turns into turmoil. At first, Bruce and Andrea are set for marriage, but then Bruce is given a farewell note from Andrea cutting off their relationship. This eventually leads into Bruce's decision to become Batman. Richard Corliss of 'Time' felt this scene paralleled Andrea's decision to avenge her own parents and reject love when she finds her own father murdered. Both events transform the two people (Bruce becomes Batman, Andrea becomes the Phantasm). One scene depicts Bruce Wayne at his parents' tombstone saying, "I didn't count on being happy." According to Reaves, this scene was to be a pivotal moment in Bruce's tragic life, as he denies himself the opportunity to live a normal life. Reaves also stated: "When Bruce puts on the mask for the first time, [after Andrea breaks their engagement], and Alfred says 'My God!' he's reacting in horror, because he's watching this man he's helped raise from childhood, this man who has let the desire for vengeance and retribution consume his life, at last embrace the unspeakable."
Music
The soundtrack was composed by Shirley Walker, the main composer for 'The Animated Series'. Walker cited the score as a favorite among her own compositions. In an interview with Cinemusic.com, Walker explained that the "latin" lyrics used in the Main Title were actually names of key Warner Bros. staff read backwards. The song "I Never Even Told You" was written by Siedah Garrett and Glen Ballard. It was performed by Tia Carrere. Hans Zimmer, who would later compose the score for 'The Dark Knight Trilogy', played the synthesizer on the score.
The score was originally released on December 14, 1993, by Reprise Records. On March 24, 2009, La-La Land Records released a limited expanded edition. The release includes all tracks found on the original release with some tracks expanded. It also features almost 30 minutes of previously unreleased material.
Marketing
In December 1993, two novelizations were released. One was a young readers book written by Andrew Helfer, with the other being an adult-oriented novelisation authored by Geary Gravel.
DC Comics released a comic book adaptation written by Kelley Puckett and drawn by Mike Parobeck. The comic book adaptation was later included with the VHS release. Kenner, who had already released toys for the cartoon series, produced several tie-in figures for the film, including Joker and the Phantasm (packaged unmasked, spoiling a pivotal plot point in the film). 'Batman & Robin Adventures Annual #1: Shadow of the Phantasm' is a comic book sequel to the film. It was written by Dini and released in 1996. In 2015, a DC Collectibles action figure 2-pack featuring Batman and Phantasm was released.
Home media
'Mask of the Phantasm' was released on LaserDisc in April 1994 and on VHS in May of the same year. The VHS was reissued in April 2003 as part of a three-tape pack with 'Batman & Mr. Freeze: SubZero' and 'Batman Beyond: Return of the Joker'. 'Mask of the Phantasm' was first released on DVD in December 1999 as a snap case and in October 2005 as a keep case with the insert. The film was re-released in April 2004 as a three disc DVD box set that included 'SubZero' and 'Return of the Joker'. That version is currently out of print. Warner Home Video re-released the film again in February 2008 as a double feature DVD with 'SubZero'.
The film was released as part of the Warner Archive Collection on Blu-ray on July 25, 2017, featuring new high definition transfers in 16:9 and open matte 4:3 presentations.[https://www.comingsoon.net/dvd/news/860345-batman-mask-of-the-phantasm-blu 'Batman: Mask of the Phantasm' Heads to Blu-ray]. Coming Soon. June 19, 2017. The film was also included in the Blu-ray release of the 'Batman: The Complete Animated Series' box-set in late 2018.
Reception
Box office
'Batman: Mask of the Phantasm' opened on December 25, 1993 in the United States in 1,506 theaters, accumulating $1,189,975 over its first 2 days. The film went on to gross $5,795,524 in the domestic total box office intake. The filmmakers blamed Warner Bros. for the unsuccessful marketing campaign, which is commonly attributed to the rushed production schedule due to studio's last-minute decision to release the film theatrically. Despite this, 'Mask of the Phantasm' eventually turned a profit with its various home media releases.Critical response
'Batman: Mask of the Phantasm' received generally positive reviews from critics. According to the review aggregator website Rotten Tomatoes, of critics have given the film a positive review based on reviews, with an average rating of . The site's critics consensus reads, "Stylish and admirably respectful of the source material, 'Batman: Mask of the Phantasm' succeeds where many of the live-action Batman adaptations have failed." 'Empire' cited it as the best animated film of 1993, and felt it contained better storylines than Tim Burton's 'Batman' and 'Batman Returns'. 'TV Guide Magazine' was impressed with the Art Deco noir design that was presented. In addition the film's climax and Batman's escape from the Gotham City Police Department were considered to be elaborate action sequences. Richard Harrington of 'The Washington Post' agreed with overall aspects that included the animation, design, dialogue and storyline, as well as Shirley Walker's film score. Gene Siskel and Roger Ebert regretted not having viewed the film during its theatrical release and gave it a positive review on their television series, 'At the Movies', when the film was released on home media, with Siskel feeling that 'Phantasm' was better than 'Batman Returns' and Joel Schumacher's 'Batman Forever', and only slightly below 'Batman'.
However, Stephen Holden of 'The New York Times' thought the voice performances were "flat and one-dimensional". Chris Hicks of the 'Deseret News' felt "the picture didn't come alive until the third act" feeling that the animators sacrificed the visuals for the storyline. In addition, he felt Mark Hamill's Joker "stole the show." Leonard Klady of 'Variety' had mixed reactions towards the film, but his review was negative overall. He felt the overall themes and morals were clichd and cited the animation to be to the "point of self-parody".
Accolades
Alongside 'The Lion King' and 'The Nightmare Before Christmas', 'Mask of the Phantasm' was nominated for an Annie Award in the category of Best Animated Feature, but lost to 'The Lion King'.Legacy
'Wired's Scott Thill called Kevin Conroy "the finest Batman on record" in 2009. In a 2010 list, IGN ranked 'Mask of the Phantasm' as the 25th best animated film of all time. That same year, IGN also stated it was "the Dark Knight's best big screen story" until 'Batman Begins'. In 2011, 'Total Film' also named 'Mask of the Phantasm' as one of the greatest animated films of all time, coming in at 47th out of 50. 'Time' ranked 'Phantasm' as one of the 10 best superhero films ever in 2011. In 2017, Screen Rant named the film the best Batman movie of all time. In 2018, 'Paste' magazine called the film "the greatest Batman movie". In 2022, 'Empire' magazine named 'Mask of the Phantasm' the best Batman movie. Also in 2022, nearly 30 years after its release, 'Rolling Stone' placed 'Mask of the Phantasm' at number 19 on its list of the 50 Greatest Superhero Movies of All Time, being the only traditionally-animated film included, the third-best animated superhero movie and the second-best Batman movie of all time, behind only 'The Dark Knight' (number 8).
'Mask of the Phantasm' was cited as an example of a film that effectively personified the character's "inner bubble" and psyche by actor Robert Pattinson, who portrayed a live-action iteration of Bruce Wayne in the Matt Reeves film 'The Batman' (2022).
To commemorate the film's 20th anniversary, a screening of the film was held in Santa Monica with cast members Kevin Conroy, Dana Delany and Mark Hamill in attendance. To commemorate the film's 25th anniversary, Fathom Events rereleased the film for one day on November 12, 2018.[https://www.fathomevents.com/events/batman?date=2018-11-12%2000:00:00.000 'Batman Mask of the Phantasm' - Fathom Events]
References
Further reading
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