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Light Sleeper
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Wikipedia article
{{Infobox film
| name = Light Sleeper
| image = Lightsleeperfilm.jpg
| image_size =
| caption = Theatrical release poster
| writer = Paul Schrader
| producer = Linda Reisman
Mario Kassar
| director = Paul Schrader
| starring =
| music = Michael Been
| cinematography = Edward Lachman
| editing = Kristina Boden
| studio = Seven Arts
| distributor = Fine Line Features
| released =
| runtime = 103 minutes
| country = United States
| language = English
| budget = $5 million
| gross = $1,055,987
}}
'Light Sleeper' is a 1992 American crime drama film written and directed by Paul Schrader and starring Willem Dafoe, Susan Sarandon, and Dana Delany. Set in New York City during a sanitation strike, the gritty neo-noir film stars Dafoe as a high-class drug dealer battling a midlife crisis before becoming embroiled in tragic events following the chance encounter with a former girlfriend. While under-performing at the box office, the film was regarded favorably by critics.
Plot
John LeTour, a 40-year-old New Yorker, is one of two delivery men for Ann, who supplies an exclusive clientele in the banking and financing sector with drugs. While Ann contemplates switching to the cosmetics business, LeTour, who suffers from insomnia, has lost his perspective in life.
One night LeTour meets his ex-wife Marianne, with whom he once shared an intense but destructive relationship due to drug abuse. Although they stopped taking drugs, Marianne refuses his offer for a new start. After spending one night together, she tells him that this was her way of saying goodbye. Unbeknown to Marianne, her mother died at the hospital while she was with LeTour. The next time she meets LeTour, she attacks him, demanding that he get out of her life once and for all.
Meanwhile, the police start observing LeTour because one of his clients, Tis, is connected to the drug-induced death of a young woman. On his next delivery, LeTour witnesses a heavily drugged Marianne in Tis' apartment. Only minutes after his departure, she falls several stories to her death. LeTour gives the police a lead to Marianne's last whereabouts. At the wake, Marianne's sister Randi tells him not to feel guilty for what happened.
When Tis orders a new supply and insists that LeTour deliver it, he senses that Tis wants to dispose of him. Ann accompanies him, but Tis' guards force her to leave the room. In the subsequent shootout, LeTour kills Tis and both of his henchmen, but is left critically wounded. He lies down on the hotel bed, showing no anger or pain, only a profound weariness, as police sirens can be heard in the distance.
Ann visits LeTour in jail, where he expresses his hopes for a better future. The film hints at the possibility that Ann will wait for him.
Cast
* Willem Dafoe as John LeTour
* Susan Sarandon as Ann
* Dana Delany as Marianne Jost
* David Clennon as Robert
* Mary Beth Hurt as Teresa Aranow
* Victor Garber as Tis Brg
* Jane Adams as Randi Jost
* Robert Cicchini as Bill Guidone
* Sam Rockwell as Jealous
* David Spade as Theological Cokehead
Background
Schrader has described the film as a "man and his room" story like 'American Gigolo' and his most famous screenplay which became the basis for Martin Scorsese's 'Taxi Driver'. In this film his character is dealing with anxiety over his life and the external forces that threaten it.Kevin Jackson, 'Schrader on Schrader', Faber & Faber, London 1990. 'Light Sleeper' also shares with 'American Gigolo' an ending reminiscent of Robert Bresson's 'Pickpocket', in which the imprisoned hero is shown contemplating a new and hopefully better existence.
The movie was still in the process of fundraising when production began, so Schrader financed the first three weeks of pre-production using his own money. 'Light Sleeper' was the first artistic collaboration of Willem Dafoe and Paul Schrader, who met during filming of Martin Scorsese's 'The Last Temptation of Christ'. Dafoe and Schrader later collaborated in 'Affliction' (1997), 'Auto Focus' (2002), 'The Walker' (2007), 'Adam Resurrected' (2008), 'Dog Eat Dog' (2016) and 'The Card Counter' (2021).
Schrader had originally intended to use songs from Bob Dylan's album 'Empire Burlesque,' but Schrader and Dylan could not agree on which songs to use and Schrader decided to use songs by Michael Been instead.Audio commentary by Paul Schrader on the 'Light Sleeper' DVD.
'Light Sleeper' premiered at the Berlin International Film Festival in February 1992 and was released in the US on August 21 that same year, earning $1 million at the box office.[https://www.imdb.com/title/tt0102307/ 'Light Sleeper'] at the Internet Movie Database. It gained mostly positive reviews and received various nominations, including the Independent Spirit Award. Willem Dafoe was awarded the Sant Jordi Award as best actor. In a telegram, German filmmaker Wim Wenders congratulated Schrader, stating that his direction was in a league with that of Japanese director Yasujir Ozu, who both Wenders and Schrader admire. In a 2005 interview, Schrader called 'Light Sleeper' his most personal film.
Reception
'Light Sleeper' received positive reviews from critics. It holds an 86% approval rating on Rotten Tomatoes based on 42 reviews, with a rating average of 7.30/10. The site's critical consensus reads, "'Light Sleeper' requires patience, but delivers commensurate rewards -- and boasts an absorbing performance from Willem Dafoe." Metacritic assigned the film a weighted average score of 70 out of 100, based on 22 critics, indicating "generally favorable reviews".
Film critic Roger Ebert wrote, "Schrader knows this world of insomnia, craving and addiction. And he knows all about people living in a cocoon of themselves. [] In film after film, for year after year, Paul Schrader has been telling this story in one way or another, but never with more humanity than this time.
Owen Gleiberman of 'Entertainment Weekly' wrote 'Light Sleeper' is "[] a small but absorbing mood piece [] even when the film doesn't gel, one is held by Willem Dafoe's grimly compelling performance.
Writing for 'Time Out Film Guide,' Geoff Andrew said the film is a "stylish 'film'But the story meanders, and it echoes 'Taxi Driver' and 'American Gigolo' so closely that Schrader is working less than fresh variations on over-familiar themes.'Time Out Film Guide', Seventh Edition 1999, Penguin Books, London, 1998.
References
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