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Marked for Death

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Wikipedia article




{{Infobox film

| name = Marked for Death

| image = Marked For Death film.jpg

| caption = Theatrical release poster

| director = Dwight H. Little

| writer =

| producer =

| starring =

| cinematography = Ric Waite

| editing = O. Nicholas Brown

| music = James Newton Howard

| studio = Steamroller Productions

| distributor = 20th Century Fox

| released =

| runtime = 93 minutes

| country = United States

| language = English

| budget = $12 million

| gross = $58 million

}}

'Marked for Death' is a 1990 American action film directed by Dwight H. Little. The film stars Steven Seagal as John Hatcher, a former DEA troubleshooter who returns to his Illinois hometown to find it taken over by a gang of vicious Jamaican drug dealers led by Screwface. Using a combination of fear and Obeah, a Jamaican syncretic religion of West African and Caribbean origin similar to Haitian vodou and Santera, Screwface rules the drug trade in Hatcher's Lincoln Heights.

Plot



Drug Enforcement Administration (DEA) agent and decorated soldier John Hatcher returns from Colombia, where drug dealers killed his partner Chico, and John killed the dealers. As a result of Chico's death and years of dead-end work, Hatcher retires and heads to his family's hometown of Lincoln Heights, in suburban Chicago. He visits the local high school to meet old friend and former U.S. Army buddy Max Keller who works there as a football coach and physical education teacher.

As John and Max celebrate their reunion at a club, a gunfight breaks out between local drug dealers and a Jamaican gang at the venue. The gang, an unnamed Jamaican Posse, is led by a notorious psychotic drug lord named Screwface. John arrests one of Screwface's henchmen as the gunfight ends.

News of Posse crimes occurring in Chicago and across the United States spread as the Posse expands its operations and recruits more members. The next day, Screwface sends his henchmen to do a drive-by shooting on the house where John, his sister Melissa, and Melissa's 12-year-old daughter Tracey live. Tracey is injured and hospitalized in critical condition.

In the subsequent investigation, John encounters a gangster named Jimmy Fingers, whom he is forced to kill. A Jamaican gangster named Nesta arrives and is subdued by John, who asks about Screwface. Nesta gives information but tells him to go after Screwface alone and jumps out the window to his death. The next day, John discovers a strange symbol engraved on a carpet, and with the help of Jamaican voodoo and gang expert Leslie Davalos, a detective for the Chicago Police Department, learns that it is an African black magic ideogram symbolizing blood that is used to mark their crimes. John decides to come out of retirement to join Max in a battle against Screwface.

On the night of their rendezvous, John gets a phone call from Melissa, which is cut short when Screwface and his men invade the Hatcher household. They leave upon John's arrival, and Melissa is unharmed. The next day, John and Max encounter another batch of Screwface's henchmen, resulting in a car chase. The chase ends in a high-end jewelry store, wherein two henchmen are wounded and one is killed by Hatcher amidst the chaos of shoppers fleeing the scene.

Later, during a meeting with Leslie, she informs John that the only way to stop the Jamaican Posse is to bring down Screwface. That evening, Screwface ambushes John under the guise of a construction crew; he plants a Molotov cocktail in John's car. John barely escapes before the car explodes.

John and Max then team up with Charles, a Jamaican-born detective of the Chicago police who has been trailing Screwface for five years. They acquire weaponry from a local weapons dealer, and, after testing the arsenal, they head for Kingston, Jamaica. Upon arrival, Max and Charles ask people in the streets for information about Screwface. A Jamaican local presents them a photo of a woman who is acquainted with Screwface and informs them of a nightclub which she frequents. John meets the woman in the nightclub, where she provides him details of Screwface such as her frequent hangouts with him, his drug business, and the address of his mansion, as well as the death of her sister by Screwface's hands. The woman also informs John of a cryptic clue: the secret of Screwface's power is that he has two heads and four eyes.

By nightfall, John, Max, and Charles (disguised as members of the Posse) head for Screwface's mansion. Secretly infiltrating the premises through a nearby plantation, John eliminates three roving henchmen on the estate's balcony with his silenced sniper rifle, plants a bomb at a nearby power station, and infiltrates the inner grounds. While Max and Charles keep a lookout and observe the party in progress, John detonates the bomb, causing the party to erupt into chaos. With Max and Charles opening fire on the Posse gang, John enters the building and disposes of many henchmen. He makes his way to a sacrificial area, but gets captured by Screwface and his remaining henchmen. John manages to break free and kill or wound every henchman before decapitating Screwface with his own sword.

Upon returning to Chicago, the trio display Screwface's severed head to the Chicago Posse to try to convince them to end their crimes and leave town. However, Charles is impaled by a man who is revealed to be Screwface's twin brother, making the gang believe that Screwface has returned from the dead using voodoo. A gunfight breaks out wherein Max holds off the henchmen despite being shot in the leg while John dispatches more gang members before he engages Screwface's twin in a sword fight.During the fight between John and the twin, the latter reveals that he and Screwface lied about being one man over the years with varying gangs and victims to dissuade suspicion and that he was the one responsible for the Posse crimes across the United States The fight moves to a nightclub owned by the twin, where Hatcher gives him more fatal injuries by gouging his eyes and breaking his spine before dropping him down an elevator shaft, impaling him in the process. As the surviving Posse members discover their boss' corpse, their fates remain ambiguous, although the death of the Screwface twins implies their arrest by law enforcement.

John leaves the scene carrying Charles' body with Max limping next to him as they walk off into the early morning.

Cast



* Steven Seagal as DEA Agent John Hatcher

* Keith David as Max Keller

* Joanna Pacua as Professor Leslie

* Basil Wallace as "Screwface"

* Tom Wright as Detective Charles Marks

* Kevin Dunn as FBI Agent Sal Roselli

* Elizabeth Gracen as Melissa Hatcher

* Bette Ford as Kate Hatcher

* Danielle Harris as Tracey Hatcher

* Al Israel as Tito Barco

* Richard Delmonte as DEA Agent Chico

* Arlen Dean Snyder as DEA Agent Duvall

* Victor Romero Evans as Nesta

* Michael Ralph as "Monkey"

* Danny Trejo as Hector

* Tom Dugan as Paco

* Gary Carlos Cervantes as Richard "Little Richard"

* Joe Renteria as Raoul

* Jeffrey Anderson-Gunter as "Nago"

* Peter Jason as DEA Assistant Director Pete Stone

* Stanley White as Sheriff O'Dwyer

* Earl Boen as Dr. Stein

* Rita Verreos as Marta, Voodoo Priestess

* Tracey Burch as Sexy Girl #1

* Teri Weigel as Sexy Girl #2

* Jimmy Cliff as Himself

Production



Steven Seagal had wanted to hire director Dwight Little for his second feature, 'Hard to Kill', but studio Warner Bros. vetoed his choice, and went with Bruce Malmuth instead. According to Little, Seagal had the option in his contract with Warner to do one film with another studio. Seagal chose to exercise that option and make his third film at 20th Century Fox, where he demanded that they hire Little for 'Marked for Death'. "I got that job only because Steven insisted," said Little. During production, the studio was pushing for more humor in the film, but Little and Seagal had made a pact to resist these attempts. Their template for the film was 'The French Connection'.

On the third day of shooting 'Marked for Death', 'Hard to Kill' came out in theaters. Dwight Little: "It opened huge, and it stayed on top for a while. No one, including Steven, thought that was going to be success. But it was. Frankly, just based on his charisma and a couple of good action scenes. I was downtown shooting a scene for 'Marked for Death' when suddenly I see all these limos and towncars coming to the set. They were all CAA-agents and producers, coming out of the woodwork to see the next big action guy. They all wanted to talk to him."

Of Seagal's martial arts, Little said: "Steven is the only guy who does what he does in the movies, where you let your opponent's energy go past you. In that respect, he's totally unique. But it's not a forward, high kicking, punching thing. That's why I felt I needed action movie stuff, like car chases, gun fights, explosions and some old fashioned cop stuff. Because if we tried to string together a bunch of Steven's fights, they will quickly start to feel the same."

Music



A soundtrack containing hip hop, reggae, and R&B music was released on September 27, 1990 by Delicious Vinyl.

Reception



Box office

'Marked for Death' opened at number one at the U.S. box office with an opening weekend gross of $11,790,047, making it Seagal's second straight film to open #1. It remained at #1 for 3 weekends. It earned a little more than $46 million domestically and $58 million worldwide.

Critical response

Rotten Tomatoes, a review aggregator, reports that 27% of 11 surveyed critics gave the film a positive review; the average rating is 4/10. Audiences polled by CinemaScore gave the film an average grade of "A" on an A+ to F scale. Both 'The New York Times' and 'The Washington Post' gave it a thumbs up, writing that it was another solid Seagal action film.Janet Maslin, [https://movies.nytimes.com/movie/review?_r=1&res=9C0CE5D61E3CF935A35753C1A966958260 Marked for Death (1990)], 'The New York Times', October 6, 1990, Accessed January 13, 2011.Richard Harrington, [https://www.washingtonpost.com/wp-srv/style/longterm/movies/videos/markedfordeathrharrington_a0aaf4.htm Marked for Death], 'Washington Post', October 1990, Accessed January 13, 2011. In a less than favorable response from 'Entertainment Weekly', they wrote that the film is partially "undone by murky cinematography". The Chicago Tribune was very critical of the film.

References




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