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Awakenings

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Wikipedia article




'Awakenings' is a 1990 American drama film directed by Penny Marshall. It is written by Steven Zaillian, who based his screenplay on Oliver Sacks's 1973 memoir 'Awakenings'. It tells the story of neurologist Dr. Malcolm Sayer (Robin Williams), who is based on Sacks, who discovers the beneficial effects of the drug L-Dopa in 1969. He administers it to catatonic patients who survived the 19171928 epidemic of encephalitis lethargica. Leonard Lowe (Robert de Niro) and the rest of the patients are awakened after decades and have to deal with a new life in a new time. Julie Kavner, Ruth Nelson, John Heard, Penelope Ann Miller, Peter Stormare, and Max von Sydow also star.

'Awakenings' was produced by Walter Parkes and Lawrence Lasker, who first encountered Sacks's book as undergraduates at Yale and optioned it a few years later. The film was a critical and commercial success, earning $108.7 million on a $29 million budget, and was nominated for three Academy Awards.

Plot



In 1969, Dr. Malcolm Sayer is a dedicated and caring physician at a local hospital in the Bronx borough of New York City. After working extensively with the catatonic patients who survived the 19171928 epidemic of encephalitis lethargica, Sayer discovers certain stimuli will reach beyond the patients' respective catatonic states; actions such as catching a ball, hearing familiar music, being called by their name, and enjoying human touch, all have unique effects on particular patients and offer a glimpse into their worlds. Patient Leonard Lowe seems to remain removed, but Sayer learns that Leonard is able to communicate with him by using a Ouija board.

After attending a lecture at a conference on the drug L-Dopa and its success for patients with Parkinson's disease, Sayer believes the drug may offer a breakthrough for his own group of patients. A trial run with Leonard yields astounding results: Leonard completely "awakens" from his catatonic state. This success inspires Sayer to ask for funding from donors so that all the catatonic patients can receive the L-Dopa medication and gain "awakenings" to reality and the present.

Meanwhile, Leonard is adjusting to his new life and becomes romantically interested in Paula, the daughter of another hospital patient. Leonard begins to chafe at the restrictions placed upon him as a patient of the hospital, desiring the freedom to come and go as he pleases. He stirs up a revolt by arguing his case to Sayer and the hospital administration. Sayer notices that as Leonard grows more agitated, a number of facial and body tics are starting to manifest, which Leonard has difficulty controlling.

Although Sayer and the hospital staff are thrilled by the success of L-Dopa with this group of patients, they soon learn that it is a temporary result. As the first to "awaken", Leonard is also the first to demonstrate the limited duration of this period of "awakening". Leonard's tics grow more and more prominent, and he starts to shuffle more as he walks. All of the patients are forced to witness what will eventually happen to them. He soon begins to have full body spasms and can hardly move. Leonard puts up well with the pain, and asks Sayer to film him, in hopes that he would someday contribute to research that may eventually help others. Leonard acknowledges what is happening to him and has a last lunch with Paula, where he tells her he cannot see her anymore. When he is about to leave, Paula dances with him. For this short period of time, his spasms disappear. Leonard and Sayer reconcile their differences, but Leonard returns to his catatonic state soon after. The other patients' fears are similarly realized as each eventually returns to catatonia, no matter how much their L-Dopa dosages are increased.

Sayer tells a group of grant donors to the hospital that although the "awakening" did not last, another kindone of learning to appreciate and live lifetook place. For example, he overcomes his painful shyness and asks Nurse Eleanor Costello to go out for coffee, many months after he had declined a similar invitation from her. The nurses now treat the catatonic patients with more respect and care, and Paula is shown visiting Leonard. The film ends with Sayer standing over Leonard behind a Ouija board, with his hands on Leonard's hands, which are on the planchette. "Let's begin," Sayer says.

Cast



* Robin Williams as Dr. Malcolm Sayer

* Robert De Niro as Leonard Lowe

* Julie Kavner as Eleanor Costello

* John Heard as Dr. Kaufman

* Penelope Ann Miller as Paula

* Max von Sydow as Dr. Peter Ingham

* Vincent Pastore as Ward #5 Patient #6

* Ruth Nelson as Mrs. Lowe

* Alice Drummond as Lucy

* Judith Malina as Rose

* George Martin as Frank

* Anne Meara as Miriam

* Mary Alice as Nurse Margaret

* Richard Libertini as Sidney

* Keith Diamond as Anthony

* Peter Stormare as unsympathetic neuro-chemist lecturer

* Bradley Whitford as Dr. Tyler

* Dexter Gordon as Rolando

* Vin Diesel as Orderly (uncredited)

Production



Casting

On September 15, 1989, Liz Smith reported that those being considered for the role of Leonard Lowe's mother were Kaye Ballard, Shelley Winters, and Anne Jackson;Smith, Liz (September 15, 1989). [https://www.newspapers.com/clip/97001379/daily-news/ "Guess What She's Doing for Love"]. 'Daily News' (New York). p. 8. Retrieved March 6, 2022. not quite three weeks later, 'Newsday' named Nancy Marchand as the leading contender.Fleming, Michael; Freifeld, Karen; Stasi, Linda (October 4, 1989). [https://www.newspapers.com/clip/97275220/newsday/ "Inside New York: Big Wigs at Lunch"]. 'Newsday' (New York). p. 12. Retrieved March 9, 2022. However, it was not until late January of the following yearmore than three quarters of the way through the film's four-month shooting schedule[https://www.imdb.com/title/tt0099077/locations?ref_=ttfc_ql_5#filming_dates Filming & Production; Filming Dates]. IMDb.that the matter was seemingly resolved, when the February 1990 issue of 'Premiere' magazine published a widely cited story (much repeated and embellished in the years since), belatedly informing fans that not only had Winters landed the role, but she'd been targeted at De Niro's request and had sealed the deal by means of some unabashed rsum-flexing (for the benefit, as we can now surmise, of veteran casting director Bonnie Timmermann:{{efn|Neither as printed in this 1990 'Premiere' excerpt nor as recounted by Winters herself six years later does this anecdote identify by name the casting director in question. As regards gender, however (and notwithstanding subsequent versions to the contrary), Winters' own account clearly cites a "casting 'lady,"'[https://youtube.com/clip/UgkxEFMvviAnzBHFHy9aM1gE1_B-z_nmWP57 "SHELLEY WINTERS ~ Interview Tom Snyder Show (1996) pt 1"]. YouTube. and Bonnie Timmerman is indeed the credited casting director on the finished film.}}):

'Premiere', 'Newsday' and Liz Smith notwithstanding, the film, as finally released in December 1990, featured neither Winterswhose early dismissal evidently resulted from continuing attempts to pull rank on director Penny MarshallAgan, Patrick (1993). [https://www.mediafire.com/view/0reg0i7pzy1jhs6/ 'Robert De Niro: The Man, the Myth and the Movies']. London: Robert Hale. pp. 187188. .Baxter, John (2003). [https://archive.org/details/denirobiography0000baxt_r5v0/page/288/mode/2up?q=%22penny+marshall%22+awakenings+%22niro+also+got+a+say%22+%22shelley+winters%22 'De Niro: An Autobiography']. London: HarperCollinsPublishers. p. 289. .nor any of the other previously publicized candidates (nor at least two others, Jo Van Fleet and Teresa Wright, identified in subsequent accounts),Haun, Harry (2000). '[https://archive.org/details/cinematiccentury00harr/page/n273/mode/2up?q=%22robert+de+niro+and+ruth+nelson+in+awakenings%22 The Cinematic Century: An Intimate Diary of America's Affair with the Movies]'. New York: Applause. .Spoto, Donald (2016). '[https://www.google.com/books/edition/A_Girl_s_Got_To_Breathe/5ACkCwAAQBAJ?&gbpv=1&pg=PT272 A Girl's Got to Breathe: The Life of Teresa Wright]'. Jackson: University Press of Mississippi. . but rather the then-85-year-old Group Theater alumnus Ruth Nelson, giving a well-received performance in what would prove her final feature film. See also:

* .

* Carroll, Kathleen (December 20, 1990). [https://www.newspapers.com/clip/97558527/daily-news/ "De Niro Rises and Shines in 'Awakenings'; Robin Williams and Ruth Nelson also touch the heart in this Tale of medical miracles"]. 'New York Daily News'. p. 31, 39. Retrieved March 13, 2022.

* .

* Agan. op. cit., p. [https://archive.org/details/robertdeniromanm0000agan/page/188/mode/2up?q=%22nelson%22 188].
"As Leonard's mother," writes 'Wall Street Journal' critic Julie Salamon, "Nelson achieves a wrenching beauty that stands out even among these exceptional actors doing exceptional things.". In her 2012 memoir, Penny Marshall recalled:

Filming

Principal photography for 'Awakenings' began on October 16, 1989, at the Kingsboro Psychiatric Center in Brooklyn, New York, which was operating, and lasted until February 16, 1990. According to Williams, actual patients were used in the filming of the movie. In addition to Kingsboro, sequences were also filmed at the New York Botanical Garden, Julia Richman High School, the Casa Galicia, and Park Slope, Brooklyn.

Reception



'Awakenings' opened in limited release on December 22, 1990, with an opening weekend gross of $417,076. The film expanded to a wide release on January 11, 1991, opening in second place behind 'Home Alone's ninth weekend, with $8,306,532. It went on to gross $52.1 million in the United States and Canada and $56.6 million internationally, for a worldwide total of $108.7 million.

Critical response

'Awakenings' received positive reviews from critics. Review aggregator Rotten Tomatoes reports that 89% of 35 film critics have given the film a positive review, with a rating average of 6.7/10. Its consensus states "Elevated by some of Robin Williams' finest non-comedic work and a strong performance from Robert De Niro, 'Awakenings' skirts the edges of melodrama, then soars above it." Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, gives the film a score of 74 based on 18 reviews. Audiences surveyed by CinemaScore gave the film a grade "A" on scale of A to F.

Roger Ebert of the 'Chicago Sun-Times' gave the film a four-out-of-four star rating, writing,

Owen Gleiberman of 'Entertainment Weekly' praised the film's performances, citing,

Oliver Sacks, the author of the memoir on which the film is based, "was pleased with a great deal of [the film]," explaining,

Desson Howe of 'The Washington Post' felt the film's tragic aspects did not live up to the strength in its humor, saying that

Similarly, Janet Maslin of 'The New York Times' concluded her review stating,

Accolades

The film was nominated for three Academy Awards, including: the Academy Award for Best Picture, the Academy Award for Best Adapted Screenplay, and the Academy Award for Best Actor (Robert De Niro). Robin Williams was also nominated at the 48th Golden Globe Awards for Best Actor in a Motion Picture Drama.

Notes



References




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