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The Message (1976 film)
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Wikipedia article
{{Infobox film
| name = The Message
| image = The-Message.jpg
| alt =
| caption = DVD poster
| director = Moustapha Akkad
| producer =
| writer =
| based_on = Muhammad
| starring =
| music = Maurice Jarre
| cinematography = Jack Hildyard
| editing =
| studio = Filmco International Productions Inc.
| distributor = Tarik Film Distributors
| released =
| runtime =
| country =
| language =
| budget = $10 million
| gross = $15 million
}}
'The Message' (, 'Ar-Rislah', 'Prophecy'; originally known as 'Mohammad, Messenger of God') is a 1976 Islamic epic drama film directed and produced by Moustapha Akkad, chronicling the life and times of the Islamic prophet Muhammad through the perspective of his uncle Hamza ibn Abdul-Muttalib and adopted son Zayd ibn Harithah.
Released in separately-filmed Arabic- and English-language versions, 'The Message' serves as an introduction to early Islamic history. The international ensemble cast includes Anthony Quinn, Irene Papas, Michael Ansara, Johnny Sekka, Michael Forest, Andr Morell, Garrick Hagon, Damien Thomas, and Martin Benson. It was an international co-production between Libya, Morocco, Lebanon, Syria and the United Kingdom.
The film was nominated for Best Original Score in the 50th Academy Awards, composed by Maurice Jarre, but lost the award to 'Star Wars' (composed by John Williams). Then-Libyan leader Muammar al-Gaddafi provided the majority of the financial support.
Plot
The film begins with Muhammad sending an invitation to accept Islam to surrounding rulers: Heraclius, the Byzantine Emperor; the Patriarch of Alexandria; the Sasanian Emperor.
Earlier Muhammad is visited by the angel Gabriel, which shocks him deeply. The angel asks him to start and spread Quran. Gradually, a small number in the city of Mecca begins to convert. As a result, more enemies will come and hunt Muhammad and his companions from Mecca and confiscate their possessions. Some of these followers fled to Abyssinia to seek refuge with the protection given by the king there.
They head north, where they receive a warm welcome in the city of Medina and build the first Islamic mosque. They are told that their possessions are being sold in Mecca on the market. Muhammad chooses peace for a moment, but still gets permission to attack. They are attacked but win the Battle of Badr. The Meccans, desiring revenge, fight back with three thousand men in the Battle of Uhud, killing Hamza. The Muslims run after the Meccans and leave the camp unprotected. Because of this, they are surprised by riders from behind, so they lose the battle. The Meccans and the Muslims close a 10-year truce.
A few years later, Khalid ibn Walid, a Meccan general who has killed many Muslims, converts to Islam. Meanwhile, Muslim camps in the desert are attacked in the night. The Muslims believe that the Meccans are responsible. Abu Sufyan comes to Medina fearing retribution and claiming that it was not the Meccans, but robbers who had broken the truce. None of the Muslims give him an audience, claiming he "observes no treaty and keeps no pledge". The Muslims respond with an attack on Mecca with very many troops and "men from every tribe".
Abu Sufyan seeks an audience with Muhammad on the eve of the attack. The Meccans become very scared but are reassured that people in their houses, by the Kaaba, or in Abu Sufyan's house will be safe. They surrender and Mecca falls into the hands of the Muslims without bloodshed. The pagan images of the gods in the Kaaba are destroyed, and the very first azan in Mecca is called on the Kaaba by Bilal ibn Rabah. The Farewell Sermon is also delivered.
Cast
;English version
* Anthony Quinn as Hamza
* Irene Papas as Hind bint Utbah
* Michael Ansara as Abu Sufyan ibn Harb
* Johnny Sekka as Bilal ibn Rabah
* Michael Forest as Khalid ibn al-Walid
* Andr Morell as Abu Talib
* Garrick Hagon as Ammar ibn Yasir
* Damien Thomas as Zayd
* Martin Benson as Abu Jahl
* Robert Brown as Utbah ibn Rabi'ah
* Rosalie Crutchley as Sumayyah
* Bruno Barnabe as Umayyah ibn Khalaf
* Neville Jason as Ja`far ibn Ab Tlib
* John Bennett as Salul
* Donald Burton as 'Amr ibn al-'As
* Earl Cameron as Al-Najashi
* George Camiller as Walid ibn Utbah
* Nicholas Amer as Suhayl ibn Amr
* Ronald Chenery as Mus`ab ibn `Umair
* Michael Godfrey as Baraa'
* John Humphry as Ubaydah
* Ewen Solon as Yasir
* Wolfe Morris as Abu Lahab
* Ronald Leigh-Hunt as Heraclius
* Leonard Trolley as Silk Merchant
* Gerard Hely as Poet Sinan
* Habib Ageli as Hudhayfah
* Peter Madden as Toothless Man
* Hassan Joundi as Khosrau II
* Abdullah Lamrani as Ikrimah
* Elaine Ives-Cameron as Arwa
* Mohammad Al Gaddary as Money Lender
* Ahmad Marey as Young Christian
'Arabic version'
* Abdullah Gaith as Hamza
* Muna Wassef as Hind
* as Abu Sufyan ibn Harb
* Ali Ahmed Salem as Bilal
* Mahmoud Said as Khalid
* Ahmad Marey as Zayd
* Mohammad Larbi as Ammar
* Hassan Joundi as Abu Jahl
* Sana' Jamil as Sumayyah
* Martin Benson as Khosrau II
* Damien Thomas as Young Christian
Production
While creating 'The Message', director Akkad, who was Muslim, consulted Islamic clerics in a thorough attempt to be respectful towards Islam and its views on portraying Muhammad. He received approval from Al-Azhar in Egypt, but was rejected by the Muslim World League in Mecca, Saudi Arabia.
Financing for the project initially came from Kuwait and Morocco and from then-Libyan leader Muammar al-Gaddafi, but when it was rejected by the Muslim World League, Emir Sabah III Al-Salim Al-Sabah of Kuwait withdrew financial support. King Hassan II of Morocco gave Akkad full support for the production, while Muammar al-Gaddafi provided the majority of the financial support. published September 20, 2012
The film was shot in Morocco and Libya, with production taking four-and-a-half months to build the sets for Mecca and Medina as imagined in Muhammad's time. Production took one year; Akkad filmed for six months in Morocco but had to stop when the Saudi government exerted great pressure on the Moroccan government to stop the project. Akkad went to al-Gaddafi for support in order to complete the project, and the Libyan leader allowed him to move the filming to Libya for the remaining six months.
Akkad saw the film as a way to bridge the gap between the Western and Islamic worlds, stating in a 1976 interview:
I did the film because it is a personal thing for me. Besides its production values as a film, it has its story, its intrigue, its drama. Besides all this I think there was something personal, being a Muslim myself who lived in the west I felt that it was my obligation my duty to tell the truth about Islam. It is a religion that has a 700 million following, yet it's so little known about which surprised me. I thought I should tell the story that will bring this bridge, this gap to the west.
Akkad also filmed an Arabic version of the film simultaneously with an Arab cast, for Arabic-speaking audiences. He felt that dubbing the English version into Arabic would not be enough, because the Arabic acting style differs significantly from that of Hollywood. The actors took turns doing the English and Arabic versions in each scene.
Depiction of Muhammad
In accordance with the beliefs of the majority of Muslims regarding depictions of Muhammad, his face is not depicted on-screen nor is his voice heard. Because Islamic tradition generally forbids any direct representation of religious figures, the following disclaimer is displayed at the beginning of the film:
The rule above was also extended to his wives, his daughters including Fatimah, Zainab, Umm Kulthum, Ruqayyah, his sons-in-law, and the first caliphs (Abu Bakr, Umar, Uthman, and Ali ibn Abi Talib his paternal cousin). This left Muhammad's uncle Hamza (Anthony Quinn) and his adopted son Zayd (Damien Thomas) as the central characters. During the battles of Badr and Uhud depicted in the movie, Hamza was in nominal command, even though the actual fighting was led by Muhammad, Hamza and Ali.
Whenever Muhammad was present or very close by, his presence was indicated by light organ music. His words, as he spoke them, were repeated by someone else such as Hamza, Zayd or Bilal. When a scene called for him to be present, the action was filmed from his point of view. Others in the scene nodded to the unheard dialogue or moved with the camera as though moving with Muhammad.
The closest the film comes to a depiction of Muhammad or his immediate family are the view of Ali's famous two-pronged sword Zulfiqar during the battle scenes, a glimpse of a staff in the scenes at the Kaaba or in Medina, and Muhammad's camel, Qaswa.
Reception
In July 1976, five days before the film opened in London's West End, threatening phone calls to a cinema prompted Akkad to change the title from 'Mohammed, Messenger of God' to 'The Message', at a cost of 50,000."Muhammad film title changed after threats." 'The Times' (London, 27 July 1976), 4.
'Sunday Times' film critic Dilys Powell described the film as a "Western crossed with Early Christian". She noted a similar avoidance of direct depictions of Jesus in early biblical films, and suggested that "from an artistic as well as a religious point of view the film is absolutely right".Dilys Powell, "In pursuit of the Prophet", 'Sunday Times' (London, 1 August 1976), p. 29. Richard Eder of 'The New York Times' described the effect of not showing Muhammad as "awkward" and likened it to "one of those Music Minus One records," adding that the acting was "on the level of crudity of an early Cecil B. DeMille Bible epic, but the direction and pace is far more languid." 'Variety' praised the "stunning" photography, "superbly rendered" battle scenes and the "strong and convincing" cast, though the second half of the film was called "facile stuff and anticlimactic." Charles Champlin of the 'Los Angeles Times' thought the battle scenes were "spectacularly done" and that Anthony Quinn's "dignity and stature" were right for his role.Champlin, Charles (March 8, 1977). "Islam as It Lives and Bleeds". 'Los Angeles Times'. Part IV, p. 1. Gene Siskel of the 'Chicago Tribune' gave it two stars out of four, calling it "a decent, big-budget religious movie. No more, no less."Siskel, Gene (March 29, 1977). "Protests aside, 'Mohammad' is a faithful, big-budget epic". 'Chicago Tribune'. Section 2, p. 10. John Pym of 'The Monthly Film Bulletin' wrote: "The unalleviated tedium of this ten-million dollar enterprise (billed as the first 'petrodollar' movie) is largely due to the tawdry staginess of all the sets and the apparent inability of Moustapha Akkad ... to muster larger groups of people on any but two-dimensional planes."
In 1977, as the film was scheduled to premiere in the United States, a splinter group of the black nationalist Nation of Islam calling itself the Hanafi Movement staged a siege of the Washington, D.C. chapter of the B'nai B'rith. Under the mistaken belief that Anthony Quinn played Muhammad in the film, the group threatened to blow up the building and its inhabitants unless the film's opening was cancelled. The standoff was resolved after the deaths of a journalist and a policeman, but "the film's American box office prospects never recovered from the unfortunate controversy."
Muna Wassef's role as Hind in the Arabic-language version won her international recognition.Samir Twair and Pat Twair, "Syrian stars receive first Al-Ataa awards", 'The Middle East' (1 December 1999).
Awards and nominations
The film was nominated for an Oscar in 1977 for Best Original Score for the music by Maurice Jarre.
Music
The musical score of 'The Message' was composed and conducted by Maurice Jarre and performed by the London Symphony Orchestra.
;Track listing for the first release on LP
'Side One'
# The Message (3:01)
# Hegira (4:24)
# Building the First Mosque (2:51)
# The Sura (3:34)
# Presence of Mohammad (2:13)
# Entry to Mecca (3:15)
'Side Two'
# The Declaration (2:38)
# The First Martyrs (2:27)
# Fight (4:12)
# Spread of Islam (3:16)
# Broken Idols (4:00)
# The Faith of Islam (2:37)
;Track listing for the first release on CD
# The Message (3:09)
# Hegira (4:39)
# Building the First Mosque (2:33)
# The Sura (3:32)
# Presence of Mohammad (2:11)
# Entry to Mecca (3:14)
# The Declaration (2:39)
# The First Martyrs (2:26)
# Fight (4:11)
# The Spread of Islam (3:35)
# Broken Idols (3:40)
# The Faith of Islam (2:33)
Potential remake
In October 2008, producer Oscar Zoghbi revealed plans to "revamp the 1976 movie and give it a modern twist", according to IMDb and the World Entertainment News Network.[https://www.imdb.com/news/ni0592587/ "The Message Gets A Modern Remake," IMDB, 28 October 2008.] He hoped to shoot the remake, tentatively titled 'The Messenger of Peace', in the cities of Mecca and Medina in Saudi Arabia.
In February 2009, Barrie M. Osborne, producer of 'The Matrix' and 'The Lord of the Rings' film trilogies, was attached to produce a new film about Muhammad. The film was to be financed by a Qatari media company and was to be supervised by Sheikh Yusuf al-Qaradawi.
See also
* List of Islamic films
* Battle of Badr
* Battle of Uhud
* List of films about Muhammad
References
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