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Under the Pavement Lies the Strand
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Wikipedia article
'Under the Pavement Lies the Strand' is a 1975 West German black and white drama film directed by Helma Sanders-Brahms. This low-budget film was her first feature film."Helma Sanders-Brahms: Film and National Identity" (Editors' Introduction). In: Everett, Wendy Ellen, and Axel Goodbody (editors). 'Revisiting Space: Space and Place in European Cinema' (Volume 2 of New Studies in European Cinema, ). Peter Lang, 2005. , . p. [https://books.google.com/books?id=MD9_gK_1Bl0C&pg=PA157 157]. Prior to making the film, Sanders-Brahms had little to no distinct contact with the women's rights movement.Mhrmann, Renate. 'Die Frau mit der Kamera'. Carl Hanser Verlag, 1980. , . S. [https://books.google.com/books?id=WsNjAAAAIAAJ&q=%22Unter+dem+Pflaster+ist+der+Strand%22&dq=%22Unter+dem+Pflaster+ist+der+Strand%22&hl=en&sa=X&ei=zNPYUrWBGoTRkQen-4DoBA&ved=0CF4Q6AEwBw 145].
Plot
The film deals with the aftermath of the 1968 student rebellions in Germany as experienced by two fervent participants. Though the country experienced sweeping reforms in the years following, two radicals-turned-successful Berlin stage actors and lovers grapple with their growing insignificance and the demands of adulthood. After a night of intense debate about the past and their future, the couple begins garnering support to fight a new abortion bill. However, their rekindled zeal is complicated by an unexpected pregnancy.
Cast
* Grischa Huber as Grischa
* Heinrich Giskes as Heinrich
* Ursula von Berg as Berlin Woman
* Gesine Strempel as Berlin Woman
* Traute Klier-Siebert as Berlin Woman
* Barbara Finkenstdt as Berlin Woman
* Heinz Hoenig
* Gnter Lampe
Release
The film was released on DVD by Facets Multi-Media in 2008.
Reception
Wendy Ellen Everett and Axel Goodbody, editors of 'Revisiting Space: Space and Place in European Cinema', said that it "became a cult film in the German feminist movement." The film's main actress and actor won the Deutscher Filmpreis (Filmband in Gold) in 1975 and it was called one of Sanders-Brahms' best films by Salon critic Andrew O'Hehir.. PopMatters critic Stuart Henderson referred to the film as a "revelation" and "fascinating and important film.". The 'Philadelphia City Paper' stated that the film was a "cult film for the feminist movement", noting that it is screened in repertory cinemas, calling it a "film still of vital interest."
References
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