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At Long Last Love
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Wikipedia article
'At Long Last Love' is a 1975 American jukebox musical comedy film written, produced, and directed by Peter Bogdanovich. It stars Burt Reynolds, Cybill Shepherd, Madeline Kahn, and Duilio Del Prete as two couples who each switch partners during a party and attempt to make each other jealous. Featuring 18 songs with music and lyrics by Cole Porter, Bogdanovich was inspired to make a musical with the composer's songs after Shepherd gave him a book of his songs. All of the musical sequences were performed live by the cast, since 'At Long Last Love' was meant by Bogdanovich to be a tribute to 1930s musical films like 'One Hour With You', 'The Love Parade', 'The Merry Widow' and 'The Smiling Lieutenant' that also filmed the songs in the same manner.
20th Century Fox rushed the film's release, only allowing for two test screenings before the final version premiered at Radio City Music Hall. Despite a few positive published opinions from critics like Roger Ebert, 'At Long Last Love' faced mostly horrendous initial reviews that mainly targeted the lead actors' performances of the musical numbers, originally considered one of the worst films of all time; and very low box office returns, only making less than half of its $5.14 million budget. The critical reception was so negative that Bogdanovich printed newspaper ads apologizing for the film. Apart from a 1981 videocassette release, 'At Long Last Love' did not have an official home media release for many years, so the only available versions of the film were through bootleg TV and VHS recordings, and 16mm prints. This was until the early 2010s; Bogdanovich's 121-minute 1979 default version of the film was issued to Netflix in 2012, and the "Definitive Director's Version," which was 90 seconds longer, was released on Blu-ray in 2013.
Plot
New York, 1935. The Broadway star Kitty O'Kelly fights with and gets dumped by her boyfriend at her penthouse apartment after having too much to drink ("Down In The Depths"). An Italian gambler Johnny Spanish wins a poker game and returns to his shabby downtown apartment ("Tomorrow"). At dawn, a spoiled heiress Brooke Carter returns to her hotel suite after a night out, only to be given an official notice by her maid Elizabeth, saying that they will be evicted unless she settles the bill ("Which?"). A playboy millionaire Michael Oliver Pritchard III drives home with his chauffeur and valet Rodney James after being bored with partying all night long ("Poor Young Millionaire"). The hungover Kitty runs out on a road and hails Michael's limousine, mistaking it for a taxi. Rodney manages to avoid her, but he still causes a minor accident. Michael and Kitty start chatting and instantly take a mutual liking.
Brooke and Elizabeth go to the race track in order to raise money for the hotel bill by betting on horses. They run into Johnny, and Brooke takes an immediate dislike at him. The two of them bet on the same race, only Johnny wins and Brooke loses her last 300$. After the race, Johnny spots Brooke and Elizabeth, offering them a lift in his car. Elizabeth declines, but nudges Brooke to accept it which she unwillingly does. Kitty and Michael drink champagne at his apartment completely smitten with each other, while Brooke and Johnny go for a car ride to discover that they are actually attracted to one another. She tells him how her mother had left for South America and hadn't heard from her in three months, nor has she received any financial support from her in that time. Johnny offers to settle her hotel bill, which Brooke gladly accepts ("You're the Top").
Michael and Rodney go to see Kitty's musical show Once Upon a Time, and so do Brooke and Johnny. They bicker over a seating arrangement with Michael and Brooke exchanging brief glances. The show begins and Brooke recognizes Kitty as her former schoolmate Kathy Krumm ("Find Me a Primitive Man"). Afterwards; Michael, Brooke and Johnny visit Kitty backstage and the two girls reunite. The four of them go to the nightclub and Michael invites them to his country house for the weekend. On the way, they pick up Elizabeth who finds herself immediately attracted to Rodney, much to his annoyance. Then they stop at Johnny's place and Brooke is disappointed to find out that he's living in a poor apartment building. Kitty and Michael manage to bring them back to a good mood ("Friendship").
The next morning, Rodney and Elizabeth fix breakfast for their employers while recovering from a drinking binge which resulted with another car crash at the country house doorway. She tries to seduce him, to no avail ("But in the Morning, No"). Johnny wishes to apologize to Brooke for lying to her and promises he'll make a fortune soon, but she's still mad at him. He runs into Kitty who has gone for a walk and flirts with her. Michael squirts shaving alcohol in his eye and accidentally bursts into Brooke's bedroom. They are slightly embarrassed, but amused by seeing each other half dressed ("At Long Last Love").
Later, the foursome play football when Michael's mother, Mabel Pritchard unexpectedly comes to visit. She invites them to a dance party at the Racquet Club and they reluctantly accept the invitation. The club consists of uptight senior citizens which causes bored Michael, Brooke, Johnny and Kitty to play tricks on the guests. Brooke and Michael sneak out to the back yard, but they are noticed by Kitty and Johnny who quietly leave the party ("Well, Did You Evah!"). Mabel interrupts Brooke and Michael to tell them that Kitty and Johnny went back to the city.
While sharing a taxi with Kitty, Johnny comes up with a scheme to make Brooke and Michael jealous by following them around and pose as a couple in front of them. She agrees to do it as a stunt, but eventually they spend a night at her place ("From Alpha to Omega"). Brooke and Michael return to his country house and she openly tries to seduce him, which she succeeds ("Let's Misbehave"/"It's De-Lovely"). Elizabeth does the same with Rodney by barging into his bedroom and forcing herself on him ("But in the Morning, No").
Kitty and Johnny make out in front of Brooke and Michael at the baseball game and the boxing match, but they try to ignore them. Finally, at the movie theatre Michael loses his nerves and has a fight with Johnny in the men's room. They quickly make a truce. Michael breaks up with Brooke, and Johnny breaks up with Kitty ("Just One of Those Things").
Brooke stays in her suite for days and doesn't return Johnny's calls, who in the meantime has won 500 000$ in a card game. Michael is desperate that Kitty avoids him and buys a two-year old horse called Kathy-O, just because he liked her name ("I Get a Kick out of You"). Brooke receives a telegram from her mother who sends her one million unsullied dollars and Elizabeth persuades her to go shopping. Kitty and Brooke accidentally meet in the powder room of the Lord & Taylor store, breaking down in tears, forgiving everything to each other. Along with Elizabeth, they state their disenchantment with men ("Most Gentlemen Dont Like Love"). Kitty and Brooke go for a walk and Elizabeth phones Rodney to bring Michael and Johnny with him to the ballroom in the evening.
Walking in the park, Kitty complains of her unrequited love for Johnny, and Brooke of hers for Michael ("I Loved Him, But He Didnt Love Me"). At the ballroom, Michael and Johnny attempt to rekindle with Kitty and Brooke, respectively. The two couples make up at the dance floor ("A Picture of Me Without You"). The bandleader asks the dancers to change partners and they do. Dancing with Kitty, Johnny observes that Brooke has never been more lovely. Michael, dancing with Brooke, notes that Kitty has never been more beautiful.
Cast
* Burt Reynolds as Michael Oliver Pritchard III
* Cybill Shepherd as Brooke Carter
* Madeline Kahn as Kitty O'Kelly
* Duilio Del Prete as Johnny Spanish
* Eileen Brennan as Elizabeth
* John Hillerman as Rodney James
* Mildred Natwick as Mabel Pritchard
* M. Emmet Walsh as Harold
Production
'At Long Last Love' was Bogdanovich's first musical film, as well as the first motion picture he wrote by himself.Hyphenates Seek Unified Film Approach: European Influence Visible Definition of 'Producer Self-Defense Cited
By PAUL GARDNER. New York Times February 25, 1974: 1 He got the idea to do a musical film of Cole Porter songs when his then-girlfriend Cybill Shepherd gave him a book of songs by the composer. "His lyrics conveyed a frivolous era," said the director. "With a kind of sadness, but very subtle... Cole Porter lyrics are less sentimental than, say, Gershwin and more abrasive... Gershwin was the greater musician. But Cole was a better lyricist and I was more interested in lyrics than music." When he heard the lyrics for "I Loved Him", with its reversal of emotion and wry lyric, he decided to use that as the finale and "worked back from there". The film was originally called 'Quadrille' and was equally weighted between the four lead characters.Bogdanovich--Will 'Nickelodeon' Be His Last Picture Show?: Bogdanovich--What Went Wrong? Peter Bogdanovich-- What Went Wrong? By DAVID DENBY. January 30, 1977: D1
In September 1973, Bogadanovich announced the cast would be Cybill Shepherd, Madeline Kahn, Ryan O'Neal, and the director himself.Bogdanovich Touch Turns Coincidence into Success: Turning Coincidence Into Success
Haber, Joyce. Los Angeles Times September 16, 1973: o21. Shepherd had recorded an album of Cole Porter songs paid for by Paramount called 'Cybill Does It... to Cole Porter'.Cybill Shepherd: 'Henry James Had Me in Mind' By Rex Reed. The Washington Post and Times-Herald October 14, 1973: L5. By March 1974, Bogdanovich had decided to not act, and replaced himself with Elliott Gould, who had experience in musical theatre.Woses Are Wed, Madeline's a Wow!: Madeline Kahn
By ROBERT BERKVIST. New York Times March 24, 1974: 131. Gould and O'Neal dropped out. By March 1974, Burt Reynolds had replaced Gould. Bogdanovich says he was "talked into" using Burt Reynolds, who wanted to try a musical. "The whole joke is that he's kind of a nice fellow, good looking, not particularly good at dancing. He can't dally with the girl. He's rather ineffectual."Peter Bogdanovich hews to single theme--variety By Nora E. Taylor Staff writer of The Christian Science Monitor The Christian Science Monitor. The Christian Science Monitor 0 Apr 1975: 13. He gave the other male lead to Duilio Del Prete who had just been in Bogdanovich's 'Daisy Miller' and who the director thought was going to be a big star.Bogdanovich Starring in Welles Film
Haber, Joyce. Los Angeles Times March 19, 1974: c8. In March 1974, Fox agreed to finance the film.MOVIE CALL SHEET: 'Marriage' to Screen in U.S.
Murphy, Mary. Los Angeles Times March 27, 1974: e14.
Filming started in August 1974. Resisting the urge to shoot another film in black and white, Bogdanovich had it art-directed as "Black and White in Color". He wanted the characters to feel like they were having a conversation using "greeting cards in the form of songs" like "they didn't know what to say to each other." The movies of Ernst Lubitsch with Jeanette MacDonald and Maurice Chevalier such as 'One Hour With You', 'The Love Parade', 'The Merry Widow' and 'The Smiling Lieutenant' influenced Bogdanovich to have all of the song sequences be filmed live, as it would recreate the "kind of sad, funny, melancholy, silly," and "spontaneous" vibe of the films. However, all of the lead actors, especially Reynolds "weren't accomplished singers or dancers," resulting in a lot of delays and mess-ups during the shooting process. In addition, the cast had a tough time performing the sequences due to having to perform them in one take and deal with wonky receiver systems in order to listen to the instrumentals.'The End' is just the beginning McBride, Joseph; Riley, Brooks. Film Comment; New York Vol. 14, Iss. 3, (May/Jun 1978): 16-21. Bogdanovich later said he "was very arrogant" during the making of the film, "but that arrogance was bought out of a frantic insecurity. I knew it was so possible I was wrong that I became tough about insisting that I was right."The Lives, Loves and Hard Times of Peter Bogdanovich and Cybill Shepherd: The Heartbreak Kids The Lives, and Loves and Hard Times of the Heartbreak Kids
By Sally Quinn. The Washington Post20 Dec 1976: B1.
Versions
The studio rushed the film into release, with only two previews in San Jose (which Bogadanovich recalled being "a total disaster") and Denver. Bogdanovich made more changes to the film to have it be more focused on Reynolds' character due to pressure from the studio, and the final version was never previewed.CYBILL SHEPHERD--SHE GETS A CHANCE AT A SECOND ACT: SHEPHERD: A SHOT AT A SECOND ACT SHEPHERD: A SHOT AT A SECOND ACT Rosenfield, Paul. Los Angeles Times October 9, 1983: w3. Following a premiere at 20th Century-Fox Studios in Los Angeles on March 1, 1975, the film opened March 6 at Radio City Music Hall to scathing reviews and poor box office returns. The chorus of critical attacks prompted Bogdanovich to have an open letter of apology printed in newspapers throughout the U.S. Bogdanovich later said once the film was released "I realized how I should have cut it after that and I immediately did cut it, they let me recut and I think I paid for that, and that version was then shown on television and that's the version that all release prints have been ever since. That was quite different from the opening version. Very different, but unfortunately it was too late."Gallagher, John. [http://www.nbrmp.org/features/PeterBogdanovich.cfm 'August 2004: Peter Bogdanovich'] National Board of Review, accessed June 4, 2013 The director has stated many people who first saw it in this version did not react so badly to the film.Hulin, Adam (director). 'By Bogdanovich'. Motion Picture. ElDorado Road Productions.
Critical reception
Jay Cocks in 'Time' led the condemnation, stating; "this Cole Porter coloring book, mounted with great expense and no taste, is one of those grand catastrophes that make audiences either hoot in derisive surprise or look away in embarrassment", adding; "when dancing, the stars look as if they're extinguishing a camp fire." Pauline Kael in 'The New Yorker' called it a "stillborn musical comedy-a relentlessly vapid pastiche". Vincent Canby of 'The New York Times' called the film "Peter Bogdanovich's audacious attempt to make a stylish, nineteen-thirties Hollywood musical comedy with a superb score by Cole Porter but with performers who don't dance much and whose singing abilities might be best hidden in a very large choir."Canby, Vincent (March 7, 1975). "[https://www.nytimes.com/movie/review?res=9F06E4D7153CE034BC4F53DFB566838E669EDE At Long Last Love' Evokes Past Films]". 'The New York Times'. 22. Charles Champlin of the 'Los Angeles Times' called it "the year's most frustrating failure."Champlin, Charles (March 27, 1975). "Bogdanovich's Cold Porter". 'Los Angeles Times'. Part IV, p. 1.
John Simon wrote in 'Esquire' that the film, "may be the worst movie musical of this or any decade: Sitting through this movie is like having someone at a fancy Parisian restaurant, who neither speaks nor reads French, read out stentoriously the entire long menu in his best Arkansas accent, and occasionally interrupt himself to chortle at his own cleverness"; and he particularly criticized Cybill Shepherd, stating, "Cybill Shepherd, Mr B's inamorata, plays a poor little snotty rich girl with a notion of sophistication that is underpassed only by her acting ability. (I will not even sully my pen by making it describe her singing and dancing.) If it weren't for an asinine superciliousness radiating from her, Miss Shepherd would actually be pitiable, rather like a kid from an orphanage trying to play Noel Coward." Frank Rich also condemned the film and Shepherd specifically in 'The New Times', calling the film "the most perverse movie musical ever made...a colossal, overextravagant in-joke...Every time his stars open their mouths or shake their legs, they trample on Cole Porters grave...As for Shepherds dancing, the best to be said is that it may not be recognizable as such: when this horsey ex-model starts prancing around, she tends to look as if shes fighting off a chronic case of trots.
Gene Siskel of the 'Chicago Tribune' gave the film 2 stars out of 4 and wrote, "The musical numbers are a mess. Nobody knows how to dance; nobody knows how to sing. Shepherd tries to hit the high notes and ends up sounding like a choir girl with a changing voice; Reynolds maintains good cheer, but too often slides into a Dean Martin accent that has nothing to do with the '30s."Siskel, Gene (March 21, 1975). "'At Long Last Love' is a labor lost". 'Chicago Tribune'. Section 3, p. 12. Bruce Williamson attacked the film in a review for 'Playboy' and stated "Duilio Del Prete, an Italian discovery with no voice, sings as if he came to paint the mansion and stayed on to regale the company with wobbly impersonations of Louis Jourdan and Maurice Chevalier." John Barbour wrote in 'Los Angeles': "If this Peter Bogdanovich fiasco were any more of a dog, it would shed", and, "Burt Reynolds sings like Dean Martin with adenoids and dances like a drunk killing cockroaches". 'TV Guide' remarked: "One of the worst bombs of the 1970s, this foolish attempt at re-creating the lush musicals of the 1930s offers fabulous art deco sets, memorable Cole Porter songs, and slick production values, yet it goes down like a stricken elephant."[https://www.tvguide.com/movies/at-long-last-love/review/2000044462/ At Long Last Lov review at TV Guide]
Burt Reynolds later said the film was:
Not as bad as it was reviewed. What was reviewed was Cybill and Peter's relationship. You see, Peter Bogdanovich has done something that all critics will never forgive him for doing. That is, stop being a critic, go make a film and have that film be enormously successful. What he did then was to go on talk shows, and be rather arrogant and talk about how bad critics are. That was the final straw. So they were waiting with their knives and whatever. And along came Peter who finally gave them something they could kill him with. Unfortunately there I was, between Cybill's broad shoulders and Peter's ego. And I got killed along with the rest of them.Workaholic Burt Reynolds sets up his next task: Light comedy
Siskel, Gene. 'Chicago Tribune' 28 Nov 1976: e2.
"I came out of it with better reviews than anyone else," added Reynolds. "But that's like staying afloat longer than anybody else when the 'Titanic' sunk. I still drowned."'I'm a Star in Spite of My Movies': Burt Reynolds
By ROBERT LINDSEY. New York Times January 15, 1978: D11.
Despite the negative reviews, Roger Ebert gave the film a mildly positive review, awarding 2.5 stars out of 4: "It's impossible not to feel affection for 'At Long Last Love' Peter Bogdanovich's much-maligned evocation of the classical 1930s musical. It's a light, silly, impeccably stylish entertainment...The movie's no masterpiece, but I can't account for the viciousness of some of the critical attacks against it. It's almost as if Bogdanovich is being accused of the sin of pride for daring to make a musical in the classical Hollywood style...Bogdanovich has too much taste, too sure a feel for the right tone, to go seriously wrong. And if he doesn't go spectacularly right, at least he provides small pleasures and great music."Ebert, Roger. "[https://www.rogerebert.com/reviews/at-long-last-love-1975 At Long Last Love]". 'RogerEbert.com' Retrieved December 30, 2018.
'At Long Last Love' was listed in the 1978 book 'The Fifty Worst Films of All Time', was cited in 'The Golden Turkey Awards' (winning the award for "The Worst Musical Extravaganza of All Time"), and was listed as a major financial disaster in 'The Hollywood Hall of Shame', all written by Harry and Michael Medved.Medved & Medved, 'The Hollywood Hall of Shame' (1984), p. 204
'At Long Last Love' currently holds a 20% rating on Rotten Tomatoes based on fifteen reviews. However, some modern directors praised the film. Rian Johnson put 'At Long Last Love' among his ten favorite musical films of the 1970s.[https://www.indiewire.com/2020/03/rian-johnson-favorite-musicals-1202220280/ Rian Johnson Shares His Highly Personal List of Favorite 1970s Movie Musicals] He described the film: "I'm here to tell you, they were all wrong. This movie is a delight. My wife and I love everything about it, we even have this poster up in our kitchen. Pop some dom, put on some white gloves and enjoy."[https://letterboxd.com/rcjohnso/list/70s-musical-extravaganza/detail/ Rian Johnson's letterboxd list]
Home media
'At Long Last Love' was released on videocassette by Magnetic Video in 1981.[http://www.americanradiohistory.com/Archive-Other-Documments/Panorama-TV/Panorama-TV-1981-05.pdf Panorama TV, May 1981] In addition, there were different versions (each with different scenes and numbers added and missing) floating around among fans and collectors, from 16mm prints and various TV broadcasts.
The director dismissed the film as a painful memory until around 2011 when he was told it was streaming on Netflix and people were liking it. For the first time in many years, he watched it himself, and for the first time in years, he liked what he saw. But it was not his cut. It was discovered that a longtime studio editor named Jim Blakely had secretly assembled another edit (running approximately 121 minutes), which more closely resembled Bogdanovich's shooting script and first preview cut. He quietly substituted it as the default version as early as 1979, and that was the version made available on streaming. Bogdanovich has gratefully acknowledged Blakely, who died before anyone learned what he had done.
After finding out how it happened, Bogdanovich called Fox to say he liked that version. He made some refinements, including 90 seconds of restored footage, bringing the final running time to 123 minutes. The studio released it as the "Definitive Director's Version" on Blu-ray Disc in June 2013, resulting in more positive reviews than the theatrical version received.
See also
* List of American films of 1975
References
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