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Zee and Co.

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Wikipedia article




'Zee and Co' (also known as 'X Y and Zee' and 'Zee and Company') is a 1972 British drama film directed by Brian G. Hutton and starring Elizabeth Taylor, Michael Caine, and Susannah York. Released by Columbia Pictures, it was based upon a novel by Edna O'Brien.'Variety' film review; 26 January 1972, page 16. The screenplay concerns a middle-aged, bickering couple whose marriage is near its end, and the woman who comes between them.

Plot



Zee Blakely is a loud, coarse, 40-something socialite, whose marriage to her architect husband Robert is on the rocks as witnessed by their frequent verbal sparring matches. Sick of Zee's antics, Robert is drawn to quiet boutique owner Stella who is the complete antithesis to Zee in terms of personality.

Feeling bored and rejected, Zee attempts several methods to regain Robert's sympathy, such as attempting suicide, but these do not work. Zee discovers that Stella had a lesbian affair in the past, and uses this against both her and Robert and then dares him to partake in a love triangle with Stella.

Cast



* Elizabeth Taylor as Zee Blakeley

* Michael Caine as Robert Blakeley

* Susannah York as Stella

* Margaret Leighton as Gladys

* John Standing as Gordon

* Mary Larkin as Rita

* Michael Cashman as Gavin

* Gino Melvazzi as Head Waiter

Production



Filming

It was shot at Shepperton Studios and on location in London. The film's sets were designed by the art director Peter Mullins.

Music

The theme song "Going in Circles" was covered by Three Dog Night, appearing as the b-side to the single "The Family of Man" as well as on their album 'Seven Separate Fools', both released in 1972.

Critical reception



Critical opinions of the film were varied. Roger Ebert wrote that while the movie is "no masterpiece" it still satisfies audiences as it "unzips along at a nice, vulgar clip". He said that Elizabeth Taylor is the film's main attraction, but the emphasis upon her detracts somewhat from a fuller representation of the love triangle in the film. Steven Scheue praised the film for its "intelligent dialogue" and as a "change of pace" for its director. Michael McWilliams cited Taylor's work as "her greatest movie performance" and called the film "outrageously funny" (McWilliams, 1987: 32).

Other critics were less sympathetic. Leonard Maltin wrote the film was "contrived [and] often perverse," with the Elizabeth Taylor/Susannah York love scene ranking "high in the annals of poor taste," (Maltin, 1990: 1386). Clive Hirschhorn felt the film was sabotaged by the director's "indulgent" take on it, thereby skewing Edna O'Brien's screenplay to its detriment (Hirshhorn, 1989: 298). Mick Martin offered a very brief review of the film, writing that it was a "pointless tale of sexual relationships", (Martin and Porter, 1996: p. 1213).

Home media



A Region 1 DVD-R[http://www.sonypictures.com/homevideo/columbiaclassics/the-films/film.php?catalogid=10662&sphesku_index=0&upc=043396373648 Remastered Region 1 DVD released], sonypictures.com; retrieved 26 August 2014. was released by Sony Pictures on 17 December 2010.

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References




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