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Deliverance
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Wikipedia article
'Deliverance' is a 1972 American survival thriller film produced and directed by John Boorman, and starring Jon Voight, Burt Reynolds, Ned Beatty, and Ronny Cox, with the latter two making their feature film debuts. The screenplay was adapted by James Dickey from his 1970 novel of the same name. The film was a critical and box office success, earning three Academy Award nominations and five Golden Globe Award nominations.
Widely acclaimed as a landmark picture, the film is noted for a music scene near the beginning, with one of the city men playing "Dueling Banjos" on guitar with a banjo-picking country boy. It is also notorious for its brutal depiction of a sodomous rape, before which the victim is compelled to "squeal like a pig" by his attacker. In 2008, 'Deliverance' was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant."
Plot
Four Atlanta businessmenLewis Medlock, Ed Gentry, Bobby Trippe and Drew Ballingerdecide to canoe down a river in the remote northern Georgia wilderness before it is dammed. Lewis, an experienced outdoorsman, is the leader; his close friend Ed has been on several trips but lacks Lewis's machismo, while Bobby and Drew are novices. En route to their launch site, the men (Bobby in particular) are condescending towards the locals, who are unimpressed by the "city boys". At a local gas station, Drew, with his guitar, engages a young banjo-playing boy in a musical duel ("Dueling Banjos"). The duel is mutually enjoyable, and some of the locals break into dance at the sound of it. However, the boy does not acknowledge Drew when prompted for a celebratory handshake.
The four friends travel in pairs and their two canoes become separated. Ed and Bobby encounter a pair of mountain men emerging from the woods, one carrying a shotgun and missing two front teeth. Following a verbal altercation, Bobby is forced by the men to undress. The unarmed man, who has a spanking fetishism, slaps the derriere of Bobby while pursuing him before he violently sodomizes the fat city dweller, demanding he "squeal like a pig", while Ed is bound to a tree and held at gunpoint. Just as Ed is about to be raped, Lewis sneaks up and kills the rapist using his bow and arrow; Ed retrieves the gun and the remaining mountain man flees into the woods. After a brief but hotheaded debate between Lewis and Drew, Ed and Bobby vote to side with Lewis's plan to bury the body and continue on as if nothing had happened. The four continue downriver but the canoes reach a dangerous stretch of rapids. As Drew and Ed reach the rapids in the lead canoe, Drew shakes his head and falls headlong into the water it is unclear why.
The canoes collide on the rocks, spilling the three remaining men into the river. One of the canoes is smashed. Lewis breaks his femur and the others are washed ashore alongside him in a gorge. Lewis, who believes Drew has been shot, encourages Ed to climb to the top of the gorge and dispatch the other mountain man, whom they believe to be stalking them from above. Ed reaches an overhang and hides out until morning, when a man appears above him with a rifle; Ed clumsily shoots and manages to kill him, but falls backwards, stabbing himself with one of his own arrows in the process. The dead man seemingly has all his teeth, but on closer inspection, is revealed to be wearing dentures. Ed and Bobby weigh down the body in the river to ensure it will never be found, and when they encounter Drew's body downriver, they do the same.
Upon finally reaching the small town of Aintry, they take Lewis to the hospital. The men carefully concoct a cover story for the authorities about Drew's death, lying about their ordeal to Sheriff Bullard in order to escape a possible double murder charge. The sheriff does not believe them, but has no evidence to arrest them and tells the men to not do this kind of thing again and to never come back. The trio vow to keep their story of death and survival a secret for the rest of their lives. In the final scene, Ed awakens, startled by a nightmare in which a bloated hand rises from the lake.
Cast
* Jon Voight as Ed Gentry
* Burt Reynolds as Lewis Medlock
* Ned Beatty as Bobby Trippe
* Ronny Cox as Drew Ballinger
* Bill McKinney as Mountain Man
* Herbert "Cowboy" Coward as Toothless Man
* James Dickey as Sheriff Bullard
* Billy Redden as Lonnie, the banjo boy
* Macon McCalman as Deputy Queen, whose brother-in-law is missing
Ned Beatty's wife, Belinda Beatty, and director John Boorman's son, Charley Boorman, have brief appearances as the wife and young child of Jon Voight's character.
Production
'Deliverance' was shot primarily in Rabun County in northeastern Georgia. The canoe scenes were filmed in the Tallulah Gorge southeast of Clayton and on the Chattooga River. This river divides the northeastern corner of Georgia from the northwestern corner of South Carolina. Additional scenes were shot in Salem, South Carolina.
A scene was also shot at the Mount Carmel Baptist Church cemetery. This site has since been flooded and lies under the surface of Lake Jocassee, on the border between Oconee and Pickens counties in South Carolina. The dam shown under construction is Jocassee Dam near Salem, SC.
During the filming of the canoe scene, author James Dickey showed up inebriated and entered into a bitter argument with producer-director John Boorman, who had rewritten Dickey's script. They allegedly had a brief fistfight in which Boorman, a much smaller man than Dickey, suffered a broken nose and four shattered teeth. Dickey was thrown off the set, but no charges were filed against him. The two reconciled and became good friends, and Boorman gave Dickey a cameo role as the sheriff at the end of the film.
The inspiration for the Cahulawassee River was the Coosawattee River, which was dammed in the 1970s and contained several dangerous whitewater rapids before being flooded by Carters Lake.
Casting
Casting was by Lynn Stalmaster. Dickey had initially wanted Sam Peckinpah to direct the film. Dickey also wanted Gene Hackman to portray Ed Gentry whereas Boorman wanted Lee Marvin to play the role. Boorman also wanted Marlon Brando to play Lewis Medlock. Jack Nicholson was considered for the role of Ed, while both Donald Sutherland and Charlton Heston turned down the role of Lewis. Other actors who were considered for the film included Robert Redford, Henry Fonda, George C. Scott and Warren Beatty.Stunts
The film is infamous for the cost cutting by the studio in an effort to kill it and having the actors perform their own stunts (most notably, Jon Voight climbed the cliff himself). Reynolds requested to have one scene re-shot with himself in a canoe rather than a dummy as it tumbled over a real waterfall. Reynolds recalled his shoulder and head hitting rocks and floating down stream with all of his clothes torn off, then waking up with director Boorman at his bedside. Reynolds asked "How'd it look?" and Boorman said, "It looked like a dummy falling over a waterfall."
Beatty almost drowned and Reynolds cracked his tailbone.
Regarding the courage of the four main actors in the movie performing their own stunts without insurance protection, Dickey was quoted as saying all of them "had more guts than a burglar." In a nod to their stunt-performing audacity, early in the movie Lewis says, "Insurance? I've never been insured in my life. I don't believe in insurance. There's no risk".
"Squeal like a pig"
Several people have been credited with the phrase "squeal like a pig", the now-famous line spoken during the graphic rape scene. Ned Beatty said he thought of it while he and actor McKinney (who played Beatty's rapist) were improvising the scene.Burger, Mark. (2006, March 19). "[https://pqasb.pqarchiver.com/journalnow/access/1005939731.html?dids=1005939731:1005939731&FMT=ABS&FMTS=ABS:FT&type=current&date=Mar+19%2C+2006&author=Mark+Burger+JOURNAL+ARTS+REPORTER&pub=Winston+-+Salem+Journal&edition=&startpage=1&desc=BEATTY+GIVEN+MASTER+OF+CINEMA+AWARD+%3B+CHARACTER+ACTOR+IS+A+VETERAN+OF+MORE+THAN+200+FILM+AND+TELEVISION+PRODUCTIONS BEATTY GIVEN MASTER OF CINEMA AWARD; CHARACTER ACTOR IS A VETERAN OF MORE THAN 200 FILM AND TELEVISION PRODUCTIONS]", 'Winston-Salem Journal', Page B1"Regarding his debut film, 'Deliverance' (1972), in which his character undergoes an unforgettably vivid sexual assault, Beatty said: 'The whole "squeal like a pig" thing ... came from guess who.' As the audience laughed, he theatrically put his head in his hands and silently pointed to himself, before elaborating how director Boorman encouraged him to improvise the scene with his onscreen tormentor, Bill McKinney." James Dickey's son, Christopher Dickey, wrote in his memoir about the film production, 'Summer of Deliverance', that because Boorman had rewritten so much dialogue for the scene one of the crewmen suggested that Beatty's character should just "squeal like a pig". Boorman, in a DVD commentary he made for the film said the line was used because the studio wanted the male rape scene to be filmed in two ways: one for cinematic release and one that would be acceptable for television. As Boorman did not want to do that, he decided that the phrase "squeal like a pig", suggested by Rabun County liaison Frank Rickman, was a good replacement for the original dialogue in the script. Reynolds later recalled the scene as so uncomfortable cameramen avoided watching, and Reynolds opted to interrupt the filming. Reynolds said, "I asked John Boorman, the director, 'Why did you let it go that long?' He said, 'I wanted to take it as far as I could with the audience, and I figured you'd run in when it got too far.'"
Soundtrack and copyright dispute
The film's soundtrack brought new attention to the musical work "Dueling Banjos", which had been recorded numerous times since 1955. Only Eric Weissberg and Steve Mandel were originally credited for the piece. The onscreen credits state that the song is an arrangement of the song "Feudin' Banjos", showing Combine Music Corp as the copyright owner. Songwriter and producer Arthur "Guitar Boogie" Smith, who had written "Feudin' Banjos" in 1955, and recorded it with five-string banjo player Don Reno, filed a lawsuit for songwriting credit and a percentage of royalties. He was awarded both in a landmark copyright infringement case. Smith asked Warner Bros. to include his name on the official soundtrack listing, but reportedly asked to be omitted from the film credits because he found the film offensive.
No credit was given for the film score. The film has a number of sparse, brooding passages of music scattered throughout, including several played on a synthesizer. Some prints of the movie omit much of this extra music.
Boorman was given a gold record for the "Dueling Banjos" hit single; this was later stolen from his house by the Dublin gangster Martin Cahill. Boorman recreated this scene in 'The General' (1998), his biographical film about Cahill.
Charts
Reception
'Deliverance' was a box office success in the United States, becoming the fifth-highest grossing film of 1972, with a domestic take of over $46 million. The film's financial success continued the following year, when it went on to earn $18 million in North American "distributor rentals" (receipts)."Big Rental Films of 1973", 'Variety', 9 January 1974 p 19
Critical reception
'Deliverance' was well received by critics and is widely regarded as one of the best films of 1972. On review aggregation website Rotten Tomatoes, the film holds an 89% rating based on reviews from 62 critics, with an average rating of 8.40/10. The site's consensus states: "Given primal verve by John Boorman's unflinching direction and Burt Reynolds' star-making performance, 'Deliverance' is a terrifying adventure."Gene Siskel of the 'Chicago Tribune' gave the film four stars out of four and wrote, "It is a gripping horror story that at times may force you to look away from the screen, but it is so beautifully filmed that your eyes will eagerly return." Charles Champlin of the 'Los Angeles Times' called it "an engrossing adventure, a demonstrable labor of love" carried by Voight and Reynolds.Champlin, Charles (August 13, 1972). "Men Against Riverof Life?in 'Deliverance'". 'Los Angeles Times'. Calendar, p. 17. Gary Arnold of 'The Washington Post' wrote that the film was "certainly a distinctive and gripping piece of work, with a deliberately brooding, ominous tone and visual style that put you in a grave, fearful frame of mind, almost in spite of yourself."Arnold, Gary (October 5, 1972). "' Deliverance': A Gripping Piece of Work". 'The Washington Post'. B1.
Not all reviews were positive. Roger Ebert of the 'Chicago Sun-Times' gave the film a mixed 2.5 stars out of a possible 4. He declared the film was "admittedly effective on the level of simple adventure" and had good performances, particularly from Voight and Reynolds. However, Ebert also wrote 'Deliverance' "totally fails [in] its attempt to make some kind of significant statement about its action [...] It's possible to consider civilized men in a confrontation with the wilderness without throwing in rapes, cowboy-and-Indian stunts and pure exploitative sensationalism."[http://www.rogerebert.com/reviews/deliverance-1972 "Deliverance."] 'Chicago Sun-Times'.
Arthur D. Murphy of 'Variety' wrote that the setting was "majestic" but it was "in the fleshing out that the script fumbles, and with it the direction and acting."Murphy, Arthur D. (July 19, 1972). "[https://variety.com/review/VE1117790346 Film Reviews: Deliverance]". 'Variety'. 14. Vincent Canby of 'The New York Times' was also generally negative, calling the film "a disappointment" because "so many of Dickey's lumpy narrative ideas remain in his screenplay that John Boorman's screen version becomes a lot less interesting than it has any right to be."Canby, Vincent (July 31, 1972). "[https://www.nytimes.com/1972/07/31/archives/the-screen-james-dickeys-deliverance-arrives-weekend-canoe-trip-of.html The Screen: James Dickey's 'Deliverance' Arrives]". 'The New York Times'. 21.
The instrumental piece, "Dueling Banjos", won the 1974 Grammy Award for Best Country Instrumental Performance. The film was selected by 'The New York Times' as one of 'The Best 1,000 Movies Ever Made', while the viewers of Channel 4 in the United Kingdom voted it #45 on a list of 'The 100 Greatest Films'. Reynolds later called it "the best film I've ever been in". However, he stated that the rape scene went "too far".
Awards and nominations
Nominated* Academy Award for Best Picture
* Academy Award for Best Director John Boorman
* Academy Award for Best Film Editing Tom Priestley
* New York Film Critics Circle for Best Film and Best Director
* Golden Globe Award for Best Motion Picture Drama
* Golden Globe Award for Best Director Motion Picture John Boorman
* Golden Globe Award for Best Actor Motion Picture Drama Jon Voight
* Golden Globe Award for Best Original Song Arthur "Guitar Boogie" Smith, Eric Weissberg, and Steve Mandel
* Golden Globe Award for Best Screenplay James Dickey
American Film Institute lists
* AFI's 100 Years...100 Thrills#15
Legacy
Following the film's release, Governor Jimmy Carter established a state film commission to encourage television and movie production in Georgia. The state has "become one of the top five production destinations in the U.S". Tourism increased to Rabun County by the tens of thousands after the film's release. By 2012, tourism was the largest source of revenue in the county, and rafting had developed as a $20 million industry in the region. Jon Voight's stunt double for this film, Claude Terry, later purchased equipment used in the movie from Warner Brothers. He founded a whitewater rafting adventure company on the Chattooga River, Southeastern Expeditions. Payson Kennedy, the stunt double for Ned Beatty, established the Nantahala Outdoor Center with his wife and Horace Holden along the Nantahala River in Swain County, North Carolina in 1972, the same year that 'Deliverance' was released.
See also
* List of American films of 1972
* Survival film, about the film genre, with a list of related films
*
References
Further reading
* Tibbetts, John C., and James M. Welsh, eds. 'The Encyclopedia of Novels Into Film' (2nd ed. 2005) pp 9495.
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