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Double Face
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Wikipedia article
{{Infobox film
| name = Double Face
| image = Double Face (German poster).jpg
| caption = German theatrical poster to 'Double Face'
| native_name =
| director = Riccardo Freda
| producers =
| writer =
| screenplay =
| story =
| based_on =
| starring =
| music = Nora Orlandi
| cinematography = Gbor Pogny
| editing =
| production_companies =
|distributors =
| released =
| runtime = 80 minutes
| country =
| language =
| budget = DM 1.3 million
| gross = 175.626 million
}}
'Double Face' (, / translation: 'The Face in the Dark') is a 1969 thriller film directed by Riccardo Freda and starring Klaus Kinski, Christiane Krger and Annabella Incontrera. It is part of the series of Edgar Wallace adaptations made by Rialto Film.
Plot
A businessman named John Alexander learns that his wealthy wife Helen has died in a car accident. After mourning, he runs afoul of some shady characters who lead him to believe that his wife is still alive.
Cast
Cast information from the book 'Riccardo Freda: The Life and Works of a Born Filmmaker'.
* Klaus Kinski as John Alexander
* Christiane Krger as Christine
* Gnther Stoll as Inspector Stevens
* Annabella Incontrera as Liz
* Sydney Chaplin as Mr. Brown
* Barbara Nelli as Alice
* Margaret Lee as Helen Alexander
* Carlo Marcolino as Butler
* Luciano Spadoni as Inspector Gordon
* Ignazio Dolce
The following cast went uncredited.
* Bedy Moratti
* Fulvio Pellegrino as a Policeman
* Domenico Ravenna as Man at a horse race
Production
During the later part of director Riccardo Freda's career, the director began attempting commercially viable genres. Freda met with Italian producer Oreste Coltellacci who set up a deal with the German company Rialto who created several work in the German subgenre called the 'krimi'. The 'krimis' were inspired by the works of Edgar Wallace and had been popular since Harald Reinl's film 'Der Frosch mit der Maske' (1959) In Germany, the film was promoted as being based on 'Das Gesicht im Dunkeln' by Edgar Wallace. This was done for commercial reasons as the script had nothing to do with the book. The original story for the film was developed by Lucio Fulci, Romano Migliorini and Gianbattista Mussetto. The film's screenplay is credited to Freda and Austrian-born Paul Hengge. According to Giusti, Fulci wrote the first treatment. Fulci would claim in an interview in 1994 that he wrote the film for Freda. He disliked the film, stating that Freda had "completely crushed it down to a pulp; at that time, he just didn't care anymore."
When casting the film, Freda met with Klaus Kinski in Rome where Kinski initially refused to be in the film not wanting to play another psychopathic character. Freda convinced him to take the role after learning he would play the part of a victim instead.
'Double Face' was shot between 20 January and 15 March 1969 at the Cinecitt Studios in Rome and on location in London and Liverpool. Freda and Kinski did not get along on set, with Freda referring to him as "the Crown Prince of Assholes" and eventually proceeding to shoot the film with a Kinski double he found on the set of a Federico Fellini film. When Kinski found out about this, he put aside his differences and continued working on the film.
Release
'Double Face' was released in West Germany on 4 July 1969 under the title of 'Das Gesicht im Dunkeln' ( The Face in the Dark) with an 80 minute runtime. It was distributed in West Germany by Constantin Film GmbH. It was released theatrically in Italy as 'A doppia faccia' on 26 July 1969 where it was distributed by Panta with a 90 minute runtime. The film grossed 175,626,000 Italian lire domestically in Italy.
It was released later in France as 'Liz et Helen' and also with added adult scenes involving actress Alice Arno as 'Chaleur et Jouissance' .Lucas, Tim. 'Blood and Black Lace' DVD, , 2005. ASIN: B000BB1926 It was released in the United States as 'Puzzle of Horrors'.
Reception
Film critic Marco Giusti writes that Kinski "is mad, hysterical, but dominates the film", remembers the nice intrigue around Kinski's character, and praises the lesbian scenes.
References
Footnotes
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