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Innocence Unprotected

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Wikipedia article




'Innocence Unprotected' is a compilation film by Yugoslav director Duan Makavejev. Makavejev's film is based on the 1941 film 'Nevinost bez zatite' in Serbia by Dragoljub Aleksi that was never released. In 1968, Makavejev established the film and expanded it with newsreel footage and interviews with surviving cast members.

Production



'Innocence Unprotected' is composed of footage of the 1941 film of the same name. 'Innocence Unprotected' was originally filmed in 1941 under the title 'Nevinost bez zatite' which was meant to be the first sound feature film made in Serbia. 'Nevinost bez zatite' was made by the Yugoslav gymnast Dragoljub Aleksi, who wrote, produced, directed, and starred in the film. 'Nevinost bez zatite' was never released due to the Nazi censors while ironically later during the Yugoslav communist period some accused and condemned it as being pro-Nazi.

In 1968 filmmaker Duan Makavejev found the film and expanded upon it with newsreel footage of Nazi propaganda and German occupation as well. Other footage includes Aleksi performing his acrobatics and filmed interviews of the surviving cast members. Makavejev tinted some of the black and white scenes in the film and hand colored some details. The film was referred to by Makavejev as a "montage of attractions", with a montage styled celebration of Serbian customs, folklore, and humor.

Reception



The film was entered into the 1968 Berlin International Film Festival, and it won the Silver Bear Extraordinary Prize of the Jury.

The film received positive acclaim on its initial release. 'Variety' wrote that the film is "both amusing and interesting. It has value as a documentary but it also gives the viewer the chance to laugh at an old amateur feature pic".

Roger Greenspun of 'The New York Times' wrote that, Makavejev "brings an exceptionally sophisticated understanding to his project. But it is also an exceptionally understanding sophisticationironic, loving, clear-sightedly appreciative of all illusions. For this, rarer than most things on film, I value Makavejev's extraordinary insights into ordinary affairs and his gentle juggling act with Acrobat Aleksic."

Later reviews were also positive. In 1985, Don Druker of 'The Chicago Reader' wrote that the film is "funny and genuinely endearing tribute to an innocent folk herobizarre in spots, and definitely Makavejev".

References




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