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S.O.S. Conspiracin Bikini

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Wikipedia article




'S.O.S. Conspiracin Bikini' (English: "S.O.S. Bikini Conspiracy") is a 1967 Mexican action adventure spy film written and directed by Ren Cardona Jr. and starring Julio Alemn, Sonia Furi and Sonia Infante. It is the first film in a duology centered on the character of Alex Dinamo, the "Mexican James Bond", followed by 'Peligro... Mujeres en accin' (1969).

Plot



The Secret Organizational Service (S.O.S.) is an international crime syndicate that has been successful with their all-female agents operating under the guise of a fashion model agency led by Madame Bristol (Sonia Infante). Meanwhile, the International Service is the governmental secret service dedicated to put an end to SOS's actions. An agent has infiltrated SOS, but she is in danger after sending a coded message to her supervising inspector. As a result, the International Service sends their top agent, Alex Dinamo (Julio Alemn), alongside agent Adriana (Sonia Furi), to give the undercover agent a hand.

Cast



*Julio Alemn as Alex Dinamo

*Sonia Furi as Adriana

*Sonia Infante as Madame Bristol

*Roberto Caedo as Chief of the International Service

*Maura Monti as Lucrecia

*No Murayama as Uli, Bristol's assistant

*Grace Polit as SOS Undercover Agent

*Carlos Agost as Luigi, Bristol's assistant

*Isela Vega as SOS Stage Director

*Lorraine Chanel as Madame Rapire

*Liza Castro as Bristol's assistant

*Juan Garza

*Lucho Glvez

*Jorge Fegan

Production and release



The film was shot in Ecuador, one of several Mexican film productions that were filmed in the country in the 1960s.

The film was released in Mexico on 3 August 1967, on the Roble and Carrusel cinemas, for two weeks.

Reception



Hctor Trejo Snchez 'Pinceladas de cine mexicano. La cultura popular mexicana retratada por el sptimo arte' wrote positively about 'S.O.S. Conspiracin Bikini' and 'Peligro... Mujeres en accin', in particular about the latter, saying that Alex Dinamo was the most relevant character of the Mexican spy cinema, and that it was successful in giving James Bond "a Latin face" and "a Latin American spirit." In 'Breve historia del cine mexicano: primer siglo, 18971997', Emilio Garca Riera was less enthusiastic, however, when citing the film as an example, alongside 'El asesino se embarca' (1967) and 'Cuatro contra el crimen' (1968), of Mexican films made in the 1960s to cash in on the success of the James Bond films, referring to them as examples of "underdeveloped James Bond-ism."

References




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