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Paradise, Hawaiian Style

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Wikipedia article




'Paradise, Hawaiian Style' is a 1966 American musical comedy film starring Elvis Presley. It was the third and final motion picture that Presley filmed in Hawaii. The film reached #40 on the 'Variety' weekly box office chart, earning $2.5 million in theaters. In agreeing to do this film, Elvis' manager Colonel Tom Parker was hoping to replicate the success of Presley's 1961 film, 'Blue Hawaii'.

Plot



Rick Richards (Presley) returns to his home in Hawaii after being fired from his job as an airline pilot. He and his buddy Danny Kohana (James Shigeta) go into the helicopter charter business together. But Rick's reckless flying and his careless flirting with local women may cost Rick the business and Danny his home. This tendency seems to get in the way of their secretary, Judy "Friday" Hudson (Suzanna Leigh) and Rick getting together.

Disaster looms as Danny becomes overdue on a flight after Rick has been grounded by government officials. Rick must decide if he should risk losing his license forever by going to look for his friend.

Cast



* Elvis Presley as Rick Richards

* Suzanna Leigh as Judy "Friday" Hudson

* James Shigeta as Danny Kohana

* Jan Shepard as Betty Kohana

* Philip Ahn as Moki Kaimana

* Donna Butterworth as Jan Kohana

* Marianna Hill as Lani Kaimana

* Irene Tsu as Pua

* Linda Wong as Lehua Kawena

* Julie Parrish as Joanna

* Red West as fighter in bar (uncredited)

Production



Principal photography in 'Paradise, Hawaiian Style' began in Hawaii on July 27, 1965 (with the working title of 'Hawaiian Paradise') and finished on September 29 in Los Angeles.[http://catalog.afi.com/Catalog/moviedetails/18579#1"History: Paradise, Hawaiian Style." 'AFI Catalog of Feature Films'. Retrieved: July 26, 2018.

Major scenes in both 'Blue Hawaii' (1961) and this film were shot on the island of Kauai, with the Coco Palms Resort prominently featured. The famous resort was destroyed by Hurricane Iniki in 1992 and never rebuilt.

Around the official wrap on production, Elvis met Tom Jones, who visited the set, and The Beatles, who visited Elvis Bel Air home a few weeks after production was completed.[https://www.graceland.com/blog/50th-anniversary-elvis-presleys-paradise-hawaiian-style/ "50th Anniversary: Elvis Presley's Paradise Hawaii Style."] 'Graceland.com'. Retrieved: May 20, 2019.

Soundtrack



Reception



Released in June 1966, 'Paradise, Hawaiian Style', despite its "stunning aerial photography", "inspired a collective yawn" with film critics.Knight 2009, p. 134. 'The New York Times' film reviewer Vincent Canby compared the film to the formulaic 1930s musicals that Bing Crosby used to star in, concluding that it was "all harmless and forgettable."Canby, Vincent. "Presley Invades Hawaii." 'The New York Times', June 16, 1966, p. 53. Kevin Thomas of the 'Los Angeles Times' called it "pleasant hot-weather diversion. Pretty much the usual Elvis Presley formula of songs and romance, this Paramount release ... has the added bonus of lush tropical scenery in color. And Elvis, as always, remains [a] relaxed, enjoyable entertainer."Thomas, Kevin. "It's 'Paradise' for Elvis Presley fans." 'Los Angeles Times'. June 1, 1966. Part IV, p. 8.

'Variety' called the film "a gaily-begarbed and flowing musical," with the Hawaii setting seldom before having been "utilized to such lush advantage.""Paradise, Hawaiian Style." 'Variety', June 8, 1966, p. 6. 'The Monthly Film Bulletin' wrote, "This is Elvis Presley right back in the old rut, parading his talents as a man of action while women swoon at his passage. The script is rather worse than routine, and the songs and choreography are undistinguished; which leaves very little but Wallace Kelley's colourful photography of the strictly tourist-eye view of the islands.""Paradise, Hawaiian Style." 'The Monthly Film Bulletin', Volume 33, Issue 391, August 1966, p. 127.

See also



*List of American films of 1966

References



Notes



Citations



Bibliography



* Knight, Timothy. 'Elvis Presley in the Movies'. New York: Metro Books, 2009. .


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