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Brainstorm (1965 film)
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Wikipedia article
'Brainstorm' is a 1965 neo-noir dark thriller film starring Jeffrey Hunter (credited as Jeff) and Anne Francis. It was produced and directed by William Conrad, who became better known as an actor in such television series as 'Cannon' and 'Jake and the Fatman', and was one of three suspense thrillers directed by Conrad for Warner Bros. in 1965, which also included 'Two on a Guillotine' and 'My Blood Runs Cold'.FILMLAND EVENTS: 'Brainstorm' Cast Named by Warners
Los Angeles Times1 Jan 1965: C6.
Plot
On a lonely highway, Jim Grayam spots a car stopped on the tracks of a railroad crossing. Inside he finds a sleeping or unconscious woman with the car doors locked. Unable to wake her, Grayam smashes a window and drives the car to safety just ahead of a speeding train.
Identifying her from a driver's license as Lorrie Benson, the wife of Beverly Hills millionaire Cort Benson, he drives her to their mansion. Grayam is a systems analyst for Benson Industries, widely admired throughout the company for his intelligence. When she wakes up, Lorrie makes it clear that she had parked the car on the tracks on purpose, a suicide attempt, and resents Grayam for saving her. Grayam declines a $1,000 reward.
Impressed that he didn't rescue her for his own advancement, the hard-drinking and wild-partying Lorrie recruits him for a scavenger hunt, then begins a romantic affair with him. When the relationship turns serious, Cort Benson begins to sully Grayam's reputation at work, making it appear the valued employee is having a nervous breakdown, similar to one from his youth. Dr. Elizabeth Larstadt, a psychoanalyst, is asked to examine Grayam and finds him to have a volatile personality.
Lorrie wants to leave her husband, but Cort makes it clear he won't permit her to take their young child. Grayam hatches a diabolical plot. He will kill Cort, but not before studying how to give the appearance of insanity, so that he will be sentenced to a psychiatric institution rather than to the gas chamber for murder.
The scheme works. Dr. Larstadt's testimony lands Grayam in a sanatorium rather than a prison cell. Grayam's intention is to gradually prove to doctors that he is safe to be released back into society. In the weeks to come, however, the other inmates' behavior drives Grayam slowly out of his mind and when he finally is visited by Lorrie, he discovers to his horror that she now has another man in her life.
A desperate Grayam plans to escape. He confides in Dr. Larstadt, now believing her to be the only one who truly understands him, and even professes his love for her. The doctor, however, is only making sure that she was correct in her assessment that Grayam is unbalanced. Hospital security guards carry him away.
Cast
* Jeffrey Hunter (credited as Jeff Hunter) as Jim Grayam
* Anne Francis as Lorrie Benson
* Dana Andrews as Cort Benson
* Viveca Lindfors as Dr. Larstadt
* Kathie Browne as Angie DeWitt
Production
'Brainstorm' was made as part of a two-picture contract that star Jeffrey Hunter had with Warner Bros. that also included the series 'Temple Houston' for Warner Bros. Television. William Conrad had also directed Hunter in the pilot episode of that series.
Hunter and Anne Francis had previously acted together in the movie 'Dreamboat' (1952), and in an episode of 'Temple Houston'. Hunter and Viveca Lindfors previously worked together in 'King of Kings' (1961).
Francis had a surge of new popularity in 1965 owing to the premiere of her television series 'Honey West'. She made two films during the year, but the TV show was dropped after one season.
Victor Rodman, formerly of NBC's 'Noah's Ark', made his last screen appearance in 'Brainstorm' in the uncredited role of a prison inmate. Veteran character actors Strother Martin, John Mitchum and Richard Kiel are among the sanitarium's patients.
Reception
In June 1965, critic Howard Thompson of 'The New York Times' called 'Brainstorm' "a so-so package of suspense... Up to a point the story cuts ice. Then it slips into absurdity."Thompson, Howard, [https://movies.nytimes.com/movie/review?res=9D02E2D6163BE13ABC4852DFB066838E679EDE&partner=Rotten%20Tomatoes "'Woman Who Wouldn't Die' and 'Brainstorm' Arrive at Palace."] 'The New York Times', June 20, 1965 Judith Crist called the film "a sub-B potboiler for those who find comic books too intellectual"; Leslie Halliwell called it an "overlong thriller which starts off agreeably in the 'Double Indemnity' vein, but goes slow and solemn around the half way mark."Halliwell, Leslie, 'Halliwell's Film Guide.' New York: Charles Scribner's Sons, 1983, page 109
Some critics held the film in higher regard with the passage of time. The editors of 'Film Noir: An Encyclopedic Reference to the American Style' (1979) described 'Brainstorm' as "a minor masterpiece of the 1960s":
:Along with films like 'Psycho', 'Brainstorm' is one of the best examples of the 1960s counterpart of 1940s film noir. At the core of the film's quality is a complex, compelling plot. Like 'Nightmare Alley' and 'Double Indemnity', which in a narrative sense it closely resembles, 'Brainstorm' follows a typical noir pattern from romance, to melodrama, to crime, and finally to horror. But unlike these films, which deal only tangentially with insanity, 'Brainstorm' is primarily an exploration of that theme.Silver, Alain, and Elizabeth Ward , editors, 'Film Noir: An Encyclopedic Reference to the American Style'. Woodstock, New York: The Overlook Press, 1979, page 41
"'Brainstorm' is undoubtedly the last of the truly great black-and-white films noirs," wrote Nicholas Christopher in his book, 'Somewhere in the Night: Film Noir and the American City' (1997):
:It is unquestionably the most nihilistic film noir of either the classic or present-day cycle. ... 'Brainstorm' is a film conceived and shot in the year following the Kennedy assassination, and its insistent references to madness, murder, mayhem, and conspiracy reflect the tenor of those times. ... [It] is the final, essential entry in that long line of films noirs that begins at the end of the Second World War.Christopher, Nicholas, 'Somewhere in the Night: Film Noir and the American City'. New York: Simon & Schuster, 1997. Emeryville, California: Shoemaker & Hoard (revised edition) 2006, pp. 231234
Reviewing Christopher's 'Somewhere in the Night', Michael Atkinson of 'The Village Voice' wrote that "the book does evoke a few forgotten beauts, notably William Conrad's 1965 schizonoir 'Brainstorm'. For Christopher, this truly nutty film 'is to other film noirs what Lobachevski's geometryin which parallel lines eventually intersectis to Euclid's,' and insofar as noir seems to reflect back what the viewer brings to it, he's not far off target."Atkinson, Michael, "Night Vision." 'The Village Voice', March 18, 1997
For the 2002 'Sight & Sound' poll of the top ten films of all time, critic Jack Stevenson included 'Brainstorm' in his list.[http://www.bfi.org.uk/sightandsound/topten/poll/voted.php?film=Brainstorm%20%28Conrad%29 British Film Institute] 'Sight & Sound' Critics Top 10 for 2002; retrieved April 2, 2011
Home video releases
In March 2009 Warner Bros. released 'Brainstorm' on Region 1 DVD, as part of the Warner Archive Collection.'[http://www.wbshop.com/Brainstorm/1000088043,default,pd.html?cgid=ARCHIVE Brainstorm]' at the official online store of Warner Bros. studios; retrieved April 2, 2011
See also
* List of American films of 1965
References
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