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Storm Over the Pacific
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Wikipedia article
(literally, 'Hawaii-Midway Battle of the Sea and Sky: Storm in the Pacific Ocean') is a 1960 color (Eastmancolor) Japanese film directed by She Matsubayashi. The story is an account of a young Japanese bombardier, Lt. Koji Kitami (Yosuke Natsuki) stationed aboard the and his participation in two battles in the Pacific during World War II, the attack on Pearl Harbor and the Battle of Midway.
'Storm Over the Pacific' is the first color widescreen war film from Toho Studios. It was made in 1960 by many of the same individuals behind the Godzilla franchise, such as producer Tomoyuki Tanaka, special effects director Eiji Tsuburaya, and assistant special effects director Teruyoshi Nakano. 'Storm Over the Pacific' was released in 1961 in the United States in a dubbed and abridged 98 minute version produced by Hugo Grimaldi as 'I Bombed Pearl Harbor'.[https://www.imdb.com/name/nm0342120/ "Hugo Grimaldi."] 'Internet Movie Database'. Retrieved: 23 May 2016.
Some special effects scenes were later incorporated as stock footage in the 1976 film 'Midway' (which also stars Toshir Mifune).
Plot
In 1941, Lt. Koji Kitami (Yosuke Natsuki) is a young Japanese bombardier, stationed aboard the . On 1 December 1941, a Japanese fleet of 30 warships sails for Hawaii. When diplomatic negotiations in Washington fail, the task force commander, Adm. Tamon Yamaguchi (Toshiro Mifune) receives orders to attack Pearl Harbor. On December 7, the surprise attack is carried out successfully.
Following the attack on Pearl Harbor, Koji returns to Japan and his childhood sweetheart, Keiko (Misa Uehara). Although deeply in love with Keiko, Koji fears that marriage will make him less worthy as a naval officer.
His faith in his leaders and his country remains strong through the successful campaigns of the early war, but is severely shaken by the disastrous events during the Battle of Midway, learning that reports back to the homeland are lies. In the battle, his carrier 'Hiryu' is attacked by U.S. dive bombers and badly damaged. High-ranking officers order the ship abandoned, but rather than leave it as a prize of war, a Japanese destroyer is given instructions to sink the carrier. As the 'Hiryu' goes down, Koji and others give a final salute.
Cast
Production
Film historian Stephen Pendo in 'Aviation in the Cinema' (1985) noted 'Storm Over the Pacific' heavily utilized models to create realistic battle scenes.Pendo 1985, p. 222. The special effects were supervised by Eiji Tsuburaya who was renown for his work in numerous 1950s and 1960s Japanese horror and science fiction films.Taylor, Al. "The Man Who Made Godzilla Famous." 'Fantastic Films and Other Imaginative Media', January 1980, p. 19. During his 50-year career as a special effects director, Tsuburaya worked on approximately 250 films in total.Ragone 2014, p. 169.
In World War II, Tsuburaya had created the realistic attack scenes in 'Hawai Mare oki kaisen' ('The War at Sea from Hawaii to Malaya') (1942) that depicted the Pearl Harbor attacks. The same model scene was reprised for 'Storm Over the Pacific'.Anderson 1982, p. 131. Tsuburaya and his special effects team created 136 ship models for 'Storm Over the Pacific', including Japanese aircraft carrier Akagi and 'USS Yorktown' aircraft carriers, 11 and 13 metres respectively. The 1/16th scale models of ships were shot in a large water tank.Tam et al. 2014, p. 130.
The miniature photography in 'Storm Over the Pacific' was subsequently re-used in a number of later films, including 'Midway' (1976) and the Japanese films 'Admiral Yamamoto' (1968) and 'The Imperial Navy' (1981).[http://modelshipsinthecinema.com/wp/archives/6641 "Review: 'Storm Over the Pacific' (1960)."] 'modelshipsinthecinema.com', 29 November 2015. Retrieved: 23 May 2016.
Reception
When 'Storm Over the Pacific' was released, it met with critical approvals and was widely recognized as "telling the other side" or giving the Japanese perspective of World War II in the Pacific. Film historians Jack Hardwick and Ed Schnepf, however, dismissed the English version, 'I Bombed Pearl Harbor' (1961) as poorly dubbed and with the predominance of "miniatures", as a pallid rival to 'Tora! Tora! Tora!' (1970).Hardwick and Schnepf 1989, p. 55.
References
Notes
Bibliography
* Anderson, Joseph L. 'The Japanese Film: Art and Industry'. Princeton, New Jersey: Princeton University Press, 1982. .
* Hardwick, Jack and Ed Schnepf. "A Viewer's Guide to Aviation Movies". 'The Making of the Great Aviation Films', General Aviation Series, Volume 2, 1989.
* Pendo, Stephen. 'Aviation in the Cinema'. Lanham, Maryland: Scarecrow Press, 1985. .
* Ragone, August. [https://web.archive.org/web/20150620001731/http://www.chroniclebooks.com/titles/eiji-tsuburaya-master-of-monsters-paperback.html 'Eiji Tsuburaya: Master of Monsters'.] San Francisco, California: Chronicle Books, 2014, first edition 2007. .
* Tam, King-fai, Timothy Y. Tsu and Sandra Wilson, eds. 'Chinese and Japanese Films on the Second World War'. London: routledge, 2014. .
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