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Too Much, Too Soon

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Wikipedia article




'Too Much, Too Soon' is a 1958 biographical film about Diana Barrymore produced by Warner Bros. It was directed by Art Napoleon and produced by Henry Blanke from a screenplay by Art Napoleon and Jo Napoleon, based on the autobiography by Diana Barrymore and Gerold Frank. The music score was by Ernest Gold and the cinematography by both Nicholas Musuraca and Carl E. Guthrie. Diana died in 1960, two years after the release of this film.

The film stars Dorothy Malone and Errol Flynn (playing his real-life friend and mentor John Barrymore), with Efrem Zimbalist Jr., Ray Danton, Neva Patterson, Murray Hamilton, and Martin Milner.

Plot



Fourteen-year-old Diana Barrymore is being raised by her domineering mother, a poet. Her father, the famed actor John Barrymore, has not laid eyes on Diana for 10 years, but they share an evening on his boat before John abandons her again.

At 18, Diana has become an actress and has a steady boyfriend, Lincoln Forrester. When a Hollywood contract comes her way, Diana's mother warns her not to live with John, now a washed-up alcoholic.

She finds her father living in a nearly empty mansion, having sold or pawned his belongings to pay his bills. He keeps a bald eagle in a cage indoors and has a servant, Gerhardt, who must physically knock out John to put him to bed.

Diana's famous name gains her some publicity, but her performances are panned. Her new husband, actor Vince Bryant, is away a lot, so Diana turns to drink and leaves Vince for tennis player John Howard. When her father dies alone, a penniless and often drunk Diana and her husband move in with her mother, who can only stand so much before making them leave.

After marrying again, this time to recovering alcoholic Bob Wilcox, she discovers after her mother's death that she has been left no inheritance. Diana takes demeaning jobs, including a striptease. She becomes violent and is hospitalized. Her only hope at salvation is an offer to write her memoirs, and old friend Linc returns to her life, offering some badly needed kindness.

Cast



* Dorothy Malone as Diana Barrymore

* Errol Flynn as John Barrymore

* Efrem Zimbalist, Jr. as Vincent Bryant in real life this was Bramwell Fletcher

* Martin Milner as Lincoln Forrester

* Neva Patterson as Diana's mother Michael Strange

* Ray Danton as John Howard[http://www.corbisimages.com/stock-photo/rights-managed/BE070429/diana-barrymore-with-fiance-john-howard A picture of the real life John Howard with Barrymore]

* Ed Kemmer as Robert Wilcox[http://www.oldmagazinearticles.com/diana_barrymore-alcoholic_pdf Old 'Confidential' magazine article with pictures of Barrymore and her husbands]

* Robert Ellenstein as Gerold Frank

* Shirley Mitchell as Mrs. Magda Snow

Original book



The film was based on the tumultuous anecdotes of Barrymore and Gerold Frank's."Heinrich Heine's Background Told" 'Los Angeles Times' 9 June 1957: F5."BEST SELLING Books IN THE MIDWEST" 'Chicago Daily Tribune' 2 June 1957: b3. 1957 best-selling autobiography. Frank was a renowned ghostwriter and had previously worked on 'I'll Cry Tomorrow', a popular book about another alcoholic celebrity, Lillian Roth.[http://www.hrc.utexas.edu/multimedia/video/2008/wallace/barrymore_diana_t.html Mike Wallace interview with Diana Barrymore 14 July 1957] accessed 27 February 2013 The book, released as 'Too Soon Too Much', was published through Henry Holt & Co. in 1957, and re-published in 1958 through Signet publishing. Warner Bros. picked up the film a year later in 1958. The book aimed to assuage the immense negativity surrounding Dianas name; the books subtitle, the Cinderella story in reverse, epitomizes the self-aware and reflective tone of the book. Barrymore focuses on the theme of self redemption in the book, primed with an explanation of her plunge followed with a triumphant description of her resilience.

The devastating mental health issues plaguing the Barrymore family is well documented Diana expands upon her childhood of neglect and the cycle of abuse she suffered throughout her life in her book. The writing process served as an outlet for Barrymore, where she was able to express her frustrations which "[she] usually only [got] rid of on a psychiatrists couch."

Although the book was intended to reintroduce Barrymore into the limelight, Diana faced an untimely death in 1960, a meager three years after the publishing. Unfortunately, it appeared as if she had never overcome her demons, and succumbed to a drug and alcohol overdose. Articles concerning Dianas public perception revealed some negative opinions, especially around her death. For example, Hugh Strathmore analyzes the waning days up until her death, and inconsiderately concludes that Dianas stubborn pride and that the fact that she wouldnt admit that the hooch had her licked was what cause her ultimate overdose. He also describes her demise as unsurprising."

"There's no message, I didn't set out to point a moral", said Barrymore. "But writing it has been a cleansing process. It's like psychiatry in a way.""BIOGRAPHY IS TALE OF GIRL WITH THREE LIVES: Diana Barrymore's Story: The Glitter and Bitter" Pauley, Gay. 'Los Angeles Times' 23 April 1957: A2.

Reception

When the book was published, 'The New York Times' called it "an extremely skillful piece of work, a craftsman's product aimed at a mood and a market that spell big business. It is a book for the mass audience... as an artisan, Mr Frank is no slouch.""For Diana, Nothing Failed Like Success: Nothing Like Success" by ELIZABETH JANEWAY. 'New York Times' 07 April 1957: 255.

'The Washington Post' thought the book "fails to touch the heart even though it spins a recognizably sad story.""Two Ladies' Sad Bouts With the Bottle" GLENDY CULLIGAN. 'The Washington Post and Times-Herald' [Washington, D.C.] 7 April 1957: E7.

Louella Parsons said the book "told too much too loudly.""'Too Much' May Be Just That, All Right" by Louella Parsons. 'The Washington Post and Times-Herald' [Washington, D.C.] 7 April 1957: H7.

'The Cincinnati Enquirer' describes the tale as sordid, pathetic, outrageous, and oddly admirable. Moreover, the 'New York Herald Tribune' lauds the narratives emotional appeal, going as far to label those who downplay the potent emotion as heartless or hypocritical.

By the time the book came out Diana Barrymore tried to reactivate her acting career and was seeing a psychiatrist but had not given up drinking.

Production



There was film interest in the book early on 'I'll Cry Tomorrow' had been a box office hit and Diana Barrymore had been fictionalised in a popular movie, 'The Bad and the Beautiful' (1952) (the character played by Lana Turner).[http://moviemorlocks.com/2007/03/05/diana-barrymore-too-much-too-soon-too-bad/ 'Too Much Too Soon' at Movie Morlocks] In December 1956, even before the book had been published, Warner Bros took an option on the film rights for a reported minimum of $100,000."OF PEOPLE AND PICTURES: COLLEGIAN" by A.H. WEILER. 'New York Times' 16 Dec 1956: X7. (Another source said it was $150,000.Louella Parsons: Gary Set for Railroad-Building Role

The Washington Post and Times-Herald (1954-1959) [Washington, D.C] 28 Dec 1956: A11
)

In January, it was announced that Gerold Frank would work on the script in collaboration with Irving Wallace, and that Irving Rapper would direct and Henry Blanke would produce."HUDSON IS SLATED FOR SELZNICK FILM: Way Cleared for Actor to Sign for Male Lead in 'A Farewell to Arms'" by THOMAS M. PRYOR 'New York Times' 30 Jan 1957: 32. By June however it was reported that the film was having "script problems" with the script two months overdue."Roz Has a Gala Birthday Celebration" 'The Washington Post and Times-Herald' [Washington, D.C.] 12 June 1957: D6. 'Casablanca' (1942) director, Michael Curtiz was initially in talks to direct the picture until he ultimately decided that the story was too sordid. Additionally, Errol Flynn had refused to work on another movie with director Curtiz, after they paired together for 12 films. In August, Warners said that Art and Jo Napoleon would write and direct the movie.

Casting

Originally, Carroll Baker, who had just made a big impression with 'Baby Doll' (1956) and was under contract to Warners, was to star as Diana.Diana Barrymore Story Set for Screen Louella Parsons:. The Washington Post and Times-Herald 31 Jan 1957: B4. Fredric March was mentioned as a possible John Barrymore.The Gabor Girls Love Each Other The Washington Post and Times-Herald (1954-1959) [Washington, D.C] 04 Feb 1957: B6. However, Baker refused to play the role, and Warner Bros put her on suspension"FILM BODY RULES ON 'OSCAR' WINNER: Mysterious Author of 'Brave One' Must Identify Himself to Claim the Award Two Join Brando Firm" by THOMAS M. PRYOR 'New York Times' 12 Apr 1957: 22. and refused to let her make 'The Brothers Karamazov' (1958) at MGM."WARNERS TO HOLD ACTRESS TO PACT: Studio Halts Deal Between Carroll Baker and M-G-M for 'Karamazov' Movie Maria Schell Sought" by THOMAS M. PRYOR 'New York Times' 3 May 1957: 20.

Natalie Wood, also under contract to Warners, was mentioned as a possibility for the lead,"Tracy Set for 'Ten North Frederick'" 'The Washington Post and Times-Herald' [Washington, D.C.] 10 Apr 1957: B8. as was Anne Baxter."Doris Duke Blows Into Town", Dorothy Kilgallen: 'The Washington Post and Times-Herald' [Washington, D.C.] 20 Apr 1957: D9. Finally in August 1957 it was announced Dorothy Malone, who had recently won an Oscar for 'Written on the Wind' would play Diana Barrymore."DOROTHY MALONE IN FILM BIOGRAPHY: 'Oscar' Winner Is Cast as Diana Barrymore--Paul Douglas Gets New Role Giulletta Masina to Co-Star Of Local Origin" 'New York Times' 21 Aug 1957: 22. Malone never met Diana Barrymore."TRAGEDIES TAKE TOLL: Bad Girl' Dorothy Wants Comedy Role Dorothy Malone Yearns for Change-of-Pace Film Roles" Scott, John L. 'Los Angeles Times' 20 Apr 1958: E1. (She was invited to the set but declined."'Too Soon' Star Lauded" 'Los Angeles Times' 14 May 1958: B7.)

Gene Wesson was mentioned as auditioning for the part of John Barrymore.Actor Who Grayed Hair For Tryout Loses Job 'New York Times' 24 July 1957: 28. Jo Van Fleet was discussed for the part of Michael Strange."Errol Wants to Make Up Again" Dorothy Kilgallen: 'The Washington Post and Times-Herald' 19 Sep 1957: C10.

By September 1957 Errol Flynn had signed to play John Barrymore."FLYNN TO PORTRAY JOHN BARRYMORE: Star Returning to Warners in 'Too Much, Too Soon' --Gary Cooper Role" by THOMAS M. PRYOR 'New York Times' 28 Sep 1957: 20. Errol Flynn was a friend of John Barrymore's and the film was the first he had made for Warner Bros in a number of years.

Flynn flew back into Hollywood to make the movie and was arrested only a few days later for public drunkenness, stealing an off duty policeman's badge and trying to kiss a girl. Flynn denied he was drunk and was released from jail on bail after an hour."Flynn, Jailed as a Drunk, Shouts 'Foul': ERROL FLYNN CRIES 'FOUL' AT DRUNK CHARGE Missing Police Badge, Kiss His Downfall", 'Chicago Daily Tribune' 21 Oct 1957: 1.

Shooting

Warner Bros recreated John Barrymore's yacht and house for the film. A Hollywood mansion that used to be owned by Madge Kennedy and Pola Negri was rented for the latter."HOLDEN TO REVIVE PRODUCTION UNIT: Star Will Reactivate Toluca Films With Two Stories-- Wilde to Do 'Maracaibo' Cornel Wilde Active" 'New York Times' 4 Sep 1957: 41.

A number of characters in the movie were fictionalised due to legal reasons for instance first husband Bramwell Fletcher was turned into "Vincent Bryant".Tony Thomas, Rudy Behlmer & Clifford McCarty, 'The Films of Errol Flynn', Citadel Press, 1969 p 216 Real names were used for her last two husbands, despite their unsympathetic portrayals John Howard had been arrested on white slavery charges"Diana Barrymore's Ex-Mate in Vice Net: John Howard Jr. Accused of Conducting Ring Catering to Hollywood Executives" 'Los Angeles Times' 19 March 1953: 18. and Robert Wilcox was dead. Howard later became a car salesman and threatened to sue Warner Bros.[http://bil.stparchive.com/Archive/BIL/BIL12191957P06.php Harrison Carrol, "Behind the Scenes in Hollywood"], 'The Billings County Pioneer' 19 December 1957 accessed 9 January 2014

Ray Danton, who played Howard, a tennis professional, received tennis coaching from Tony Trabert."'Peyton Place' Thoroughly Dissects Small-Town Life" Schallert, Edwin. 'Los Angeles Times' 13 Dec 1957: B16.

Flynn said "it would have been easy for me to simulate Jack Barrymore's physical characteristics for I can do, with the lifted eyebrow, an imitation about as good as anyone elses." However he wanted to:

Delve into his inner self, not to imitate him ~ that was too easy. I wanted to show a man with a heart, a man eaten up inside - as I knew him to be in those final days when I was close to him - a man full of regrets and all ready to die, but with one last thing to live for, the love of his daughter, Diana, his desire to get back her love. I determined that I would stay away from the least suggestion or imitation of manners. That would have been deadly wrong. The only concession I made to that was to try to look like him. To

facilitate that, the studio put a tip on the end of my nose which aided in conveying his profile.


Reception



Critical

'The New York Times' wrote that the film was "not bad, just ineffectual... undaring and even unsurprising. Gone is most of the endless soiled linen that aggressively flapped through Miss Barrymore's best-selling autobiography and, with it, it's left wallops, perhaps the book's only real substance... Mr Flynn steals the picture lock, stock and keg. It is only in the scenes of his savage disintegration, as the horrified girl looks on, that the picture approaches real tragedy.""Diana Barrymore's Story at 2 Theatres" Thompson, Howard. 'New York Times' 10 May 1958: 19.

The 'Los Angeles Times' called the film a "depressing affair, one that never should have been considered... it doesn't stick to the facts... it is not good storytelling, either in structural form or characterisation... For all his capturing of John's surface mannerisms, some of the physical appearance and, most effortlessly, his way with a bottle, Flynn is not the great profile and great actor of our time. I resented him in the part.""Barrymore Biography Ill Advised: Barrymore" Scheuer, Philip K. 'Los Angeles Times' 16 May 1958: A8.

'The Washington Post' called 'Too Much, Too Soon' "a sorry film" in which Errol Flynn's performance "may seem to have at least dazzling vitality, but it's about as dishonest a portrait of the volatile actor as you're likely to find.""So Soon, So Little!" by Richard L. Coe. 'The Washington Post and Times-Herald' [Washington, D.C.] 16 May 1958: B6.

The 'Chicago Daily Tribune' called 'Too Much, Too Soon' "a sordid, unattractive tale, poorly written and badly acted"."Film About Barrymore Deadly Dull: "TOO MUCH, TOO SOON"" TINEE, MAE. 'Chicago Daily Tribune' 10 June 1958: a6.

'Filmink' magazine wrote that "Flynn never had Barrymores reputation as a great actor but hes perfectly cast full of charisma, charm and sadness, with a beautiful speaking voice and fondness for the bottle... the actor really tried on this one and you can tell. Everything he does is memorable... It was his best film of the decade."

See also



* List of American films of 1958

References




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