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Nowhere to Go (1958 film)

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Wikipedia article




{{Infobox film

| name = Nowhere to Go

| image = Nowhere to Go (1958 film) poster.jpg

| image_size =

| caption = Theatrical release poster

| director = Seth Holt

| producer = Michael Balcon
Eric Williams

| based_on =

| writer = Kenneth Tynan
Seth Holt

| narrator =

| starring = George Nader
Maggie Smith
Bernard Lee
Geoffrey Keen

| music = Dizzy Reece

| cinematography = Paul Beeson

| editing = Harry Aldous

| studio = Ealing Studios

| distributor = Metro-Goldwyn-Mayer

| released =

| runtime = 89 minutes

| country = United Kingdom

| language = English

| budget = $468,000.

| gross = $460,000

}}

'Nowhere to Go' is a 1958 British crime film directed by Seth Holt in his directorial debut. It stars George Nader, Maggie Smith (receiving her first screen credit), Bernard Lee, Harry H. Corbett and Bessie Love. The plot concerns a criminal who escapes from jail and attempts to recover his stashed loot but is shunned by the criminal community and hunted by the police.

Originally edited down as part of a double bill, the full-length version of 'Nowhere to Go' was released on DVD in January 2013.

Holt called 'Nowhere to Go' "the least Ealing film ever made."Film & Music: Brief encounters: Kenneth Tynan on film: Tynan's Ealing escapade

Billington, Michael. The Guardian; London (UK) [London (UK)]21 May 2010: 4.


Plot



Paul Gregory, a Canadian confidence trickster operating in London, targets a wealthy Canadian woman in Britain to sell her collection of valuable coins. After meeting her at an ice hockey match, he sets about winning her confidence until she is prepared to grant him legal control over the sale. He completes the deal without her knowledge, stores the money from the sale in a safe deposit box and then deliberately waits to be caught by the police. Gregory plans on receiving a five-year sentence, with time off for good behaviour, and then collecting his loot when he is released.

However, the judge makes an example of the uncooperative Gregory by sentencing him to ten years in prison. While incarcerated, Gregory pays his associate Victor Sloane to help him escape. Almost immediately, things begin to go wrong. Fearing arrest, he is unable to recover the money from the safe. Sloane also begins to demand more money and threatens violence, and Gregory is forced to retaliate.

Gregory tries to procure assistance from his fellow criminals, calling upon an established code that exists among them. But when Sloane is found dead, having accidentally choked on a gag that Gregory had placed in his mouth, they refuse to offer him any assistance, as he is now too "warm."

With the manhunt rapidly approaching, Gregory tries to escape with the help of Bridget Howard, a disillusioned ex-dbutante and niece of a chief constable. She drives Gregory to a deserted cottage near her family's rural home outside Brecon. While in hiding, he witnesses the police arrive to question Bridget, assumes the worst and flees again. Attempting to steal a farmer's bicycle, he is shot in the shoulder. He drives away in a stolen lorry but crashes and loses consciousness, and he is found by another farmer. Bridget tells the police nothing as she waits in vain for Gregory at the cottage before walking into the distance.

Cast



Production



The film was based on the debut novel by Donald MacKenzie, a former prisoner, that was published in 1956. 'The Manchester Guardian' wrote that "the reader is swept along until the very last page."FRENCH, ENGLISH, AND AMERICAN

Lies, Francis. The Manchester Guardian 7 Dec 1956: 8.
It was published in the U.S. as 'Manhunt'. 'The New York Times' described it as "highly rewarding".Criminals At Large: Criminals

By ANTHONY BOUCHER. New York Times 3 Mar 1957: 247.


'Nowhere to Go' was produced at MGM-British Studios in Borehamwood but was released under the Ealing Studios banner. Ealing had moved to the Borehamwood studios following the sale of its own studio base in 1955.

In December 1956, Ealing listed 'Nowhere to Go' among a slate of movies planned for the following year in conjunction with MGM; others included 'Davy' and 'Dunkirk'. Harry Watt was originally scheduled to direct the film,ON THE ENGLISH PRODUCTION SCENE:

By STEPHEN WATTS. New York Times 30 Dec 1956: X5.
but he was reassigned to 'The Siege of Pinchgut' (1959), which was to be the last Ealing film. Seth Holt, a longtime film editor at Ealing, became the director, and he was the last major beneficiary of studio head Michael Balcon's policy of promoting from within.Seth Holt

French, Philip. The Observer 21 Feb 1971: 21.


The script was cowritten by Kenneth Tynan, who worked at Ealing for two years. This was the only script of his to be filmed while there. He wrote the script with Holt, who said "I did the action bits and he did the dialogue."Gough-Yates p 7 Holt said that when writing, "I was determined that if we had a criminal as a central figure then we would not have this element of self pity that was so prevalent in those days."

George Nader appeared in the film just after his long-term contract with Universal had ended. He arrived in London on 3 December 1957.Nader to Do Films in London and Italy

Hopper, Hedda. Los Angeles Times 30 Nov 1957: B2.


Maggie Smith was a rising stage star and one of 11 artists under contract to Ealing.MISS SMITH TAKES THE STAGE

Richards, Dick. The Sketch; London Vol. 228, Iss. 2952, (Jan 15, 1958): 68.


Holt said: "I was very to make something rather stylish."Gough-Yates p 9 He also said that Balcon was very supportive, although "in the end he ratted on me slightly by agreeing with MGM to cut out a quarter of an hour of the film. It might not have been a mistake, I dont know. They were good sequences that went. One was with Lily Kahn; one was with a girl that plays his wife in a flashback to her visit to prison. They were good acting sequences. The visit to prison is a very good scene, utterly flat and miserable. On the other hand I must confess you dont have to have it."Gough-Yate p 9-10

Release



'Nowhere to Go' was the first Ealing film under the MGM arrangement not to receive a standalone release. Instead, MGM trimmed the film to a length of 89 minutes and released it in the UK on the bottom half of a double bill with the World War II submarine drama 'Torpedo Run'. The pairing premiered in the West End on 4 December 1958 at Fox's Rialto Theatre rather than one of MGM's two West End outlets. A UK general release began on the ABC circuit from 11 January 1959.

Reception



Critical

'Sight & Sound' wrote that the film "looked decidedly promising. In fact it is a failure, though neither negligible nor unintelligent; and the reasons for failure are themselves revealing... it never quite makes up its mind about its central character, presenting him at one moment as an enemy of society, then sentimentalising over him as a fugitive and victim; and it provides scarcely a shred of plausible motivation for the girl... a picture which often lets its story slide while it fills in background detail."[https://archive.org/details/Sight_and_Sound_1959_01_BFI_GB/page/n61/mode/2up?q=%22nowhere+to+go%22 Review of film] at Sight and Sound



David Thomson later called the film "a cool, supremely visual thriller that in terms of its minimal dialogue and daring narrative playfulness is closer to the world of Jean-Pierre Melville than to any British precedents."Desert heat

Thompson, David. Sight and Sound; London Vol. 21, Iss. 9, (Sep 2011): 10.


Box office

According to MGM records, the film earned $145,000 in the U.S. and Canada and $450,000 elsewhere, resulting in a loss of $242,000.

Director Seth Holt said that after the film came out, "I was out on my ear and didnt get any work at all for a long time... 'Nowhere to Go' dropped like a stone. I like to think, if it had been about two years later, people would have noticed it."Gough-Yates p 10 He returned to editing for several years until an executive at Hammer Film Productions who had liked 'Nowhere to Go' hired him for 'Taste of Fear' (1961).

References



Further reading



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