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Patterns (film)
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Wikipedia article
'Patterns', also known as 'Patterns of Power', is a 1956 American "boardroom drama" film starring Van Heflin, Everett Sloane, and Ed Begley; and directed by Fielder Cook. The screenplay was by Rod Serling, who adapted it from his teleplay of the same name, which was originally broadcast January 12, 1955 on the 'Kraft Television Theatre' with Sloane, Begley and Richard Kiley.
Plot
Ruthless Walter Ramsey runs Ramsey & Co., a Manhattan-based industrial empire he inherited from his father. He brings Fred Staples, a youthful industrial engineer whose performance at a company Ramsey has recently acquired has impressed him, in for a top executive job at the headquarters. Though Staples is initially clueless, Ramsey is grooming him to replace the aging Bill Briggs as the second in command at the company.
Briggs has been with the firm for decades, having worked for and admired the company's founder, Ramsey's father. His concern for the employees clashes repeatedly with Ramsey's ruthless methods. Ramsey will not fire Briggs outright but does everything in his power to sabotage and humiliate him into resigning. The old man stubbornly refuses to give in. Staples is torn by the messy situation, his ambition conflicting with his sympathy for Briggs.
The stress gets to Briggs, who collapses after a confrontation with Ramsey and later dies. This causes a heated showdown between Ramsey and Staples, in which Staples announces he is quitting. Ramsey rebukes him, asserting only men with his talent have what it takes to make a corporation like Ramsey & Company succeed. He offers Briggs' job and an enormous increase in salary to Staples, who resists. Ramsey increases the fever of his pitch, adding that Staples will never be able to reach his full potential anywhere else. Staples counters with double his salary, stock options, and the right to punch Ramsey in the jaw if he feels so inclined adding that he will do all he can to replace him. Ramsey enthusiastically agrees to all of the conditions.
Cast
* Van Heflin as Fred Staples
* Everett Sloane as Walter Ramsey
* Ed Begley as William Briggs
* Beatrice Straight as Nancy Staples, Fred's wife
* Elizabeth Wilson as Marge Fleming, Briggs' loyal secretary, who is reassigned to Staples
* Joanna Roos as Miss Margaret Lanier, Ramsey's secretary
* Valerie Cossart as Miss Stevens
* Eleni Kiamos as Sylvia Trammel
* Ronnie Welsh as Paul Briggs, William's teenage son
* Shirley Standlee as Miss Hill
* Andrew Duggan as Mr. Jameson
* Jack Livesey as Mr. Vanderventer
* John Seymour as Mr. Gordon
* James Kelly as Mr. Latham
* John Shelly as Mr. Grannigan
Reception
Critical response
Film critic Dennis Schwartz gave the film an A and highly praised it in his 2002 Ozus review::"'Patterns' is based on the teleplay of Rod Serling which was aired live on TV in January of 1955 on Kraft Television Theater, and was so-well received that it was repeated four weeks later. That was something not done during that period. This brilliant script by the creator of the 'Twilight Zone', Rod Serling, is considered by many as the finest piece of writing he has ever done and brought him instant acclaim. It is ably directed by Fielder Cook ... The ensemble cast is superb, with special kudos to Van Heflin, Ed Begley, Beatrice Straight and Everett Sloane. This is Van Heflin's finest role since 'Shane' (1953)."
Added Schwartz:
:"It's a forceful melodrama, that takes the viewer into the pits of a big corporation's board room politics, backstabbing, and the tough way of doing business. Things have changed since the 1950s which make some things outdated, but the film still has its finger on the savage nature of the business world. Even when a company is not as corrupt as an Enron, people are still perceived as secondary to making a profit no matter what."
In the April 27, 2008, edition of 'TV Week', the television critic Tom Shales compared the movie unfavorably to the live TV production:
:Some people thought live TV was the beginning of a truly new storytelling mediumone uniquely suited to intimate, unadorned, psychological dramasbut it turned out to be a beginning with a tiny middle and a rushed end... 'Patterns' was so well-received that Kraft mounted a live repeat of the show a month later, and the intimate TV show was turned into a less intimate (and somehow less satisfying) movie in 1956. Except for the use of terms like mimeographed and teletype, little about the drama seems dated, unless one is of the opinion that corporate politics and boardroom bloodletting no longer exist... With minimally judicious scene-setting (shots of clocks, a building directory, a switchboard) and a rapid introduction of characters, Serling pulls a viewer almost immediately into his story, a tale of corporate moralityor the lack of itand such everyday battles as the ones waged between conscience and ambition.
See also
*List of American films of 1956
References
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