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Timeslip (1955 film)

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Wikipedia article




'Timeslip' (known as 'The Atomic Man' in the United States) is a 1955 British black-and-white science fiction film directed by Ken Hughes and starring Gene Nelson and Faith Domergue. Produced by Alec C. Snowden, it is based on a script by Charles Eric Maine, who also wrote 'Spaceways'.TIMESLIP

Monthly Film Bulletin; London Vol. 22, Iss. 252, (Jan 1, 1955): 170.


In the UK, the film was distributed by Anglo-Amalgamated. In 1956 the film was shortened from 93 minutes to 76 minutes and distributed in the U.S. by Allied Artists Pictures in some areas as a double feature with 'Invasion of the Body Snatchers'.

Plot



An injured man is pulled from the Thames. He has been shot in the back and is barely alive. The science correspondent of an illustrated magazine recognises him as a nuclear physicist. But the physicist is found alive and well and working at his laboratory. When the injured man is photographed, his pictures show a strange glow surrounding him, and when he recovers enough to be questioned, his answers make no sense. It transpires that his perception of time is 7.5 seconds ahead of that of his interrogator, to the extent that he answers questions just before they are asked.

The correspondent and his photographer girlfriend try to solve the puzzle, and in doing so uncover international industrial espionage and a terrible threat to the atomic research institute.

Cast



*Gene Nelson as Mike Delaney

*Faith Domergue as Jill Robowski

*Peter Arne as Dr. Stephen Rayner/Jarvis

*Joseph Tomelty as Detective Inspector Cleary

*Donald Gray as Robert Maitland

*Vic Perry as Emmanuel Vasquo

*Paul Hardtmuth as Dr. Bressler

*Martin Wyldeck as Dr. Preston

*Leonard Williams as Detective Sergeant Haines

*Charles Hawtrey as Office boy

Production



The script for the film was a substantial reworking by Charles Eric Maine of his BBC TV play 'Time Slip', which was transmitted live on 25 November 1953, and not recorded. In the original play, Jack Mallory (Jack Rodney) dies and is brought back to life with an adrenaline injection, but this results in his perception of time being 4.7 seconds ahead of everybody else's, so he is able to answer their questions before they are even asked. His psychiatrist "cures" him by smothering him to death and then reviving him with a second - but more carefully measured - dose of adrenalin.

The film was partially funded by its UK distributor, Anglo-Amalgamated. It was a production of Todon Productions, the American company, although they are not credited.Of Local Origin

New York Times 27 Jan 1955: 17.
Star Gene Nelson had been in two musicals, 'So This Is Paris' and 'Oklahoma!', and this was his first serious dramatic lead. He was reportedly cast after Tony Owen of Todon saw Nelson on an episode of 'Studio One'.Gene Nelson Goes to England to Enact American Reporter

Hopper, Hedda. Chicago Daily Tribune 25 Jan 1955: a6.


Filming started in England on 4 February 1955. It was shot at Merton Park Studios.

'The Isotope Man'



Maine turned the script into a novel, 'The Isotope Man', published in 1957. It would be the first of three novels about reporter Mike Delaney. The 'New York Times' called the novel "fairly crude and preposterous but lively enough".Criminals at Large

By ANTHONY BOUCHER. New York Times 2 June 1957: 250.
The 'Los Angeles Times' called it "near perfect entertainment for the radioactive age."THE BOOK REPORT

Kirsch, Robert R. Los Angeles Times 4 June 1957: B5.


Critical reception



'TV Guide' called it a "dumb movie with an interesting premise"; and AllMovie similarly thought its "absolutely fascinating premise" unfortunately translated into "lack of imagination in the script"; but from an able cast, Faith Domergue was "especially welcome", and the reviewer concluded "The budget is clearly low, but (Ken) Hughes does well with what he has."

References



Bibliography

* Warren, Bill. 'Keep Watching the Skies: American Science Fiction Films of the Fifties', 21st Century Edition. Jefferson, North Carolina: McFarland & Company, 2009 (First Edition 1982). .


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