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Macao (film)
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Wikipedia article
{{Infobox film
| name = Macao
| image = MacaoPoster.jpg
| alt =
| caption = Theatrical release poster
| producer = Howard Hughes
Samuel Bischoff
Alex Gottlieb
| director = Josef von Sternberg
Nicholas Ray
| screenplay = Stanley Rubin
Bernard C. Schoenfeld
Robert Mitchum
| story = Robert Creighton Williams
| starring = Robert Mitchum
Jane Russell
William Bendix
Gloria Grahame
| music = Anthony Collins
Jule Styne
| cinematography = Harry J. Wild
| editing = Samuel E. Beetley
Robert Golden
| distributor = RKO Pictures
| released =
| runtime = 81 minutes
| country = United States
| language = English
| budget =
| gross = $1.1 million (US rentals)'Top Box-Office Hits of 1952', 'Variety', January 7, 1953
}}
'Macao' is a 1952 black-and-white film noir adventure directed by Josef von Sternberg and Nicholas Ray and starring Robert Mitchum, Jane Russell, William Bendix, and Gloria Grahame.
Plot
The movie opens with the murder of New York City Detective Lieutenant Danial Lombardy, his body discovered in Hong Kong waters.
Three strangers arrive on the same ship at the Portuguese port of Macao, lying 30 miles off of the then British protectorate of Hong Kong: Nick Cochran, a cynical-but-honest ex-serviceman, Julie Benton, an equally cynical, sultry, and well-traveled night club singer, and Lawrence Trumble, a jovial traveling salesman who deals in coconut oil, silk stockings, cigars, and contraband.
Corrupt police lieutenant Sebastian notifies casino owner and underworld boss Vincent Halloran about the new arrivals. Halloran has been tipped off about an undercover New York City policeman out to lure him into international waters so he can be arrested by British police for the murder of Detective Lombardy. With only three strangers to choose from, Sebastian informs Halloran that Nick is the cop. Halloran hires Julie as a singer, in part to find out what she knows about Nick. He then tries to bribe a puzzled Nick to leave Macao, but Nick is interested in getting to know the curvaceous Julie better and turns him down.
Later, Trumble offers the broke Nick a lucrative commission to help him sell a hot diamond necklace, which he accepts as a means of getting a nest egg to start a life together somewhere with Julie. However, when Nick shows Halloran a diamond from the necklace, Halloran recognizes it as part of the same cache he had sent to Hong Kong only a week earlier to be sold. Now certain of Nick's identity, he lays a trap for Nick, who gets knocked out and taken prisoner.
Nick is guarded by two thugs and Halloran's girlfriend and head 'croupier,' Margie. Worried that Halloran is planning to dump her for Julie, the jealous Margie helps Nick escape, with instructions to take Julie with him when he goes. The thugs discover Nick is missing and headed by Halloran's murderous henchman, Itzumi, pursue him on a wild chase down to the waterfront. When Trumble happens on the late-night fracas he tries to help Nick, and, mistaken by the thugs for him, is killed. Before dying he tells Nick about having used him in an attempt to entrap Halloran, and the police boat patrolling offshore to capture the dangerous fugitive from justice if he can still be lured beyond territorial waters.
When Nick tries to get Julie to go away with him, he learns that Halloran has invited her on a trip to Hong Kong to retrieve his expensive necklace, a rendezvous he instructs her to keep. Nick lurks by the dock and disposes of Itzumi. Taking his place at the helm of Halloran's boat, he steers the unsuspecting kingpin toward the waiting police. After a violent fistfight with Halloran that leaves the mobster unconscious in the water, Nick swims him over to the British authorities.
The movie ends with Nick and Julie in a clinch, implying they will head home together to the United States, she having earlier expressed her homesickness to him and he sharing that Trumble had cleared up an outstanding shooting charge against him in New York that lad left him an involuntary exile ever since.
Cast
* Robert Mitchum as Nick Cochran, former US Signal Corps lieutenant with 3 years, 5 months and 26 days of service (e.g. US direct involvement in WW II lasted 3 years, 8 months, 26 days)
* Jane Russell as Julie Benton
* William Bendix as Lawrence C. Trumble
* Thomas Gomez as Police Lt. Felizardo Jos Espirito Sebastian
* Gloria Grahame as Margie
* Brad Dexter as Vincent "Vince" Halloran
* Edward Ashley as Martin Stewart
* Philip Ahn as Itzumi
* Vladimir Sokoloff as Kwan Sum Tang
* Emory Parnell as Ship's Captain
Production
'Macao' was the second feature that Josef von Sternberg filmed to fulfill a two-picture contract with RKO Pictures then owned by Howard Hughes. (Sternberg's first feature for Hughes was the color epic 'Jet Pilot'). Shooting began in September 1950 and was released in April 1952.Baxter, 1971. P. 162, 166-167Weinberg, 1967. p. 73
Sternberg's habit of handling actors "as mere details of dcor" elicited strenuous objections from stars Jane Russell and Gloria Grahame such that "the shooting of 'Macao' has become a minor legend." John Baxter reports that "fights on the set" were not uncommon, and were manifested in the "strained" performances of the cast.Baxter, 1971. P. 167
During the final stages of filming, director Nicholas Ray was enlisted to perform retakes on a critical fistfight scene between Robert Mitchum and Brad Dexter, because Sternberg's handling was deemed unsatisfactory by producer Alex Gottlieb. Although uncredited, Ray's contribution to the film was recognized by Sternberg.Baxter, 1971. P. 168Sarris, 1966. P. 53
Sternberg, who "despised the script and the close control" by the studio "disowned" responsibility for the production.Baxter, 1993. P. 111
Only B-roll footage was shot on location in Hong Kong and Macau. T.V. actor and host Truman Bradley narrated the film's opening.
Jane Russell sings the Johnny Mercer and Harold Arlen ballad "One for My Baby (and One More for the Road)",Retrieved 29 June 2018.https://www.youtube.com/watch?v=BjC3ZcXSh6c and the Jule Styne and Leo Robin tune "You Kill Me"Retrieved 29 June 2018 https://www.youtube.com/watch?v=uLNqTbBu-zoSarris, 1966. P. 52
Reception
The film recorded a loss of $700,000.Richard B. Jewell, 'Slow Fade to Black: The Decline of RKO Radio Pictures', University of California, 2016 Biographer Herman G. Weinberg called the film "a critical and box-office fiasco."Weinberg, 1967. p. 73
Critical response
Critic Bosley Crowther, writing for 'The New York Times' in 1952, lambasted the characters as "flimflam" and the story "pedestrian", despite some "well-placed direction by Josef von Sternberg in a couple of scenes."
Film historian Andrew Sarris in his appraisal of Sternberg's films for Museum of Modern Art (MOMA), deplores 'Macao' as a series of "visual coups" assembled "to conceal the meaninglessness of the [on-screen] action ..." Whereas Sarris praises the majority of Sternberg's films "for their unity of form and function", 'Macao' proves "how superficial mere style can be."Sarris, 1966. P. 52-53
A particular concern of the Brooklyn Eagle's reviewer was the anything-but-novel setting and atmosphere: "But the plot is one that has seen long service, and that went over big before the war, when a Far East locale definitely established a picture as super-sinister in tone, and the action took the form of thrown knives and clutching hands. 'Macao' has retained the general air of menace along with the arthritic plot....'Macao' may have a story that has seen better days, but Jane Russell's clothes are strictly from now. That's what distinguishes 'Macao' from other films of its type."Corby, Jane. "At the Movies," Brooklyn Eagle, 1 May 1952.
The New York Post predicted success for the production: "It is contrived but nevertheless absorbing....Streetlinesif they still stand on them for anythingare predicted for 'Macao' and they'll get their money's worth.""Irene Thirer's Screen Views." New York Post, 1 May 1952.
Journalist and filmmaker John Baxter, writing for the International Film Guide Series, has a higher opinion of the film and lauds the "bravura passages" and the "atmosphere and dcor that make the work definitively "Sternbergian".Baxter, 1971. P. 167, 169 Both Sarris and Baxter acknowledge Sternberg's stylistic signature in the deadly waterfront chase amid the docked fishing boats, as well as the amusing bedroom scene where an electric fan reduces a pillow to "a storm of feathers."Baxter, 1971. P. 168Sarris, 1966. P. 53
In 2005, film critic Dennis Schwartz, writing for 'Ozus' World Movie Reviews', lauded the casting of Jane Russell and Robert Mitchum:
Baxter laments that 'Macao', though "not a classic work ... ill-deserves its present obscurity."Baxter, 1971. P. 168
References
Sources
* Baxter, John. 1971. 'The Cinema of Josef von Sternberg'. The International Film Guide Series. A.S Barners & Company, New York.
* Sarris, Andrew. 1966. 'The Films of Josef von Sternberg'. Museum of Modern Art/Doubleday. New York, New York.
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