Home | Movies By Year | Movies from 1949


The Undercover Man

Buy The Undercover Man now from Amazon

First, read the Wikipedia article. Then, scroll down to see what other TopShelfReviews readers thought about the movie. And once you've experienced the movie, tell everyone what you thought about it.

Wikipedia article




'The Undercover Man' is a 1949 American crime film noir directed by Joseph H. Lewis and starring Glenn Ford..

Plot



Frank Warren is a treasury agent assigned to put an end to the activities of a powerful mob crime boss. The agent struggles to put together a case but is frustrated when all he finds are terrified witnesses and corrupt police officers. Although most informants end up dead, Agent Warren gets critical information about the mob from an unlikely source.

Cast



* Glenn Ford as Frank Warren

* Nina Foch as Judith Warren

* James Whitmore as George Pappas

* Barry Kelley as Edward O'Rourke

* David Bauer as Stanley Weinburg (as David Wolfe)

* Frank Tweddell as Insp. Herzog

* Howard St. John as Joseph S. Horan

* John Hamilton as Police Sergeant Shannon

* Leo Penn as Sydney Gordon

* Joan Lazer as Rosa Rocco

* Esther Minciotti as Maria Rocco

* Angela Clarke as Theresa Rocco

* Anthony Caruso as Salvatore Rocco

* Robert Osterloh as Manny Zanger

* Kay Medford as Gladys LaVerne

* Patricia Barry as Muriel Gordon (as Patricia White)

Background



, director Joseph H. Lewis and Barry Kelley on the set of 'The Undercover Man'

The film was based on an article titled "He Trapped Capone," the first part of the autobiography 'Undercover Man' by Federal Agent Frank J. Wilson, which was serialized in 'Collier's' in 1947.

Many details were fictionalized. The timeframe was changed from the Prohibition era to the postwar era. Chicago became an unnamed fairly-nondescript big city. Al Capone was referred to only as the shadowy "Big Fellow" and photographed only from the rear and was a more diversified mobster rather than primarily a bootlegger (reflecting the change in US organized crime following Prohibition's repeal). Also, of course, IRS Criminal Investigator Frank Wilson became IRS Criminal Investigator Frank Warren.

Nevertheless, the film authentically portrayed the efforts of Wilson's team to put together a tax evasion case against Capone, and in many respects, despite the name changes and nondescript settings, the film is a far more accurate depiction of the investigation than later films on the same subject like 'The Untouchables'.

For example, in 'The Untouchables' the judge presiding over Capone's trial abruptly changes juries in the middle of the case, something that would never happen in real life. What actually happened was that the judge switched jury panels just before the trial began, and the incident is accurately portrayed in 'The Undercover Man'.

Critical response



Bosley Crowther panned the film in 'The New York Times': "Furthermoreand this is fatalit is a drearily static film, for all its explosive flurries of gun-play and passing of violent threats. The big crisis in the picture comes when the Treasury man, played by Glenn Ford, is uncertain whether to stick with the case or retire to a farm. And the basis of his decision to go on sleuthing for Uncle Sam is a long-winded lecture on justice which a sad-eyed Italian woman gives. Mr. Ford, in a battered gray hat and a baggy suit, makes a pretty case for higher salaries to civil servants but a not very impressive sleuth. And James Whitmore, who played the sergeant in 'Command Decision' on the stage, seems much more inclined to low clowning than to accounting as an assistant on the case. Barry Kelley is robustly arrogant as "the big fellow's" lawyer and front-man, with several other performers doing standard character roles."[https://movies.nytimes.com/movie/review?res=9B01E0D6133CE23BBC4951DFB2668382659EDE Crowther, Bosley]. 'The New York Times,' film review, April 21, 1949. Last accessed: January 20, 2008.

The staff at 'Variety' magazine gave the film a positive review, writing: "Narrated in a straightforward, hardhitting documentary style, 'The Undercover Man' is a good crime-busting saga. Standout features are the pic's sustained pace and its realistic quality. Fresh, natural dialog help to cover up the formula yarn, while topnotch performances down the line carry conviction. Joseph H. Lewis's direction also mutes the melodramatic elements but manages to keep the tension mounting through a series of violent episodes."[https://www.variety.com/review/VE1117796003.html?categoryid=31&cs=1 'Variety']. Film review, March 21, 1949. Last accessed: January 20, 2008.

'Time Out' film guide lauded the film and wrote, "A superior crime thriller in the semi-documentary style beloved by Hollywood in the late 1940s...[the film] achieves an authenticity rare in the genre. Perhaps even more impressive is the acknowledgment that mob crime affects not only cops and criminals, but innocents too: witnesses are silenced, bystanders injured. And Lewis - one of the B movie greats - directs in admirably forthright, muscular fashion, making superb use of Burnett Guffey's gritty monochrome camerawork."[https://archive.today/20130205011832/http://www.timeout.com/film/newyork/reviews/80994/the-undercover-man.html 'Time Out']. Film review, 2006. Last accessed: January 20, 2008.

References




Buy The Undercover Man now from Amazon

<-- Return to movies from 1949



This work is released under CC-BY-SA. Some or all of this content attributed to http://en.wikipedia.org/w/index.php?oldid=1106352351.