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The Eagle with Two Heads
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Wikipedia article
'The Eagle with Two Heads' (French title 'L'Aigle deux ttes') is a French film directed by Jean Cocteau released in 1948. It was adapted from his own play 'L'Aigle deux ttes' which was first staged in 1946, and it retained the principal actors from the first Paris production.
Synopsis
On the 10th anniversary of the assassination of the king, his reclusive widow, the Queen, arrives to spend the night at the castle of Krantz. Stanislas, a young anarchist poet who seeks to assassinate her, enters her room, wounded; he looks exactly like the dead king, and the Queen shelters him instead of handing him over to the police. She sees him as the welcome embodiment of her own death, calling him Azrael (the angel of death). An ambiguous love develops between them, uniting them in a bid to outwit the machinations of the court politicians, represented by the Comte de Fohn, the chief of police, and dith de Berg, the Queen's companion. In order to remain true to their ideals and to each other, the Queen and Stanislas have to play their parts in a bizarre private tragedy, which the world will never understand.
Cast
*Edwige Feuillre as the Queen
*Jean Marais as Stanislas
*Silvia Monfort as dith de Berg
*Jean Debucourt as Flix de Willenstein
*Jacques Varennes as Comte de Fohn
*Ahmed Abdallah as Tony
*Yvonne de Bray as La prsidente
Production
Cocteau's play was produced in Paris in 1946 and 1947, and his decision to make a prompt adaptation for the cinema allowed him to retain the principal actors who had enjoyed personal successes with their roles, especially Edwige Feuillre and Jean Marais. Cocteau declared his intention of following the three-act structure of the play closely, citing his admiration of the methods of Ernst Lubitsch,Jean Cocteau, in 'Combat', 21 August 1947, quoted in Claude-Jean Philippe, 'Jean Cocteau'. (Paris: Seghers, 1989) p.160: " l'exemple de Lubitsch, que j'admire beaucoup, le film suivra la pice de trs prs. Je l'ai construit autour des trois scnes principales". but he opened out some of the scenes into a wider variety of locations. Filming began in October 1947 at the Chteau de Vizille,Ren Gilson, 'Jean Cocteau cinaste'. (Paris: ditions des Quatre-Vents, 1988) p.26. and further shots were filmed at the Studio d'pinay on the outskirts of Paris.
Christian Brard supervised the art direction, and the sets and costumes (executed by Georges Wakhvitch and Marcel Escoffier respectively) evoked a royal palace in an imaginary kingdom of 19th century middle-Europe. Georges Auric expanded the music which he had written for the stage production into a full score for the film.[http://cinema.encyclopedie.films.bifi.fr/index.php?pk=47676 'L'Aigle deux ttes'] at 'Cin-Ressources'. Retrieved 4 July 2022.Arthur King Peters, 'Jean Cocteau and his World'. London: (Thames & Hudson, 1987.) p. 166.
Reception
The film was released in Paris in September 1948. Its reception among French critics was mixed. It was appreciated for the sumptuous quality of its spectacle and for the elevated performances of its actors.E.g. Louis Chauvet, 'Le Figaro', 26 August 1948, quoted in Claude-Jean Philippe, 'Jean Cocteau'. (Paris: Seghers, 1989) p.162: "Les personnages parlent une langue toujours belle, et mmes leurs attitudes sont belles". Others however felt that its artificiality belonged to another age and another medium, and that Cocteau had not sufficiently emancipated his film from its theatrical origins.Andr Bazin, 'Parisien', 29 September 1948, quoted in Claude-Jean Philippe, 'Jean Cocteau'. (Paris: Seghers, 1989) p.160: "'L'Aigle deux ttes' laisse indiffrent comme un motif dcoratif habilement inspir du style d'une autre poque".Jean Nry, 'L'cran franais', quoted in Claude-Jean Philippe, 'Jean Cocteau'. (Paris: Seghers, 1989) p.162: "Il n'a pas su (ou pas voulu) s'manciper des disciplines thtrales".
When the film was shown in New York in 1948 and in London in 1949, the reviewers of both 'The New York Times' and 'The Times' shared a similar perplexity about the film's meaning and purpose.Bosley Crowther, "L'Aigle deux ttes", in 'New York Times', 30 December 1948: "It sometimes helps if a reviewer has a faint idea of what a film he is reviewing is supposed to be about... Unfortunately, Mr Cocteau neglected to make it clear... Plenty of money and taste have plainly been spent on a handsome physical production. Hapsburg splendor is in the sets and the costumes which Miss Feuillere fills out are lovely and flattering. But they all add up to nothing."'The Times' (London), 10 November 1949, p.7, col.C: "The passion of Cocteau for history and for legend, his conception of illusion and reality, his preoccupations with death and doom, his romantic mysticism, so heavy and overcharged that it is difficult to remember that he is a French and not a Teutonic director - all these are indeed present in this new film, but fitfully, as it were, as inadequate exponents of the mood and the motive of the initial impulse. The play may have made things clearer...". The film has in general not enjoyed the same attention as the others which Cocteau directed in the 1940s.
References
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