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In the Street (film)
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Wikipedia article
'In the Street' is a 16-minute documentary film released in 1948 and again in 1952. The black and white, silent film was shot in the mid-1940s in the Spanish Harlem section of New York City. Helen Levitt, Janice Loeb, and James Agee were the cinematographers; they used small, hidden 16 mm film cameras to record street life, especially of children. Levitt edited the film and, subsequent to its first release, added a piano soundtrack composed and performed by Arthur Kleiner.From 1939 through 1967, Arthur Kleiner was the musical director for the film department of the New York Museum of Modern Art. He composed and performed piano scores for many silent films; his collection of 700 musical scores for silent films, which includes his own score for 'In the Street', is now archived at the University of Minnesota. See
Production
The film is generally considered as an extension of Levitt's (now famed) street photography in New York City, and Levitt subsequently re-used the title, 'In the Street', for a volume reproducing her photographs. Arden also notes that 'In the Street' was an influence on Stan Brakhage's and Andy Warhol's filmmaking. Loeb was a painter and photographer. James Agee was a noted writer; both Loeb and Agee subsequently collaborated with Levitt on a second film, 'The Quiet One' (1948).
Manny Farber summarized the film at the time, "The movie, to be shown around the 16mm circuit, has been beautifully edited (by Miss Levitt) into a somber study of the American figure, from childhood to old age, growing stiffer, uglier, and lonelier with the passage of years." This book is a collection of Farber's reviews; the original review appeared in 'The Nation'. The artist Roy Arden recently summarized the film somewhat differently, "'In The Street' is reportage as art. It reports the facts, but for their useless beauty above all. While it could be argued that the film tells us how working class residents of Spanish Harlem lived in the 1930s and 1940s - how they looked and behaved, the addition of expository narration could have told us so much more. Statistics and other facts could have helped us put what we see into context and multiplied the use-value of the film. The absence of narration or other texts proves the artist's intent that we are intended to enjoy the film as a collection of beautiful appearances."
Reception
In 2006, 'In the Street' was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".
Release
A videotape version of the film was released in 1996, but is apparently out of print.
References
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