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The Dancing Girl of Izu (1933 film)

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Wikipedia article




'The Dancing Girl of Izu' is a 1933 Japanese silent romance film directed by Heinosuke Gosho. It is the first adaptation of the 1926 short story by Yasunari Kawabata.

Plot



During his vacation tour on Izu peninsula, Tokyo student Mizuhara befriends a group of local travelling musicians led by Eikichi. Eikichi lost the family's inheritance, a gold mine, due to his carelessness, which he had to sell for a low price to its new owner Zenbei. While staying in their hometown where they have an engagement, Eikichi's sister Kaoru falls in love with Mizuhara. Instigated by the mine's former engineer Kubota, Eikichi demands what he considers his fair share from Zenbei, but Zenbei replies that he will only give Eikichi money if he sells his sister Kaoru to him. Mizuhara confronts Zenbei, who also happens to be the father of his fellow student Ryichi, with what he considers an insolent proposal. As it turns out, Zenbei, who was a friend of Eikichi's and Kaoru's father, wants to spare Kaoru the fate of living the life of a travelling musician. Unbeknownst to Kaoru and her brother, Zenbei secretly opened a bank account in her name and hopes to marry her to his son Ryichi one day. Mizuhara and Kaoru part in tears upon his return to Tokyo, and before entering the boat which will take him home, he advises her to seek happiness in a stable life as Ryichi's wife.

Cast



*Den Ohinata (credited Den Obinata) as Mizuhara

*Kinuyo Tanaka as Kaoru

*Tokuji Kobayashi as Eikichi

*Eiko Takamatsu as Otatsu, Eikichi's mother

*Kinuko Wakamizu as Chiyoko, Eikichi's wife

*Shizue Hyd as Yuriko

*Jun Arai as Zenbei

*Ryichi Takeuchi as Ryichi

*Reikichi Kawamura as Kubota

*Rytar Mizushima as Tamura

*Takeshi Sakamoto as Hattori

*Chko Iida as a geisha

*Kikuko Hanaoka as a geisha

*Shzabur Abe as customer

*Kiyoshi Aono as Kisaku

Legacy



'The Dancing Girl of Izu' is not only the first, but also regarded the best of the many adaptations of Kawabata's story, and an important example of films connected to the 'junbungaku' ("pure literature") movement, which favoured "serious" literature in opposition to "popular" literature. Gosho and his screenwriter Fushimi added a sublot and obscured the class differences between the characters, instead aiming at a nostalgic depiction of the country "untainted by modernization" (Mitsuyo Wada-Marciano).

Notes



References




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