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Earth (1930 film)
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Wikipedia article
{{Infobox film
|name = Earth
|native_name =
|image = Zemlya 1930 poster.jpg
|caption = Theatrical release poster
|director = Alexander Dovzhenko
|producer =
|writer = Alexander Dovzhenko
|starring =
|music =
|cinematography =
|editing = Alexander Dovzhenko
|distributor =
|released =
|runtime = 76 minutes
|country = Soviet Union
|language = Silent film
Ukrainian intertitles
|budget =
}}
'Earth' (, translit. 'Zemlya') is a 1930 Soviet silent film by Ukrainian director Alexander Dovzhenko. The film concerns the process of collectivization and the hostility of kulak landowners under the First Five-Year Plan. It is the third film, with 'Zvenigora' and 'Arsenal', of Dovzhenko's "Ukraine Trilogy".
The script was inspired by Dovzhenko's life and experience of the process of collectivization in his native Ukraine. That process, which was the backdrop of the film and its production, informed its reception in the Soviet Union, which was largely negative.
'Earth' is commonly regarded as Dovzhenko's masterpiece and as one of the greatest films ever made. The film was voted number 10 on the prestigious Brussels 12 list at the 1958 World Expo.
Plot
The film begins with a montage of wind blowing through a field of wheat and sunflowers. Next, an old peasant named Semen dies beneath an apple tree, attended by his son Opanas and grandson Vasyl. Elsewhere local kulaks, including Arkhyp Bilokin, denounce collectivization and declare their resistance to it. At Opanas's home, Vasyl and his Komsomol friends meet to discuss collectivization and argue with Opanas, who is skeptical about collectivization.
Later, Vasyl arrives with the community's first tractor to much excitement. After the men urinate in the overheated radiator, the peasants plow the land with the tractor and harvest the grain, in the process plowing over the kulaks' fences. A montage sequence presents the production of bread from beginning to end. That night Vasyl dances a hopak along a path on his way home and is killed by a dark figure. Opanas looks for Vasyl's killer and confronts Khoma, Bilokin's son, who does not confess.
Vasyl's father turns away the Russian Orthodox priest who expects to lead the funeral, declaring his atheism. He asks Vasyl's friends to give his son a secular funeral and "sing new songs for a new life." The villagers do so, while Vasyl's fiance, Natalya, mourns him and the local priest curses them. At the cemetery, Khoma arrives in a frenzy to declare that he will resist collectivization and that he killed Vasyl. The villagers ignore him while one of Vasyl's friends eulogizes him. The film ends with a montage showing a downpour of rain over fruit and vegetables, after which Natalya finds herself embraced in Vasyl's arms.
Cast
* as Opanas
* as Vasyl
*Yuliya Solntseva as Vasyl's sister
*Yelena Maksimova as Natalya
* as Semen
* as Khoma Bilokin
*Ivan Franko as Arkhyp Bilokin
*Volodymyr Mikhajlov as priest
*Pavlo Petrik as Communist Party cell leader
*O. Umanets as peasant
*Ye. Bondina as peasant girl
* as young kulak
Production
Dovzhenko wrote 'Earth' in 1929, during the process of collectivization in the Ukrainian Soviet Socialist Republic, which he described as "a period of economic [and] mental transformation of the whole people." Collectivization began in 1929 as Soviet General Secretary Joseph Stalin sought to control agriculture in the Soviet Union as it industrialized. This meant breaking the power of the kulaks, rural landowners created by the Stolypin reforms of 1906, and the collectivization of privately-owned farms. Peasants resisted collectivization by killing their draft animals, sabotaging agricultural machinery, and assassinating Soviet agents. Much of 'Earth's script was inspired by Dovzhenko's experience of this process; Vasyl's death was based on the assassination of a Soviet agent in his home district. Dovzhenko also drew inspiration from his childhood memories, for instance basing the character of Semyon on his own grandfather.
Production of 'Earth' began on 24 May 1929 and was finished on 25 February 1930.
Cinematography
from the first montage, showing a woman standing next to a sunflower against the skyFilming mostly took place in the Poltava Oblast of Ukraine. To shoot the film, Dovzhenko partnered with the Ukrainian cinematographer , who also shot two of Dovzhenko's previous films, 'Zvenigora' and 'Arsenal'. Close-ups are used extensively to highlight one or several characters, usually unnamed peasants, frequently motionless. Film scholar Gilberto Perez likened 'Earth's cinematography to Homer's 'Odyssey', as "all that counts, in a given moment, is what is clearly displayed on the screen".
Vasyl's dance celebrating the success of the harvest was originally scripted as a Cossack-style 'hopak' but Svashenko altered it after consulting local Ukrainian farmers.
Release
'Earth' was released on 8 April 1930 and was banned by Soviet authorities nine days later. The original negative for the film was destroyed by a German air raid on Kyiv in the First Battle of Kyiv during Operation Barbarossa in 1941. In 1952, Dovzhenko adapted the film into a novelization.
In 2012, the National Oleksandr Dovzhenko Film Center, the Ukrainian state film archive, restored 'Earth' and gave it a new score by the Ukrainian folk quartet DakhaBrakha. This version of the film premiered at the 2012 Odesa International Film Festival.
Reception
'Earth's reception in the Soviet Union consisted of high praise receiving a standing ovation at its debut and the endorsement of the Red Army and sharp criticism. Soviet authorities and journalists simultaneously lauded the film for its "formal mastery" and derided it for perceived ideological shortcomings. 'Pravda', the official newspaper of the Communist Party, praised the film's visual style but called its political content "false". The Soviet poet Demyan Bedny attacked 'Earth', calling it "counterrevolutionary" and "defeatist" in the newspaper 'Izvestia'.
A number of very ambiguous scenes were criticized (a naked female nature, a pagan cult of nature). However, the film has gained cult status abroad.Wakeman, John. World Film Directors, Volume 1. The H. W. Wilson Company. 1987. P. 262.
Film critic C. A. Lejeune praised the film's main section, saying that it "contains perhaps more understanding of pure beauty in cinema, more validity of relation in moving image, than any ten minutes of production yet known to the screen." Lewis Jacobs compared Dovzhenko's work to Eisenstein and Pudovkin, stating that Dovzhenko "had added a deep personal and poetic insight [his films] are laconic in style, with a strange, wonderfully imaginative quality difficult to describe." Film director Grigori Roshal praised the film, writing, "Neither Eisenstein nor Pudovkin have achieved the tenderness and warmth in speaking about men and the world that Alexander Dovzhenko has revealed. Dovzhenko is always experimental. He is always an innovator and always a poet."
Dovzhenko's biographer Marco Carynnyk lauded the film's "passionate simplicity which has made it a masterpiece of world cinema" and praised its "powerful lyric affirmation of life." It was ranked #88 in the 1995 Centenary Poll of the 100 Best Films of the Century in 'Time Out' magazine. The work also received 10 critics' votes in the 2012 'Sight & Sound' polls of the world's greatest films. The British Film Institute said of 'Earth' that its plot "is secondary to the extraordinarily potent images of wheatfields, ripe fruit and weatherbeaten faces".
Legacy
'Earth' is widely considered to be Dovzhenko's 'magnum opus', and among the greatest films ever made. The National Oleksandr Dovzhenko Film Center considers 'Earth' to be the most famous Ukrainian film made. 'Earth' was voted one of the twelve greatest films of all time by a group of 117 film historians at the 1958 Brussels World's Fair and named one of the top ten greatest films of all time by the International Film Critics Symposium. 'Earth' was selected as one of five films to be screened at a festival to celebrate the 70th anniversary of UNESCO.See also
*Dovzhenko Film Studios
*Holodomor
*List of Soviet films of 1930
*Soviet propaganda
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