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Behind the Make-Up
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Wikipedia article
{{Infobox film
| name = Behind the Make-Up
| image = Behind the Make-Up 1930.jpg
| image_size =
| caption = Film poster
| director = Robert Milton
Dorothy Arzner (uncredited)
| producer = Monta Bell
| writer = Mildred Cram (story)
Howard Estabrook
George Manker Watters
| starring = Hal Skelly
William Powell
Fay Wray
Kay Francis
| music = W. Franke Harling
John Leipold
| cinematography = Charles Lang
| editing = Doris Drought
| studio = Paramount Pictures
| distributor =
| released =
| runtime = 65-70 minutes
| country = United States
| language = English
}}
'Behind the Make-Up' (1930) is an American pre-Code drama film directed by Robert Milton and Dorothy Arzner (who was uncredited),Mayne, p. 54, 183 and based on the short story "The Feeder" by Mildred Cram. The film stars Hal Skelly, William Powell, Kay Francis, and Fay Wray.
This was the first of seven in which Powell and Francis co-starred, the others being 'Street of Chance' (1930), 'Paramount on Parade' (1930), 'For the Defense' (1930), 'Ladies' Man' (1931), 'Jewel Robbery' (1932), and 'One Way Passage' (1932).
Plot
Good-natured vaudeville clown Hap Brown befriends Gardoni, a vain but penniless comedian contemplating suicide. Trying to help him out, Gardoni initially dismisses Hap's ideas but ultimately steals them and goes on his own to find success. When they meet again, Gardoni takes Hap as a partner in his show, but woos away Hap's girlfriend Marie and marries her. Soon after, as Hap and Marie try to deal with Gardoni's shabby treatment of them, he pursues an extramarital affair with the worldlier, wealthier socialite Kitty, with whom he also racks up a significant gambling debt.
Cast
* Hal Skelly as Hap Brown
* William Powell as Gardoni
* Fay Wray as Marie Gardoni
* Kay Francis as Kitty Parker
* E. H. Calvert as Dawson
* Paul Lukas as Boris
* Jean De Briac as Sculptor
* Torben Meyer as Waiter
Critical reception
Mordaunt Hall, film critic of 'The New York Times', praised the performances of Powell ("excellent"), Wray ("pleasing"), Skelly ("goes about his part with earnestness and intelligence"), and Francis ("does nicely"), but noted "the story is rather limp and disappointing."
References
Bibliography
* Mayne, Judith. 'Directed by Dorothy Arzner'. Indiana University Press, 1995
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