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La Fte espagnole
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Wikipedia article
'La Fte espagnole' is a 1920 French silent film directed by Germaine Dulac and written by Louis Delluc. It was cited by critic and film historian Georges Sadoul as being first in ushering in French impressionist cinema.Georges Sadoul, "French Film." Falcon Press, London, 1953
Plot
During a festival day in a small Spanish town, lifelong friends Migulan (Jean Toulout) and Ral (Gaston Modot) return to visit with their shared object of affection, the dancer Soledad (ve Francis).[http://www.cinematheque.fr/catalogues/restaurations-tirages/film.php?id=48275#technique Cinemathque Franaise, "La Fte espagnole"] Faintly amused, she cares for neither one of them, but proposes that they should fight to the death for her hand. As the two friends struggle, Soledad pursues Juanito (Robert Delsol), a young man caught up in the drunken whirl and excitement of the festival.[https://mubi.com/films/spanish-fiesta MUBI, "Spanish Fiesta"]
Cast
*ve Francis ... Soledad
*Jean Toulout ... Migulan
*Gaston Modot ... Ral
*Robert Delsol ... Juanito
*Anna Gay ... la vieille Paguien
*Gabriel Gabrio
Production
ve Francis had already starred in Germaine Dulac's earlier serial 'mes des fous' (1918). In either late 1918 or early 1919, Francis asked if she could bring by her fiancee, Louis Delluc. At their first meeting, Dellucwho was already a respected, up-and-coming film critic for 'Paris-Midi'read his scenario "Le Fandango," reputedly written on the cut-out section of a paper tablecloth.Ren Jeanne, Interview with Germaine Dulac, 'Du journal lcran', Cin-club No. 6, March 1949, p. 5 Dulac was impressed and agreed to direct the production, which commenced in late August 1919 at the site of the future Victorine Studios in Nice; Louis Nalpas agreed to back the production as long as it was shot there, though some additional material was filmed in the Basque border town of Hondarribia. For the duration of the shooting, which concluded in November, Delluc was only seen intermittently on the set. He was, however, fully involved in editing the film with Dulac. It was screened for critics on 17 March 1920, and went into release either 31 March or 7 May 1920.
Reception
'La Fte espagnole' was praised as something vital and new in French cinema, althoughas observed by Tami WilliamsTami Williams, "Germaine Dulac: A Cinema of Sensations," University of Illinois Press, 2014the praise was directed toward Delluc, and not Dulac. For Delluc's part, he never avoided praising Dulac's contribution to the success of the film, stating that it was "a rare example of complete cooperation in French cinema. Author, director and actors have agreed, through their specific affinities and willingness to work, to seek the absolute realization of the chosen theme."Louis Delluc, from an article published in Paris-Midi, 4 May 1920, in Ecrits cinmatographiques III, Drames de cinma, Cinmathque franaise et Editions de ltoile/Cahiers du cinma, Paris, 1990, p. 27 ve Francis commented that 'La Fte espagnole' "had a staggering effect on the filmmakers then. The accelerated movement of this synthetic drama, suffused with poetry, was an unprecedented novelty." Delluc's original screenplay consisted of 217 numbered scenes, with each scene indicated by single line of text, and a gradual acceleration in the pace of these shots is observed as the film progresses. Henri Langlois commented that 'La Fte espagnole' was "the key film of French film history: as important as Eisenstein's 'Strike'."Eric Rohmer and Michel Madre, Interview with Henri Langlois, Cahiers du Cinma No. 135, September 1962. Despite its influence on other filmmakers and favorable critical appraisal, the moviegoing public ignored the film, and it was banned in Portugal.
Delluc's screenplay was one of three published under the title 'Drames du Cinema' in 1923.
Preservation status
Only 8 minutes of 'La Fte espagnole', which originally ran 67 minutes, have survived. According to Williams,Tami Williams, "Germaine Dulac: A Cinema of Sensations," University of Illinois Press, 2014 this consists of three or four short and disconnected sequences from throughout the film. These nitrate negative fragments were acquired by Henri Langlois in 1938 from clair, and were transferred to safety film in 1948; nothing else of 'La Fte espagnole' has turned up since then. Nevertheless, this film remnant is still shown periodically in retrospectives of Dulac's work and was included, in 2012, in the Cinmathque Franaise's festival 'Toute la mmoire du monde'.
Alternative titles
*'Spanish Fiesta'
*'Spanish Festival'
References
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