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L'Arroseur Arros

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Wikipedia article

'L'Arroseur Arros' (; also known as 'The Waterer Watered ' and 'The Sprinkler Sprinkled') is an 1895 French short black-and-white silent comedy film directed and produced by Louis Lumire and starring Franois Clerc and Benot Duval. It was first screened on June 10, 1895.

It is the earliest known instance of film comedy, the first use of film to portray a fictional story, and the first use of a promotional film poster. The film was originally known as 'Le Jardinier' ("The Gardener") or 'Le Jardinier et le petit espigle', and is sometimes referred to in English as 'The Tables Turned on the Gardener', and 'The Sprinkler Sprinkled'.


Shot in Lyon in the spring of 1895, the film portrays a simple practical joke in which a gardener is tormented by a boy who steps on the hose that the gardener is using to water his plants, cutting off the water flow. When the gardener tilts the nozzle up to inspect it, the boy releases the hose, causing the water to spray him. The gardener is stunned and his hat is knocked off, but he soon catches on. A chase ensues, both on and off-screen (the camera never moves from its original position) until the gardener catches the boy and administers a spanking. The entire film lasts only 45 seconds, but this simple bit of slapstick may be the forerunner of all subsequent film comedy. The 1896 film version replaces the boy with a teenager and the spanking action is substituted with a kick in the rump.


In the earliest years of the history of film, the cinema was used by pioneers such as Thomas Edison and the Lumires to entertain by the sheer novelty of the invention, and most films were short recordings of mundane events, such as a sneeze, or the arrival of a train. The Lumires took some of the first steps toward narrative film with 'L'Arroseur arros'. Given the documentary nature of existing films up until this point, a scripted, comedic film shown among these was unexpected by an audience, enhancing its comedic surprise value.

It was filmed by means of the Cinmatographe, an all-in-one camera, which also serves as a film projector and developer. As with all early Lumire movies, this film was made in a 35 mm format with an aspect ratio of 1.33:1.


Louis Lumire used his own gardener, Franois Clerc, to portray the gardener. For the mischievous boy, Lumire used a young apprentice carpenter from the Lumire factory who is variously credited as Daniel Duval and Benot Duval (born 1881). But Lon Trotobas seems to have been the first boy to play the role in La Ciotat.

* Franois Clerc as Gardener

* Lon Trotobas, then Benot Duval as Boy (sometimes credited as Daniel Duval)


The poster for 'L'Arroseur arros' has the distinction of being the first poster designed to promote an individual film. Although posters had been used to advertise cinematic projection shows since 1890, early posters were typically devoted to describing the quality of the recordings and touting the technological novelty of these shows. The poster for 'L'Arroseur', illustrated by Marcellin Auzolle, depicts an audience (in the foreground) laughing as the film (in the background) is projected against a screen. It depicts the moment the gardener is splashed in the face, and is thus also the first film poster to depict an actual scene from a film.

Copies and imitations

As copyright law was neither enforced nor yet well-defined for the emerging art of cinema, it was common both for competing filmmakers to reshoot a popular film short and for distributors to duplicate a film print to show as their own. Through these practices, 'L'Arroseur Arros' was copied several times and released under a number of different titles in both France and the United States, including at least one remake by the Lumires themselves. Little is known about most of these copies, although one remake was filmed by Georges Mlis, titled 'L'Arroseur', in 1896. In Britain, 'The Biter Bit' was released in 1899. French New Wave director Franois Truffaut later included an homage to the gag in his 1958 film, 'Les Mistons'.

Current status

Given its age, this short film is available to freely download from the Internet. It has also featured in a number of film collections including 'Landmarks of Early Film Volume 1'.

See also

*Anarchic comedy film

*Visual gag


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