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'Cities of the Red Night' is a novel by American author William S. Burroughs. It is part of his final trilogy of novels, known as The Red Night Trilogy, followed by 'The Place of Dead Roads' and 'The Western Lands', and was first published in 1981. It was his first full-length novel since 'The Wild Boys' a decade earlier. The plot revolves around a group of radical pirates who seek the freedom to live under the articles set out by Captain James Mission. In near present day, a parallel story follows a detective searching for a lost boy, abducted for use in a sexual ritual. The cities of the title mimic and parody real places, and Burroughs makes references to the United States, Mexico, and Morocco.
The plot follows a nonlinear course through time and space. It imagines an alternate history in which Captain James Mission's Libertatia lives on. His way of life is based on 'The Articles', a general freedom to live as one chooses, without prejudice. The novel is narrated from two different standpoints; one set in the 18th century which follows a group of pirate boys led by Noah Blake, who land in Panama to liberate it. The other is set in the late 20th century, and follows a detective tracing the disappearance of an adolescent boy.
In a March 15, 1966 letter to Brion Gysin, Burroughs describes a project he was working on at the time:
This project would become the basis of the chapter "We See Tibet With The Binoculars Of The People". The phrase "we see Tibet with the binoculars of the people" first appeared in the essay "Ten Years and a Billion Dollars," in 'The Adding Machine', amongst a group of random phrases selected from Konstantns Raudive's book 'Breakthrough'. Several of those phrases became chapter titles in 'Cities of the Red Night'.
The cover art for the 1981 Holt-Rinehart-Winston first edition is Pieter Brueghel the Elder's 1562 painting "The Triumph of Death".
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